Henry Moore Artwork Catalogue
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0016014
Publisher: Giornale dell'Arte
Place Published: Turin
Year: 1992
Date & Collation: (July)..(11 illus).Text in Italian.
Description: Two-page feature on the two Paris exhbitions (See 0014956 and 0014971), one public in the Bagatelle gardens, the other more intimate in Didier Imbert gallery. Moore's links with Paris and French culture.
0016000
Author/Editor: ANDRIUSKEVICIUS Alfonsas.
Publisher: Siaures Atenai
Place Published: Vilnius
Year: 1992
Date & Collation: (Feb) 5(1 illus).Text in Lithuanian.
Description: Review of touring print exhibition (See 0000000).
0015999
Author/Editor: LUBYTE Elona.
Publisher: Kulturos Barai
Place Published: Volnius
Year: 1992
Date & Collation: 4 Cover,Inside Cover,23-27(8 illus).Text in Lithuanian.
Description: Review of Vilnius exhibition (See 0000000).
0016015
Author/Editor: BRIHUEGA Beatriz Fabián.
Publisher: Hechos
Place Published: Madrid
Year: 1992
Date & Collation: (27 July) 53(1 illus).Text in Spanish.
Description: Review of 0014971. Moore quoted on his interest in natural form. His predeliction for bronze, and his historical status. The suitability of the setting. Moore's abstraction is born out of naturalism, it synthesises rather than invents.
0015191
Publisher: Antique Collector
Place Published: London
Year: 1992
Date & Collation: (Dec)-1993(Jan) 64(1) 30-57(illus).
Description: Three articles mention Henry Moore:
30-33 GORVY Brett. A magnificent obsession.
(Profile of Lord Palumbo. His office contains a Moore figure study. Mentions St. Stephen Walbrook).
34-37 PALUMBO Peter. Creative spirit.
(The arts in Britian. Includes a full-page colour photograph of the interior of St. Stephen Walbrook showing Circular Altar, 1972 Roman travertine marble in situ).
50-53 COONAN Rory. Unwanted stone guests.
(Public sculpture. Includes photograph and mention of King and Queen, 1952-1953 bronze).
30-33 GORVY Brett. A magnificent obsession.
(Profile of Lord Palumbo. His office contains a Moore figure study. Mentions St. Stephen Walbrook).
34-37 PALUMBO Peter. Creative spirit.
(The arts in Britian. Includes a full-page colour photograph of the interior of St. Stephen Walbrook showing Circular Altar, 1972 Roman travertine marble in situ).
50-53 COONAN Rory. Unwanted stone guests.
(Public sculpture. Includes photograph and mention of King and Queen, 1952-1953 bronze).
0015197
Author/Editor: VAN DEN BOSCH Annette.
Publisher: Art and Australia
Place Published: Sydney
Year: 1992
Date & Collation: (Summer) 30(2) 226-237(1 Moore illus).Bibliog.
Description: Corporate art collections, museums and the art market in the United States and Australia. Includes a full-page colour photograph of Reclining Figure: Arch Leg, 1969-70 bronze in the Hakone Open-Air Museum, and a list-mention of Moore.
0015203
Author/Editor: WELTON Peter.
Publisher: The Artist
Place Published: Tenterden
Year: 1992
Date & Collation: (April) 8-9(1 Moore illus).
Description: Techniques article with a paragraph and one illustration on Moore's Sheep Sketchbook (See 0002132).
0015190
Author/Editor: BUMPUS Judith.
Publisher: Antique Collector
Place Published: London
Year: 1992
Date & Collation: (July-Aug) 63(7) 21(1 illus).
Description: Exhibition, News & Views column review of Moore à Bagatelle (See 0014971): its appeal is one of sheer visual enjoyment aroused by the sensitive placement of Moore's sculpture in an outdoor setting". There is also a note on the Didier Imbert exhibition (see 0014956) on page 26 in the Paris View column captioned Perry Green in the Avenue Matignon."
0015192
Author/Editor: BURROUGHS Andrew.
Publisher: Apollo
Place Published: London
Year: 1992
Date & Collation: (Aug) 125(1 illus).
Description: Review of Moore à Bagatelle (See 0014971): Dazzling proof of what context can do to sculpture"."
0015198
Publisher: Art Gallery of New South Wales Bulletin
Place Published: Sydney
Year: 1992
Date & Collation: (March-April).Cover,3,4,6(2 illus).
Description: Colour photograph of Upright Internal-External Form, 1951 bronze, note on the exhibition (See 0014949), list of films and lectures:
12 April 1992 Alan Bowness. Henry Moore.
24 April 1992 Nicholas Waterlow. Henry Moore.
1 May 1992 Deborah Edwards. Henry Moore: his influence on Australian Sculpture.
8 May 1992 Brian Ladd. Themes and variations in the sculpture of Henry Moore.
The May-June 1992 issue, on page 6, reproduced Shelter Drawing: Sleeping Figures, 1941 drawing, listed further films, and lectures:
31 May 1992 Norbert Lynton. The humanity of Henry Moore.
1 July 1992 Brian Ladd. Themes and variations in the sculpture of Henry Moore.
10 July 1992 Deborah Edwards. Henry Moore: his influence on Australian Sculpture.
12 April 1992 Alan Bowness. Henry Moore.
24 April 1992 Nicholas Waterlow. Henry Moore.
1 May 1992 Deborah Edwards. Henry Moore: his influence on Australian Sculpture.
8 May 1992 Brian Ladd. Themes and variations in the sculpture of Henry Moore.
The May-June 1992 issue, on page 6, reproduced Shelter Drawing: Sleeping Figures, 1941 drawing, listed further films, and lectures:
31 May 1992 Norbert Lynton. The humanity of Henry Moore.
1 July 1992 Brian Ladd. Themes and variations in the sculpture of Henry Moore.
10 July 1992 Deborah Edwards. Henry Moore: his influence on Australian Sculpture.
0015196
Author/Editor: SPENDER Stephen.
Publisher: Art and Antiques
Place Published: New York
Year: 1992
Date & Collation: (Jan) 74-79,97-98(1 illus).
Description: Spender recalls his meeting with Moore at time of portrait for London Mercury (See 0009197). Describes artistic life of Hampstead in the 1930s, and Moore at his happiest as a cottage industry chiseller in wood or stone. Illustrations and remaining text focus on War Drawings (The Blitz acted as a catalyst which fused in his sculpture the surreal and the abstract within the human") and also Moore's political views in the 1930s. Concludes with a poem by Spender entitled Henry's Childhood recalling a bull being despatched at a slaughterhouse in Castleford."
0015202
Publisher: Art Monthly
Place Published: London
Year: 1992
Date & Collation: (Oct) 30.
Description: In Artnotes column. Records that David Mellor, Secretary of State for National Heritage, decided not to list Henry Moore's studios at Perry Green as buildings of special architectural or historic interest. Reports the appeal by the Henry Moore Foundation against an earlier decision by East Hertfordshire District Council rejecting plans for the proposed building developments. Quotes from Moore's 1975 sound recording (See 0003766). Notes support of Nicholas Serota for Mary Moore at the Much Hadham Village Hall inquiry as reported in recent press comments. There is a list-mention of Moore on page 25 in a review of CEMA: fifty years on, by Mel Gooding.
0015188
Author/Editor: MCKAY Ian.
Publisher: Antique Collector
Place Published: London
Year: 1992
Date & Collation: (April) 56-57(1 illus).
Description: The career of Sir Alan Bowness, now Director of the Henry Moore Foundation and Chairman of The Henry Moore Sculpture Trust. Outlines the activities of the Foundation and the criticism from Mary Moore over the planned building developments.
There are mentions of Moore in the article by Brent GORVY on pages 38-43 of this issue of Antique Collector. It is on contemporary British sculpture and entitled Prophets Without Honour.
There are mentions of Moore in the article by Brent GORVY on pages 38-43 of this issue of Antique Collector. It is on contemporary British sculpture and entitled Prophets Without Honour.
0015187
Publisher: Amica
Place Published: Milan
Year: 1992
Date & Collation: (12 Jan)..(1 illus).Text in Italian.
Description: Note on legal dispute between Mary Moore and the Henry Moore Foundation over arrangements for the collection and the Perry Green site.
0015204
Publisher: Art News
Place Published: New York
Year: 1992
Date & Collation: (Nov) 91(9) 117-118(1 illus).
Description: Brief extract from Oct 1982 interview by Milton Esterow (See 0001672), in a selection of Art News: the first 90 years.
0015194
Publisher: Apollo
Place Published: London
Year: 1992
Date & Collation: (Dec) 357-359(2 illus).
Description: Glenn D. Lowry, Director of the Art Gallery of Ontario, talks to Paul Josefowitz. Mentions the Moore gift.
0015200
Publisher: Art Monthly
Place Published: London
Year: 1992
Date & Collation: (Feb) 31.
Description: Art notes column story on international centre for the study of sculpture to be established in Leeds by the Henry Moore Foundation at a cost of £4m-£5m. To be run by the Henry Moore Sculpture Trust.
0015193
Publisher: Apollo
Place Published: London
Year: 1992
Date & Collation: (Aug) 105(5 illus).
Description: The Henry Moore Foundation is appealing against the refusal of East Hertfordshire Planning Committee to allow any development at the Foundation's headquarters.
0015199
Publisher: Art in America
Place Published: New York
Year: 1992
Date & Collation: (Aug) 80(8) 272pp.Illus.Adverts.
Description: Annual directory listing, with 46 galleries, quoting Moore representation.
0015189
Publisher: Antique Collector
Place Published: London
Year: 1992
Date & Collation: (June)..(1 illus).
Description: Brief note on Moore exhibitions around the world: there has been a conscious effort on the part of the academic and commercial fraternity to exhume the sculptor's status""
0015195
Author/Editor: GREVER Josephine.
Publisher: Architektur und Wohnen
Place Published: Hamburg
Year: 1992
Date & Collation: (Dec)-1993(Jan) (6) 72-29,190(6 illus).Text in German.
Description: Photofeature on the Much Hadham estate. Idyllic setting, created by Irina Moore for Moore's sculptures. The siting of the works is full of surprises with dramatic effects shown in wintertime photographs. Outlines the current controversies surrounding the preservation and proposed development of the sculpture park to accommodate far more visitors.
0015201
Publisher: Art Monthly
Place Published: Australia
Year: 1992
Date & Collation: (June) 15-17(2 illus).
Description: On occasion of Art Gallery of New South Wales exhibition (See 0014949), Nick WATERLOW records some of Moore's contacts with Australian artists. William Ohly, a friend of Moore, owned the Abbey Arts Centre in Cockfosters which became a residential centre for artists and writers after the war. There Moore saw the work of Robert Klippel and James Gleeson, and invited them to Much Hadham. Mentions Oliffe Richmond, Alan Ingham, Owen Broughton, Stephen Walker, Daryl Hill, Lenton Parr, Neil Stocker, Ron Robertson-Swann, Graham Gilchrist and Tom Fantl as assistants. The bulk of the Australian assistants to Moore did not emerge as followers though they undoubtedly gained a great deal from his presence". Eric WESTBROOK contributes a personal reminiscence recalling the 1949 Wakefield exhibition (See 0008350) and its European tour. Mentions aspects of Moore's personality and his visit to Greece."
0015207
Author/Editor: VIGNOHT Guy.
Publisher: Arts Actualités Magazine
Place Published: Paris
Year: 1992
Date & Collation: (April?) 26-31(9 illus).Text in French.
Description: Slightly poetic article prompted by Didier Imbert exhibition (See 0014956). Moore's imaginary museum of artworks and natural objects provided daily inspiration and reflected Moore's eclecticism. Moore's interest in inner power rather than actual beauty. His art fused with nature. Moore's main themes, sculptural form, war art. Chacmool, truth to nature, influence of French painters.
0015210
Author/Editor: BEAUMONT Mary Rose.
Publisher: Arts Review
Place Published: London
Year: 1992
Date & Collation: (July) 321(1 illus).
Description: Enthusiastic reviews of Moore à Bagatelle (See 0014971) discussing individual exhibits. Perhaps natural forms are so perfect that they retain their dignity even on a greatly enlarged scale".
Also describes Moore Intime (See 0014956) "A fascinating and instructive exhibition"."
Also describes Moore Intime (See 0014956) "A fascinating and instructive exhibition"."