Henry Moore Artwork Catalogue
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0002996
Author/Editor: CLARK Kenneth.
Publisher: Thames and Hudson
Place Published: London
Year: 1977
Date & Collation: 240pp(219 illus).
Description: Largely pictorial survey, subtitled their relationship as reflected in Western art from prehistory to the present day".
164-165(1 illus) Henry Moore: Page from Sheep Sketchbook 1972 with caption on his sympathy for their naîve dignity."
164-165(1 illus) Henry Moore: Page from Sheep Sketchbook 1972 with caption on his sympathy for their naîve dignity."
0003031
Author/Editor: CLARK Kenneth.
Publisher: Murray
Place Published: London
Year: 1977
Date & Collation: xii,261pp.16 plates.
Description: Volume two of Clark's autobiography, continuing from Another Part of the Wood (See 0003768) from World War Two until the present. Includes an informal photograph of Graham Sutherland and Myfanwy Piper with Henry Moore on a train, and a dozen brief references to Moore, including the War Drawings (the greatest works of art inspired by the war") and the unveiling of Madonna and Child 1943-1944 Hornton stone in Northampton on a cold day in war-time ("I made an inspiring speech on art and the church").
For 1986 paperback edition see 0010462."
For 1986 paperback edition see 0010462."
0002973
Author/Editor: CLARK Kenneth.
Publisher: Sunday Times Magazine
Place Published: London
Year: 1978
Date & Collation: (30 July) 9,18-19,21,23(8 illus).
Description: Appreciation of Moore's work on the occasion of the artist's 80th birthday. Outlines the early career, and comments on the aesthetic nature of the sculpture and drawings. Brief quotations from Moore's published statements introduce the hole, the human figure, figures in a setting and in the landscape. The Shelter drawings are seen as enlarging the scope of Moore's art, and allowing him to master new motifs, like groups, drapery, and the transition from a human to an abstract feature.
0005218
Author/Editor: CLARK Kenneth.
Publisher: Soleil Québec
Place Published: Québec
Year: 1968
Date & Collation: (12 Sept)..(2 illus).Text in French.
Description: Kenneth Clark's address at the awarding of the Erasmus Prize to Henry Moore (See 0005095).
0009034
Author/Editor: CLARK Kenneth.
Publisher: Studio
Place Published: London
Year: 1942
Date & Collation: (Jan) 2-12(2 Moore illus).
Description: The War Artists' Collection (See 0008999), with a brief mention of Henry Moore's ghostly and grandiose visions"."
0016264
Author/Editor: CLARK Kenneth.
Publisher: Forum
Place Published: Warsaw
Year: 1978
Date & Collation: (31 Aug)..(2 illus).Text in Polish.
Description: Sunday Times Magazine feature (See 0002973) with Felix H. Man interview (See 0002823).
0007442
Author/Editor: CLARK Kenneth.
Publisher: Murray
Place Published: London
Year: 1956
Date & Collation: xxiii,408pp(298 illus).Bibliog.
Description: 3,355-357(Plates 292-293): Henry Moore.
Photographs of two Reclining Figures in a chapter entitled The Nude as an End in Itself, with reference to the memory of rocks worn through by the sea...the pulsation of the wooden heart". Moore is also compared briefly with Picasso "where Picasso is volatile Moore is tenacious; Picasso swoops Moore burrows. A see-saw between love and hate elegant classicism and enraged distortion is entirely foreign to his single-minded character". Notes that practically none of Moore's life drawing is directly related to his sculpture.
For Book Club Associates edition 1973 see 0004038."
Photographs of two Reclining Figures in a chapter entitled The Nude as an End in Itself, with reference to the memory of rocks worn through by the sea...the pulsation of the wooden heart". Moore is also compared briefly with Picasso "where Picasso is volatile Moore is tenacious; Picasso swoops Moore burrows. A see-saw between love and hate elegant classicism and enraged distortion is entirely foreign to his single-minded character". Notes that practically none of Moore's life drawing is directly related to his sculpture.
For Book Club Associates edition 1973 see 0004038."
0016260
Author/Editor: CLARK Kenneth.
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1974
Date & Collation: 90pp.Typewriter script.
Description: Typescript of Henry Moore Drawings (See 0003784).
0009731
Author/Editor: CLARK Kenneth.
Publisher: Quebec Chronicle-Telegraph
Place Published: Quebec City
Year: 1968
Date & Collation: (27 Aug)..
Description: Second and last part of article, continued from 0009730. Describes solidity of Moore sculpture centered around human figure, seated or reclining. Mentions the interest in heads, and concludes that there is a disturbing quality in Moore's work"."
0009730
Author/Editor: CLARK Kenneth.
Publisher: Quebec Chronicle-Telegraph
Place Published: Quebec City
Year: 1968
Date & Collation: (26 Aug)..(1 illus).
Description: Condensed version of Clark's address on occasion of Erasmus Prize presentation to Moore (See 0005095). For continuation see 0009731.
0004038
Author/Editor: CLARK Kenneth.
Publisher: Book Club Associates
Place Published: London
Year: 1973
Date & Collation: xxiii,408pp.Illus.Bibliog.
Description: Edition of work first published 1956: see 0007442 for annotation.
0021938
Author/Editor: CLARK Kenneth.
Publisher: Folio Society
Place Published: London
Year: 2010
Date & Collation: xvi,336pp.Illus.Bibliog.
Description: Edition of work first published 1956: see 0007442 for annotation.
0003768
Author/Editor: CLARK Kenneth.
Publisher: John Murray
Place Published: London
Year: 1974
Date & Collation: xii,288pp.24 plates.
Description: Volume one of Clark's autobiography, which is continued in The Other Half (See 0003031). This volume deals with Clark's early life up to 1939, and includes a short recollection on page 256 of Henry Moore at the time when he was living in Kent.
For 1985 paperback edition see 0010396.
For 1985 paperback edition see 0010396.
0009872
Author/Editor: CLARK Kenneth.
Publisher: McClelland and Stewart
Place Published: Toronto
Year: 1974
Date & Collation: 326pp(304 illus).
Description: Copyright Thames and Hudson. Canadian edition of 0003784.
0009873
Author/Editor: CLARK Kenneth.
Publisher: Harper and Row
Place Published: New York, Evanston, San Francisco and London
Year: 1974
Date & Collation: 326pp(304 illus).
Description: United States edition of work published by Thames and Hudson (London). For annotation see 0003784.
0009903
Author/Editor: CLARK Kenneth.
Publisher: Cambridge University Press
Place Published: London
Year: 1972
Date & Collation: 30pp.4 plates.
Description: The Rede Lecture 1970, delivered by Lord Clark in the University of Cambridge on 29 October 1970. The work of artists in old age. Includes on page 23: Painters and sculptors tend to live much longer than writers or musicians and their work shows no sign of old age till their last years. Mr Henry Moore is seventy-three but neither in himself nor in his carving is there the slightest sign of old age.""
0009996
Author/Editor: CLARK Kenneth.
Publisher: Thames and Hudson
Place Published: London
Year: 1978
Date & Collation: 326pp(304 illus).
Description: Paperback edition of book published in 1974. See 0003784 for description.
0008224
Author/Editor: CLARK Kenneth.
Publisher: University of Edinburgh Journal
Place Published: Edinburgh
Year: 1951
Date & Collation: (Summer) 15 232-239.
Description: Inaugural address on the occasion of Sir Kenneth Clark's election as President of the Associated Societies of the University, 15 November 1950. English art has no right to have produced Henry Moore and future historians will find him most inconvenient.""
0008206
Author/Editor: CLARK Kenneth.
Publisher: Magazine of Art
Place Published: New York
Year: 1951
Date & Collation: (May) 44(5) Cover,171-174(9 illus).
Description: The chief development in Henry Moore's work during the last five years is his greatly increased use of metal as his medium of expression. Lead figures of the 1930s are discussed, and it is pointed out that Moore could not afford to have a figure cast in bronze at that time in the very faint hope that someone would buy it". New ideas in Moore's work demanded handling in clay a more malleable material than the slow process of carving in stone or wood. Moore was aware of the problem created in retaining vitality when idea and material are not united at birth and drawings for his metal sculptures retained an important place. Now "he has gradually come to adopt metal as his chief material and gained thereby that freedom in space and fantasy towards which we find him striving in his early drawings"."
0010462
Author/Editor: CLARK Kenneth.
Publisher: Hamish Hamilton
Place Published: London
Year: 1986
Date & Collation: xii,261pp.8 plates.
Description: Paperback edition of work first published by John Murray in 1977. For description see 0003031.
0010396
Author/Editor: CLARK Kenneth.
Publisher: Hamish Hamilton
Place Published: London
Year: 1985
Date & Collation: xi,288pp.8 plates.
Description: Paperback edition of work first published by John Murray in 1974. For description see 0003768.
0003784
Author/Editor: CLARK Kenneth.
Publisher: Thames and Hudson
Place Published: London
Year: 1974
Date & Collation: 326pp(304 illus).
Description: Published in New York by Harper and Row (See 0009873), and in Toronto by McClelland and Stewart (See 0009872). For paperback edition see 0009996. Preface, postscript and ten sections of illustrations with short introduction to each.
7-8 Preface.
(Outlines creation and plan of book. As far as possible I have talked about the actual drawings and not about the motives behind them").
11-44 Life Drawings.
45-62 First Drawings for Sculpture.
63-76 Looking Inwards.
77-112 Discovering Forms.
113-148 Dramatis Personae.
149-192 Shelterers and Miners.
193-220 The Reclining Figure.
221-248 The Head.
249-284 Family Life.
285-308 Later Drawings for Sculpture.
290-292 Postscript.
(How Moore came to resume drawing for its own sake in a note from Henry MOORE to Clark entitled The Black Drawings. Arising from graphic work particularly Stonehenge and admiration for Seurat's drawings together with connection to Coal Mine Drawings. Not drawn from reality now. Connection with some internal-external sculptures. Satisfaction in the technical process).
311-326 List of Illustrations.
(Drawings and Sculpture 1927-1971).
Forty of the illustrations in the book are in colour and a dozen photographs of works of sculpture related to the drawings are featured. The texts incorporate statements from Henry Moore on Sculpture (See 0005026)."
7-8 Preface.
(Outlines creation and plan of book. As far as possible I have talked about the actual drawings and not about the motives behind them").
11-44 Life Drawings.
45-62 First Drawings for Sculpture.
63-76 Looking Inwards.
77-112 Discovering Forms.
113-148 Dramatis Personae.
149-192 Shelterers and Miners.
193-220 The Reclining Figure.
221-248 The Head.
249-284 Family Life.
285-308 Later Drawings for Sculpture.
290-292 Postscript.
(How Moore came to resume drawing for its own sake in a note from Henry MOORE to Clark entitled The Black Drawings. Arising from graphic work particularly Stonehenge and admiration for Seurat's drawings together with connection to Coal Mine Drawings. Not drawn from reality now. Connection with some internal-external sculptures. Satisfaction in the technical process).
311-326 List of Illustrations.
(Drawings and Sculpture 1927-1971).
Forty of the illustrations in the book are in colour and a dozen photographs of works of sculpture related to the drawings are featured. The texts incorporate statements from Henry Moore on Sculpture (See 0005026)."