Henry Moore Artwork Catalogue
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0023992
Publisher: The Art Newspaper
Place Published: London
Year: 2017
Date & Collation: September, 62pp.
Description: Advert for 'Important Australian and International Fine Art sale'. The sale was held by Deutscher and Hackett and held in Sydney on 20th September, 2017. Advert includes image of Moore work from the sale, Reclining Stringed Figure, 1939 (LH 199a).
0023463
Author/Editor: Edited by PICARDIE Justine
Publisher: Harper's Bazaar U.K
Place Published: London
Year: 2017
Date & Collation: 291pp.Illus.
Description: Pages 14 and 15 Burberry advert with Locking Piece 1963-4 fibre glass cast (LH 515) in the background. Mention of article on Burberry 'and the unique opportunity to shoot at Henry Moore sculpture studio' in the editor's letter on p 75. Article on Henry Moore and Burberry Christopher Bailey collaboration runs from p 240 to p 253. Images include approximately 16 photographs taken in the Top Studio and the (so-called) Carving Studio. Moore's works featured in part or whole including Working Model for Upright Internal/External Form 1952-3 plaster cast (LH 296), Standing Figure 1971-72 marble (LH 290b), Mother and Child: Egg Form 1977 white marble (LH 717) and Mother and Child 1949 (LH 269b). The text is in the form of a conversational interview by the editor with Christopher Bailey about his life and work and his admiration for Moore and how that inspired Burberry's current collection.
0023461
Author/Editor: Edited by GRAND Katie
Publisher: Condé Nast Publications Ltd.
Place Published: London
Year: 2017
Date & Collation: 489pp.Illus.
Description: Glossy biannual fashion magazine. Page 108 refers to LOVE being given first access to Burberry's new February 2017 collection inspired by Henry Moore. There is quote from Christopher Bailey Burberry's chief creative about how he has long been inspired by Henry Moore's work and creative processes. Page 348 shows Sienna Miller wearing clothes from Burberry's February 2017 collection. On the unnumbered advert pages (pages 46 and 47) preceding the contents pages there is a double page advert by Burberry for its Moore inspired February 2017 collection.
0023557
Author/Editor: FAGO Matteo
Publisher: Left
Place Published: Rome
Year: 2017
Date & Collation: Numero 33.19 August 2017.66pp.Illus.
Description:
A two page article titled 'Henry Moore e la psiche della preistoria' by di Francesca Borruso that starts by referencing the 40 anniversary of the Henry Moore Foundation and the exhibition Becoming Henry Moore and then discusses pre-historic art and Moore's interest in it with references to the exhibition at the British Museum 2013 'Ice Age art, the arrival of the modern mind' and Anna Maria Papi's 'Henry Moore e il Mago Merlino' with an illustration of Moore's drawing Study after Venus Grimaldi 1926 (HMF 460).
0024052
Publisher: Columbia Magazine
Place Published: New York
Year: 2017
Date & Collation: Spring. p.11. illus.
Description: One-column feature on the bronze Reclining Figure (LH 608) given to Columbia University by David and Laura Finn. After student protests at the proposed siting of the sculpture on the university's South Lawn, it was instead installed outside the Havemeyer Building. Quotes Moore saying that "sculpture is an art of the open air", and David Finn that Moore would have been proud to see the site of the sculpture. illus.
0023565
Author/Editor: ADAMSON Natalie
Publisher: Art History
Year: 2017
Date & Collation: pp.904-927
Description:
Photograph of Moore's Reclining Figure 1946 (LH 263) on p.910. Discusses Clement Greenberg's criticism of Moore's "subservience to taste", and mentions that Greenberg had seen photographs of LH 263 in the magazine The Arts.
0023568
Author/Editor: AZIMI Negar
Publisher: Gagosian Quarterly
Place Published: New York
Year: 2017
Date & Collation: 2017(Spring).pp.102-107
Description:
Article on Tehran Museum of Contemporary Art, "home one of the most fabled collections of Western modern art outside of the West". Includes in-situ images of Moore's Reclining Figure: Arch Leg 1969-70 (LH 610) and Three Piece Reclining Figure: Draped 1975 (LH 655).
0023633
Author/Editor: DRUGEON Fanny
Publisher: Dossier de l'Art
Place Published: Dijon
Year: 2017
Date & Collation: April.
Description:
p.68: Henry Moore's Animal Head 1978 (HMF 78(32)) illustrated. Moore, who "shared many traits with Rodin", quoted.
0023717
Publisher: Homerton College
Place Published: 0Cambridge
Year: 2017
Date & Collation: Volume 3. 92pp.illus.
Description:
Volume 3 of Homerton's 2017 annual review. Discussion of the fibreglass Locking Piece loaned to the college by the Henry Moore Foundation in the "From the Principal" and "2017 News Highlights", with photographs of the unveiling of the work in both sections. Quotes from the Principal's speech at the unveiling, and discusses historic links between Moore and Homerton. Alludes to a previous loan by Moore to the college.
0023718
Publisher: Montreal Museum of Fine Arts
Place Published: Montreal
Year: 2017
Date & Collation: 64pp.illus.
Description:
Annual report of Montreal Museum of Fine Arts. Henry Moore's Standing Mother and Child: Holes, acquired by the museum in this year, included with illus. as part of the list of acquisitions; in the introduction to the list of acquisitions it is specifically mentioned as "a major bronze" by Moore as one of Sean B. Murphy's many gifts to the museum.
0023578
Author/Editor: DEMETRIOU Danielle
Publisher: Christie's
Place Published: England
Year: 2017
Date & Collation: September-October 2017.
Description:
Profile of the collector Yusaku Maezawa. Includes a photograph which shows Reclining Nude: Crossed Feet 1980 on a table in the foreground.
0023536
Publisher: Cabana Magazine LTD.
Place Published: London
Year: 2017
Date & Collation: 320pp.Illus.
Description: A spring 2017 edition of Cabana with four diferent front covers each showing a Burberry design taken from one of the following drawings by Moore: Textile Design: Reclining Figures 1943 (HMF 1310), Textile Design Framed: Heads 1943 (HMF 20127), Reclining Figure: Bunched 1961 (HMF 3025) and Pallas Heads 1972 (HMF 3419), (this last one is uncatalogued). The inside cover and first page has an image of a Burberry model in front of Locking Piece 1962-63, fibreglass (LH 515). On the first contents page 54, the set of four diferrent front covers are presented in miniature. On the second contents page 56 the article Henry Moore in Florence illustrated by Fiona Corsini is referenced as starting on page 189. Page 189 is the start of an eight page fold-out article in the form of an impressionistic scrapbook style collage of illustrations and photographs relating to Moore and his 1972 exhibition at Forte Belvedere, Florence, featuring a whole page presentation of a letter from Moore to Luciano Bausi, the mayor of Florence reproduced from 'Mostra di Henry Moore' Il Bisonte Editore/Nuovedizioni Enrico Vallechi, Florence 1972 p.17, in which Moore expresses his pleasure and gratitude at having the opportunity to hold this exhibition of his work 'in your great city'. Other images in the fold-out pages include Large Square Form with Cut 1969-71, Rio Serra marble (LH 599) and Moore's etching studio in Perry Green.
0023554
Author/Editor: MCDONALD Allison
Publisher: Gagosian Quarterly
Place Published: New York
Year: 2017
Date & Collation: 2017(Fall).184pp.Illus.
Description: There is an eleven page feature article on pages 76 to 86 titled 'An Evolving Legacy' on the history, current position and future of Moore's life and legacy at Perry Green that began in 1940 and is, this year, celebrating the 40th anniversary of the establishment of the Henry Moore Foundation with both the exhibition Becoming Henry Moore and the opening of the new visitor centre and archive facility. The article takes the form of a three way conversation between the Gagosian's Zoё Santa-Olalla, Godfrey Worsdale, the director of the Henry Moore Foundation and Gus Danowski, Moore's first grandchild. Topics discussed include: the new visitor centre and archive facility designed by architects Hugh Broughton; Gus Danowski's childhood recollections of his grandfather and of Hoglands, the studios and gardens; and, the work of the Foundation and its ambitions. The article is richly illustrated with images of the following: on the inside cover, Moore in his studio working on Two Piece Reclining Figure 1960; the new archive building; Moore standing in the sheep field with Sheep Piece 1971-72 (LH 627) in the background; Upright Motive No.9 1979 (LH 586); Upright Motive No.9 1979 (LH 586), Torso 1967 (LH 569) and other works in Moore's enlargement studio at Perry Green; Moore with some of his Upright Motive sculptures including Upright Motive No.5 1955-56 (LH 383) taken in 1964; a double page image of Sheep Piece 1971-72 (LH 627); an internal and external image of the new visitors' cafe and offices; Godfrey Worsdale, Zoё Santa-Olalla and Gus Danowski in conversation in front of Knife Edge Two Piece 1962-63 (LH 516); Moore working in his revolving summer house in Perry Green 1956; a double page image of Family Group 1948-49 (LH 269) in the grounds of Perry Green; Gus Danowski with his grandfather in a studio at Perry Green; and, Zoё Santa-Olalla, Gus Danowski and Godfrey Worsdale walking back to Hoglands. Short biographies of Guston Danowski and Godfrey Worsdale presented on page 37. Thanks to the Foundation's Emma Stower and Sarah Mercer recorded on page 7.
0023526
Author/Editor: Edited by LE FEUVRE Lisa
Publisher: The Henry Moore Foundation
Place Published: England
Year: 2017
Date & Collation: 40pp.Illus.Essays on sculpture.
Description: 77th edition of the Henry Moore Institute's series of essays on sculpture. Illustratiions in black and white. Front cover image is of Moore's Standing Woman 1923 walnut wood (LH 5). Introduction by Lisa Le Feuvre, Head of Sculptural Studies at the Henry Moore Institute, Leeds. Essays by Mark Westgarth, Rebecca Wade and Benedict Read. On page 2 Lisa Le Feuvre refers to how Ben Read moved to the University of Leeds in 1990 to direct the MA in sculptural Studies run in collaboration withe Henry Moore Foundation. On page 13 at the start of Read's essay titled Sculpture in Britain between the Wars, Read quotes a report on Henry Moore by his tutor Francis Derwent Wood at The Royal College of Art dated July 1922 taken from Alan G. Wilkinson's the Drawings of Henry Moore as follows: 'His life work shows improvement. Design not to my liking. Is much interested in carvings'. Read then discusses the emergence and triumph of the moderns '(led by Moore)' by means not least of juxtaposing Moore's Standing Woman with Derwent Wood's Atalanta. Mention is also made to 'Truth to Material', Hepworth, Gaudier-Breska and Epstein with reference to Henry Moore on Sculpture: A collection of the sculptor's Writings and Spoken Words, editied by Philip James. Passing reference to Moore as part of the group of modern sculptors on page 15. Moore is mentioned on page 21 with Hepworth and Skeaping as sharing the style and subject matters of heightened self conscious use of materials and heightened simplification of form particularly with reference to human and animal figures. Moore's contribution in the form of a 'Wind' to the work commissioned for the Head Offices of the Underground Railway is mentioned on page 22. On page 30 and 31 Read discusses Moore's role in the emergence of abstraction in the early 1930s with reference to the 7 and 5 Society. On page 32 Read refers to Herbert Read producing the first monograph on Henry Moore in 1934 in the context of the development of abstraction and the leading role taken by the 'Yorkshire Mafia of Moore, Hepworth and Read'. Page 36 mentions Moore winning first prize at the Venice Biennale in 1948.