Henry Moore Artwork Catalogue
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0001209
Author/Editor: FEAVER William.
Publisher: Observer
Place Published: London
Year: 1983
Date & Collation: (3 July)..(1 Moore illus).
Description: Notes exhibitions marking Moore's 85th birthday at Marlborough (See 0001062) and elsewhere, the publication of Henry Moore: Sculpture and Drawings, Volume 5 (See 0000971), and Moore's participation in the Welsh Sculpture Park (See 0001096).
0001655
Author/Editor: FEAVER William.
Publisher: Observer
Place Published: London
Year: 1982
Date & Collation: (5 Dec)..(1 illus).
Description: Note on re-opening of Leeds City Art Gallery and its benefactors, including Moore's £300,000, and the Moore exhibition (See 0001471). The early works are seen as both tender and grand" but the value to today's sculpture students of Study Centre is questioned."
0013085
Author/Editor: FEAVER William.
Publisher: Observer
Place Published: London
Year: 1988
Date & Collation: (18 Sept)..(1 illus).
Description: Review of Royal Academy exhibition (See 0011076), basically finding Moore's work impressive up to 1944, with everything after that turning point becoming commercial. Moore was cast as the Greater Good... The great commoner's initials HM had of course a regal ring to them.""
0011841
Author/Editor: FEAVER William.
Publisher: Observer
Place Published: London
Year: 1986
Date & Collation: (7 Sept)..
Description: Obituary tribute, noting the monumentality of Moore's works, and his fame. He thought sculpturally first to last...""
0002757
Author/Editor: FEAVER William.
Publisher: Observer
Place Published: London
Year: 1978
Date & Collation: (9 April) 33(1 illus).
Description: Descriptive review of the Bradford exhibition (See 0002723) in which Moore is described as out of circulation as far as current sculptural trends are concerned for many years set apart; virtually an Emperor on Elba"."
0002796
Author/Editor: FEAVER William.
Publisher: Observer
Place Published: London
Year: 1978
Date & Collation: (16 July) 25.
Description: Review of the Tate (See 0003064 and 0002830) and Serpentine (See 0002718 and 0002719) exhibitions revealing Feaver's cool approach to some aspects of Moore's output (John Houston's plastic stand in for Moby Dick looms to mind") and his liking for the small bronzes and sheep drawings."