Henry Moore Artwork Catalogue
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0016282
Publisher: Green Acre Video
Place Published: Toronto and New York
Year: 1992
Date & Collation: 3 mins.Black and White.Sound.
Description: A Green Acre Video release, described as culled from film footage" of Henry Moore: the sculptor (See 0005003). Views mostly in close-up of sculpture in a gallery to musique concret. No commentary."
0016283
Publisher: Green Acre Video
Place Published: Toronto and New York
Year: 1992
Date & Collation: 3 mins.Black and White.Sound.
Description: Supplied as Henry Moore's Studio (aka Shapes)". Described as "culled from film footage" of Henry Moore: the sculptor (See 0005003). A Green Acre Video release. Views of sculpture maquettes tools and objects in Moore's studio to sound of rain and thunder and musique concret. No commentary."
0016285
Publisher: Green Acre Video
Place Published: Toronto and New York
Year: 1992
Date & Collation: 3 mins.Black and White.Sound.
Description: A Green Acre Video release. Described as culled from film footage" of Henry Moore: the sculptor (See 0005003). Views of sculpture at Much Hadham to sound of rain thunder and music. No commentary."
0016284
Publisher: Green Acre Video
Place Published: Toronto and New York
Year: 1992
Date & Collation: 24 mins.Colour.Sound.Commentary by Henry MOORE.
Description: Directed by Julius Kohanyi. Copyright 1992 Green Acre Video, 1968 Julius Kohanyi. Green Acre Video film described at 0005003. (The 4pp leaflet mentioned in the 1969 entry is not available from Green Acre).
0015339
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1992
Date & Collation: 5 mins.Colour.Sound.
Description: Views of sculpture at Bagatelle to music. John Farnham and workmen installing bronzes. Brief commentary on the setting for the sculptures. Cassette labelled: Erica Bolton and Jane Quinn. Henry Moore Foundation Exposition.
0015334
Publisher: Art Gallery of New South Wales
Place Published: Sydney
Year: 1992
Date & Collation: 27 mins.Sound Recording.
Description: Wednesday 5th August the last week of the Henry Moore exhibition at the Art Gallery of New South Wales (See 0014949) between Nick Waterlow and Renee Free and Gwen Eastwood who is a very old friend of Henry Moore". Mrs Eastwood recalls memories of Leeds School of Art and of two ceramics by Moore. "It may have been 1919 when I first knew him...He also had a very good friend called Raymond Coxon who was one of the small group which we formed...We used to go sketching and we used to go sometimes to the moving pictures which were very new...I was born in 1903...my name was Gwendoline Warburton...my father was with the Yorkshire Post...We had to wear hats gloves on all occasions...We were smacked quite a lot but we were happy...I suppose until the outbreak of the First World War which completely changed the world...I can remember the very very first traces of what we would call new modern art and that was a Russian...I can't remember his name but he left...he sent a postcard back to the Leeds School of Art at Christmas a hand painted card...just a mass of green with one brown line going across it...It was a really strange and extraordinary sort of thing to send we couldn't understand it...that would be my first introduction to modern art...Henry Moore...was still quite academic at that time...I don't remember Henry Moore doing any landscape. He seemed to spend most of his time in the life class with the anatomy class and with the modelling class...at the same time...he was at the Castleton Pottery Class..CPP (Castleford Pottery Painting) or something like that...it would be a ready-made piece...but his decorations of course are absolutely beautiful...I did have another one much smaller but over those seventy years I'm afraid it just got dropped...a small nut bowl and it was fairly freely done with green and with yellow...we had a lot of fun...a group of us went to the Roundtape Park in Leeds...they all went in swimming...that was a happy day...after 1920-21...I suppose it would be I had no further connection with Henry because he went to London...I left England in 1924 for Australia...I followed Henry's career of course...He was part of us and he was Hal to us all...I thought well it might amuse people who are running the exhibitions to know that there was a little piece of genuine Henry Moore artifact so far away from England in time and space that had existed for almost seventy years and been a family friend really". There is a typed transcript of this sound recording in the Henry Moore Foundation library at Much Hadham."
0015340
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1992
Date & Collation: 28 mins.Colour.Sound.Presented by Guy MICHELMORE.
Description: 2 Sept 1992 BBC1 programme, with four minute section on opening of public inquiry. Brian Milligan reports from Much Hadham estate showing sculptures in the open, with historical film of Moore carving. Shows Henry Moore Foundation storage conditions and plans for development. Brian Sewell argues against a tourist influx. Mary Moore claims to be the only person to be able to speak for what Henry Moore wanted. Mary Moore is also taking court action to reclaim items from the Foundation. A local resident, Roberta Alexander appeals for the estate to be left alone according to the wishes of Henry Moore and Mary Moore.
0015337
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1992
Date & Collation: 4 mins extract.Sound recording.
Description: 12 June 1992 arts programme. Louisa Buck in Bagatelle exhibition in Paris (See 0014959) interviews briefly Julie Summers and Catherine Ferbos on the success of the exhibition and its setting.
0015336
Publisher: FR3
Place Published: Paris
Year: 1992
Date & Collation: 27 mins.Sound.Colour.In French.
Description: Didier Imbert briefly introduces the exhibition (See 0014956). Views of Moore's sculpture in the open-air to Gustav Holst's The Planets. Christian Germanaz briefly introduces Hoglands. Views of the exterior, interior rooms, works by Moore, natural objects and art works collected by the artist. Clip of Moore carving and black and white family photographs of Henry Moore, Irina Moore and Mary Moore as a child. Mary Moore in Hoglands describes (in English with French subtitles) how her father bought Hoglands when his London studio was bombed. Describes his work routine, holidays in Broadstairs where they collected flints to which Moore added his own vision on to the objects to produce finished sculpture. Handles natural objects and describes her father as a good teacher. Introduces drawings and paintings by Seurat, Courbet, Degas and others. Film at Didier Imbert Fine Art Paris with staff and workmen mounting exhibition. Film of sculpture and studios at Much Hadham. Short interview with Michel Muller who describes how he enlarged maquettes worked by Moore. Views of exhibition, Drawings, Cézanne and other works from Moore's art collection.
0015338
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1992
Date & Collation: 46mins.Colour.Sound.Director Nadine DESCENDRE.
Description: Film shot in France in June 1992 during the installation of the exhibition Moore à Bagatelle (See 0014971). Produced by the Henry Moore Foundation with Mikros Image. Executive producers British Council, Histoires Naturelles Productions. Artistic advisers Catherine Ferbos-Nakov and Julie Summers, seen with Michel Muller, John Farnham and workmen installing exhibits in the park using cranes and tractors. To general conversation and some voice-over comments: Every time a sculpture is put into a new setting it becomes a new sculpture...A lot of people wonder what's happening". Includes some public reactions by people in the park in French with English subtitles: "You can't work out what it's supposed to be...Do you know the artist's name?". Transcriptions and translations by Emma Clery and Victoire Dubruel. MOMART personnel Jim Moyes Guy Morey James Copper and James Barrett and others introduce themselves to camera at the end of the film. Includes black and white photographs of Henry Moore."
0015335
Publisher: Art Gallery of Ontario
Place Published: Toronto
Year: 1992
Date & Collation: 52 mins.Colour.Sound.
Description: Please note: the Art Gallery of Ontario does not hold the international copyright to the videos on this videocassette. They are intended for the interest and information of the Henry Moore Foundation only and not for reproduction or public viewing. Thank you".
a) "The Music of Man; with Yehudi Menuhin. 6 mins. Colour. Sound. Directed by Richard Bocking John Thomson. Written by Yehudi Menuhin and Curtis W. Davis with Charles Weir.
(Film of Menuhin playing the slow movement of Beethoven's Violin Concerto amongst Moore plasters in the Art Gallery of Ontario.)
b) "Spectrum". 3 mins. Colour. Sound. Toronto: Art Gallery of Ontario 1986.
( Captioned AGO Spectrum: Moore Tribute. Diane Hawkins with Three Way Piece No. 2: The Archer 1964-1965 bronze outlines history of Moore's contacts with Toronto recording his death on 31 Aug 1986. Film shows Moore plasters and incorporates black and white photographs of the artist).
c) "Spectrum: Viewpoints". 16 mins. Colour. Sound. Toronto: Art Gallery of Ontario 1987.
(Public reactions to Large Two Forms 1966 and 1969 bronze. Programme introduced by Ms Parker who outlines Moore's contacts with the Art Gallery of Ontario. Section on Henry Moore Remembered (See 0000052) with conversation between Pater Gale and Alan G. Wilkinson. Incorporates a 1966 film clip of the unveiling of Three Way Piece No. 2: The Archer 1964-1965 bronze on 27 Oct 1986 and an excerpt from "The Gift" courtesy TV Ontario showing Moore Wilkinson and David Mitchinson placing sculptures in the AGO in the 1970s. Also includes black and white photographs of Henry Moore).
d) "Realities". 18 mins. Colour. Sound. Producer-Director Moira Dexter. Toronto: Art Gallery of Ontario 1988.
(Robert Fulford interviews Alan G. Wilkinson in the AGO on Natural Forms Primitive Art Mother and Child theme portrayal of Women. Blind and Sculpture Corporate Popularity and Reputation).
e) "The Journal". 7 mins. Colour. Sound. CBC. 198?.
(Torontoes: 25 years of the Toronto Dance Theatre Producer Jill Offman. Includes David Earle's Romance: a dance with all 14 members of the Toronto Dance Theatre in the AGO with Moore's plasters)."
a) "The Music of Man; with Yehudi Menuhin. 6 mins. Colour. Sound. Directed by Richard Bocking John Thomson. Written by Yehudi Menuhin and Curtis W. Davis with Charles Weir.
(Film of Menuhin playing the slow movement of Beethoven's Violin Concerto amongst Moore plasters in the Art Gallery of Ontario.)
b) "Spectrum". 3 mins. Colour. Sound. Toronto: Art Gallery of Ontario 1986.
( Captioned AGO Spectrum: Moore Tribute. Diane Hawkins with Three Way Piece No. 2: The Archer 1964-1965 bronze outlines history of Moore's contacts with Toronto recording his death on 31 Aug 1986. Film shows Moore plasters and incorporates black and white photographs of the artist).
c) "Spectrum: Viewpoints". 16 mins. Colour. Sound. Toronto: Art Gallery of Ontario 1987.
(Public reactions to Large Two Forms 1966 and 1969 bronze. Programme introduced by Ms Parker who outlines Moore's contacts with the Art Gallery of Ontario. Section on Henry Moore Remembered (See 0000052) with conversation between Pater Gale and Alan G. Wilkinson. Incorporates a 1966 film clip of the unveiling of Three Way Piece No. 2: The Archer 1964-1965 bronze on 27 Oct 1986 and an excerpt from "The Gift" courtesy TV Ontario showing Moore Wilkinson and David Mitchinson placing sculptures in the AGO in the 1970s. Also includes black and white photographs of Henry Moore).
d) "Realities". 18 mins. Colour. Sound. Producer-Director Moira Dexter. Toronto: Art Gallery of Ontario 1988.
(Robert Fulford interviews Alan G. Wilkinson in the AGO on Natural Forms Primitive Art Mother and Child theme portrayal of Women. Blind and Sculpture Corporate Popularity and Reputation).
e) "The Journal". 7 mins. Colour. Sound. CBC. 198?.
(Torontoes: 25 years of the Toronto Dance Theatre Producer Jill Offman. Includes David Earle's Romance: a dance with all 14 members of the Toronto Dance Theatre in the AGO with Moore's plasters)."
0015341
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1992
Date & Collation: 45 mins.Clour.Sound.Presenter Sue CAMERON.
Description: 2 Sept 1992 edition of news magazine programme with eight minute feature presented by Andrew Burroughs on public inquiry. Includes views of Much Hadham estate sculpture and store rooms, Much Hadham Village Hall inquiry, and film and family photographs. Interviews with Anthony Caro on how sad is the dispute; with Sue Grayson Ford on Mary Moore's emigration to South Africa and litigation on ownership of sculpture; and Mary Moore on traffic problems, but also how best to preserve Moore's legacy, She claims that nobody can speak for Henry Moore but her, and suggests that Moore's works be displayed in London at a site more accessible than Perry Green. Caro suggests that an objective outsider is needed to settle the dispute. Mentions a Henry Moore Foundation Press Release (See 0000000).
0015331
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1992
Date & Collation: 4 mins.Colour.Sound.Director P.BROWN.
Description: Extract from children's television programme on the Art of Ancient Mexico exhibition at the Hayward Gallery, with comments by children on the exhibits. Chacmool is seen, noting its influence on Henry Moore's reclining figures, two of which are seen as slides.
0015330
Publisher: Anglia Television
Place Published: Norwich
Year: 1992
Date & Collation: 26 mins.Colour.Sound.Produced and Directed by Clive DUNN.Narrated by Diana QUICK.
Description: Marquee series. A Seventh House Films production for Anglia Television. Sculpture and murals in Milton Keynes, Luton and elsewhere. In a brief historical section there are glimpses of works by Moore, including the Northampton Madonna and Child, 1943-1944 Hornton stone with commentary by Canon David Bishop.
0015333
Publisher: Channel Four
Place Published: London
Year: 1992
Date & Collation: 55 mins.Colour.Sound.Director Pat BUTLER.Producer Michael DARLOW.
Description: Screened 9 August 1992. Includes a three minute section showing Circular Altar, 1972 Roman travertine marble in St. Stephen Walbrook, and Peter Palumbo and Chad Varah describing how they persuaded Moore to undertake the commission. The resulting controversy is mentioned. with a clip from Channel 4 news of 17 Dec 1986 on the Court of Ecclesiastical Causes Reserved.
0015332
Publisher: Channel 4
Place Published: London
Year: 1992
Date & Collation: 48 mins.Colour.Sound.Presented by Peter SNOW.
Description: ITN evening news production of 2 September 1992 with eight minute section on opening of public enquiry. To film of Perry Green estate and studios Fiona Murch reports on the dispute between Mary Moore and local residents against extension plans by the Henry Moore Foundation. Local residents David Turner and Peter Reed comment briefly against expansion of the site. Jeremy Dixon argues in favour of his designs. There is film of Much Hadham Village Hall inquiry, and an interview with Mary Moore in Hoglands. She fears that development will sacrifice the very place that he set up the Foundation to preserve. Her personal challenge to the Foundation muddies the issue on who is best to care for Moore's legacy.
For Jeremy Dixon and Edward Jones transcript interview see 0015014.
For Jeremy Dixon and Edward Jones transcript interview see 0015014.