Henry Moore Artwork Catalogue
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0023999
Publisher: National Library News
Place Published: Ottawa
Year: 1987
Date & Collation: November 1987, vol.19, no.11
Description: A twenty year (1967 - 1987) report on the National Library Building of Canada in Ottawa. Article also references the careful consideration the art was given during the construction process of the library. It is noted that a Henry Moore sculpture is situated in the main foyer. It is also noted that the sculpture in question, Three Way Piece Points (LH 533), was gifted, along with 10,000 English books, to the people of Canda by the British Government in 1967 as a gift to mark Canada's centennial.
0012200
Publisher: Art and Design
Place Published: London
Year: 1987
Date & Collation: (Dec) 3(11-12) 1-80(illus).
Description: 5-12 LIVINGSTONE Marco. New! improved!: varieties of British pop sculpture from the 1950s to the 1980s.
13-21(5 Moore illus) FULLER Peter. Modern sculpture: a contradiction in terms.
(Those who are commonly heralded as pioneers were, in fact, uncompromisingly anti-modern. The primitive is by definition un-Modern. Moore's works were an indictment of the concerns of our century, and an affirmation, in a peculiarly sculptural way, of other more enduring human values. Moore drew deeply upon those indigenous romantic traditions which evoked the similarities between the body of a woman, ranges of mountains and hills. Later works lost in immediacy of handling but gained in the terrifying power and scale).
22-28 BEAUMONT Mary Rose. The resilient subject: international contemporary sculpture.
29-32 WILLIAMS Glynn. A sculpture odyssey.
(Incidental mention of Moore).
33-61(4 Moore illus) CUMMING Hugh. British sculpture: a survey from Moore to Mach.
(post-war British sculpture has been dominated by the mature monumental works of Henry Moore. Moore succeeded in maintaining a consistently imaginative range of works that broke formal boundaries whilst dealing with grand human themes. He transcended initial public misunderstanding appealing eventually to the orthodox and experimental alike").
62-68 CORK Richard. Cragg Woodrow and Deacon: three individuals.
69-76(1 Moore illus) GRIFFITHS John. International sculpture since 1945.
(Short 'biographies' including ten lines on Moore).
77-80 PAOLOZZI Eduardo. Sculpture and the 20th century condition."
13-21(5 Moore illus) FULLER Peter. Modern sculpture: a contradiction in terms.
(Those who are commonly heralded as pioneers were, in fact, uncompromisingly anti-modern. The primitive is by definition un-Modern. Moore's works were an indictment of the concerns of our century, and an affirmation, in a peculiarly sculptural way, of other more enduring human values. Moore drew deeply upon those indigenous romantic traditions which evoked the similarities between the body of a woman, ranges of mountains and hills. Later works lost in immediacy of handling but gained in the terrifying power and scale).
22-28 BEAUMONT Mary Rose. The resilient subject: international contemporary sculpture.
29-32 WILLIAMS Glynn. A sculpture odyssey.
(Incidental mention of Moore).
33-61(4 Moore illus) CUMMING Hugh. British sculpture: a survey from Moore to Mach.
(post-war British sculpture has been dominated by the mature monumental works of Henry Moore. Moore succeeded in maintaining a consistently imaginative range of works that broke formal boundaries whilst dealing with grand human themes. He transcended initial public misunderstanding appealing eventually to the orthodox and experimental alike").
62-68 CORK Richard. Cragg Woodrow and Deacon: three individuals.
69-76(1 Moore illus) GRIFFITHS John. International sculpture since 1945.
(Short 'biographies' including ten lines on Moore).
77-80 PAOLOZZI Eduardo. Sculpture and the 20th century condition."
0012206
Author/Editor: LIEBERMAN William S.
Publisher: Art News
Place Published: New York
Year: 1987
Date & Collation: (Feb)..(1 illus).
Description: Short tribute to the greatest British artist of the 20th century... As a sculptor and as a man Henry Moore has no successor. He remains alone and unsurpassed". Portrait photograph by Ida Kar."
0012212
Publisher: Arts Review
Place Published: London
Year: 1987
Date & Collation: (31 July)..
Description: Reports discovery of Mother and Child, 1931-1932 Cumberland alabaster in Aundh, and mentions the Indian exhibitions (See 0010894 and 0010902).
Moore is mentioned in Alan CLARKE's review of Beauty and the Beast exhibition at Aberystwyth Arts Centre. Some Moore sheep etchings from the British Council collection were on show (no catalogue).
Moore is mentioned in Alan CLARKE's review of Beauty and the Beast exhibition at Aberystwyth Arts Centre. Some Moore sheep etchings from the British Council collection were on show (no catalogue).
0012218
Publisher: Arts Review Year Book
Place Published: London
Year: 1987
Date & Collation: 139(1 illus).
Description: Photograph in directory section of Maquette for Seated Figure Against Curved Wall, 1955 bronze at Dudmaston National Trust. There is also a photograph of a Moore bronze in a Fischer Fine Art advertisement inside the front cover, and passing mention in:
26-28 LOVELL Vivien. Sculpture at Stoke (See 0000229).
38 LEE Dave. Margam Sculpture Park.
26-28 LOVELL Vivien. Sculpture at Stoke (See 0000229).
38 LEE Dave. Margam Sculpture Park.
0012224
Publisher: British High Commission Newsletter
Place Published: New Delhi
Year: 1987
Date & Collation: (Oct).8pp(7illus).
Description: Devoted largely to the exhibitions (See 0010902 and 0010894), listing visitors from Britain, and details of symposium, film showings, and lectures.
Copy in 0010896.
Copy in 0010896.
0012230
Publisher: Dalesman
Place Published: Lancaster
Year: 1987
Date & Collation: (Oct) 574-576(1 Moore illus).Text initialled L.M.
Description: Note on Moore's home town: an architectural non-entity." Includes a photograph and mention of Draped Reclining Figure 1979 bronze."
0012247
Author/Editor: DINES Jennifer.
Publisher: Month
Place Published: London
Year: 1987
Date & Collation: (Feb)..
Description: Full-page poem on Draped Seated Woman, 1957-1958 bronze. Opening lines:She,
huge,
unlikely here, in ruckled bronze,
poses on metal steps and looks away."
huge,
unlikely here, in ruckled bronze,
poses on metal steps and looks away."
0012253
Author/Editor: FULLER Peter.
Publisher: New Society
Place Published: London
Year: 1987
Date & Collation: (13 Nov)..
Description: Review of Roger Berthoud's The Life of Henry Moore (See 0000182). His biography is full of assiduously garnered facts and a careful chronicling of Moore's major sculptures and his public career; it is written with an easy and readable narrative style accessible to the scholar and general reader alike. And yet despite all the information and evenhandedness it is impossible to put the book aside without feeling that appropriately perhaps there is a hole in the middle of it.""
0012259
Author/Editor: GOODMAN Arnold.
Publisher: Spectator
Place Published: London
Year: 1987
Date & Collation: (12 Dec)..(1 illus).
Description: Lord Goodman reviews Roger Berthoud's The Life of Henry Moore (See 0000182). The illustration is a cartoon portrait drawing of Moore by Collet. A fascinating biography furnishing full and accurate details of Henry Moore's life from cradle to grave...". Personal reminiscences of Moore as a committee man and a note on early press criticism. A letter from T.M.H. FAWCETT critical of Lord Goodman's review appeared in the 30 January 1988 issue of the Spectator."
0012265
Author/Editor: PASSERON René.
Publisher: Universalia
Place Published: Paris
Year: 1987
Date & Collation: 596-597(1 illus).Text in French.
Description: Obituary in Encyclopaedia Universalis annual. Concentrates on Moore's close ties with nature, and the influence of his mining background. Mentions his influences, themes, and honours.
0012194
Author/Editor: WATSON Francis.
Publisher: Apollo
Place Published: London
Year: 1987
Date & Collation: (Aug) 110-111(1 illus).
Description: Mother and Child, 1931-1932 Cumberland alabaster, the first example of Moore's work to travel East of Suez, will be on loan to the New Delhi exhibition (See 0010902) from the Bhavani Museum and Art Gallery in Aundh. Francis Watson outlines how the last Raja of Aundh in 1938 had invited him to organize the collection intended as a public museum, purchasing works to take to India. Moore had helped Watson with his book Art Lies Bleeding, and welcomed Watson to Parkhill Road studio where the alabaster was purchased for £85. Watson installed the work in Aundh before leaving for war duties in New Delhi.
0012211
Author/Editor: BURN Guy.
Publisher: Arts Review
Place Published: London
Year: 1987
Date & Collation: (5 June) 39(11) 370-171(2 Moore illus).
Description: Includes comment on Lumley Cazalet (See 0010899) and C.C.A. Galleries (See 0010908) exhibitions. Time and again Moore returns to his main obsession with the reclining female nude sometimes single and sometimes set in formal rows.""
0012217
Author/Editor: HENRY Clare.
Publisher: Arts Review
Place Published: London
Year: 1987
Date & Collation: (18 Dec) 898-899(4 illus).
Description: Notes from one of several British artists critics curators historians and administrators who took part at various times in Henry Moore in India (See 0010896) a banner heading for a series of British Council cultural events..."."
0012191
Author/Editor: BURR James.
Publisher: Apollo
Place Published: London
Year: 1987
Date & Collation: (Jan) 69-70(1 Moore illus).
Description: Round the Galleries review of British Art in the 20th Century: the Modern Movement (See 0000022) with a mention of Moore, and a small illustration of Two Sleepers, 1941 drawing.
0012197
Publisher: Art and Design
Place Published: London
Year: 1987
Date & Collation: (Feb) 1-80(Illus).
Description: An Art and Design Profile. At time of R.A. exhibition (See 0000022).
5-11 TAYLOR John Russell. Modernism or splendid diversity.
12-15 LIVINGSTONE Marco. David Hockney's home-made prints.
16-36,45-48 CUMMING Hugh. Contemporary British artists.
(Mentions Moore's influence).
37-44 GRIFFITHS John. Modern movements in British art.
(Fold-out chart, with a photograph of one Moore bronze, and listing references to Moore).
49-54 CAUSEY Andrew. The modern in British art.
(Includes a photograph of Reclining Figure, 1930 ironstone and a mention of Moore's middle way between Abstraction and Surrealism).
55-66 FULLER Peter. British art: an alternative view.
(Includes photographs of four Moore sculptures. Discusses Moore as a major Modernist, the greatest British artist of the century, and a full blown English Romantic. Mentions Moore's influence by Picasso, his respect for Ruskin, and the landscape references in his work. In the late fifties Henry Moore's work had entered a new phase. His fragmented reclining figures of the earlier sixties are I believe among the greatest pieces he ever made... These works were perhaps the closest our secular age is likely to get to the great cathedrals").
67 PILKINGTON Godfrey. A personal perspective.
68-73 BEAUMONT Mary Rose. Beyond tradition: sculpture since Caro.
(Mentions Henry Moore).
74-78 SPENCER Charles. Contemporary art in Britain.
(Mentions Henry Moore).
79-80 ARWAS Victor. Allen Jones sculptures.
The back cover is a photograph of Reclining Figure 1969-1970 bronze."
5-11 TAYLOR John Russell. Modernism or splendid diversity.
12-15 LIVINGSTONE Marco. David Hockney's home-made prints.
16-36,45-48 CUMMING Hugh. Contemporary British artists.
(Mentions Moore's influence).
37-44 GRIFFITHS John. Modern movements in British art.
(Fold-out chart, with a photograph of one Moore bronze, and listing references to Moore).
49-54 CAUSEY Andrew. The modern in British art.
(Includes a photograph of Reclining Figure, 1930 ironstone and a mention of Moore's middle way between Abstraction and Surrealism).
55-66 FULLER Peter. British art: an alternative view.
(Includes photographs of four Moore sculptures. Discusses Moore as a major Modernist, the greatest British artist of the century, and a full blown English Romantic. Mentions Moore's influence by Picasso, his respect for Ruskin, and the landscape references in his work. In the late fifties Henry Moore's work had entered a new phase. His fragmented reclining figures of the earlier sixties are I believe among the greatest pieces he ever made... These works were perhaps the closest our secular age is likely to get to the great cathedrals").
67 PILKINGTON Godfrey. A personal perspective.
68-73 BEAUMONT Mary Rose. Beyond tradition: sculpture since Caro.
(Mentions Henry Moore).
74-78 SPENCER Charles. Contemporary art in Britain.
(Mentions Henry Moore).
79-80 ARWAS Victor. Allen Jones sculptures.
The back cover is a photograph of Reclining Figure 1969-1970 bronze."
0012223
Publisher: British High Commission Newsletter
Place Published: New Delhi
Year: 1987
Date & Collation: (Sept).8pp(4 Moore illus).
Description: Devoted largely to the exhibitions (See 0010902 and 0010894), listing members of the organizing committees, providing a biography 1898-1986, a tour schedule, and mentioning an Exhibition of Henry Moore Posters and Books at the Roopankar Gallery, Bharat Bhavan, Bhopal 8-13 September 1987. This collection of 30 framed posters and 31 books had already been shown in Delhi and Chandigarh in August.
Copy in 0010896.
Copy in 0010896.
0012229
Author/Editor: HYATT Derek.
Publisher: Dalesman
Place Published: Lancaster
Year: 1987
Date & Collation: (April) 53-54(1 illus).
Description: Obituary tribute by Hyatt who met Moore when he was a student at the Royal College of Art in the 1950s. Centred on a drive through Yorkshire, mentioning sights which reminded him of Moore.
0012235
Publisher: Expression
Place Published: Dublin
Year: 1987
Date & Collation: (Autumn) 4(1 illus).
Description: Note on New Delhi exhibition (See 0010902) in the American Express Magazine for Irish cardmembers. Photograph of Maquette for King and Queen, 1952 bronze.
0012264
Author/Editor: JACKSON Errol.
Publisher: Tablet
Place Published: London
Year: 1987
Date & Collation: (28 Nov)..
Description: Review of Roger Berthoud's The Life of Henry Moore (See 0000182). It is carefully researched and much of the information and certainly a lot of the photographs are new to the public." Mentions Moore's complicated personality and his love of family and devotion to children."
0012190
Author/Editor: GOLDBERG Vicki.
Publisher: American Photographer
Place Published: New York
Year: 1987
Date & Collation: (March) 32,34(2 illus).
Description: Mentions Moore as participant in Master Photographs by Non-Photographic Masters exhibition at Prakapas Gallery. No catalogue published.
0012196
Author/Editor: DORSEY Lucia Iannone.
Publisher: ARG
Place Published: Pennsylvania
Year: 1987
Date & Collation: (Winter)..(2 illus).
Description: Newsletter of the Arthur Ross Gallery. University of Pennsylvania feature on arrival for exhibition (See 0000167) of Draped Reclining Mother and Baby, 1983 bronze, describing the erection of the heavy bronze. This took seven hours on 25 November 1987.
0012202
Publisher: Artis
Place Published: Berne
Year: 1987
Date & Collation: (Jan)..(1 illus).Text in German.
Description: Short descriptive note on 0010456.
0012208
Author/Editor: HARRISON Charles.
Publisher: Artscribe International
Place Published: London
Year: 1987
Date & Collation: 62 1987(March-April) 30-35(1 Moore illus).
Description: British Art in the 20th Century: the Modern Movement at the Royal Academy (See 0000022). Includes a photograph showing three Moore sculptures, and a paragraph criticising the omission of early works or carved Reclining Figures in favour of the would-be-imposing formal rhetoric" of his bronzes."