Henry Moore Artwork Catalogue
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0013639
Publisher: Arts Yearbook
Place Published: New York
Year: 1965
Date & Collation: 8 1965 210pp.Illus.Adverts.
Description: Issue of annual published by Art Digest, and including references to Henry Moore in:
7-9 SEITZ William. Introduction
(Passing mentions).
11-62 A Survey of Recent Sculpture.
(Large photograph of Three Piece Reclining Figure No. 1 1961-1962 bronze, with brief biography).
64-73 GOLDWATER Robert. Truth to What?
(Moore's influence by Mexican sculpture, with a photograph of Reclining Figure, 1932 carved reinforced concrete).
100-105 BARO Gene. David Smith 1906-1965.
(Unlike Henry Moore for instance Smith failed to obtain the commissions that would have placed his works rightly in public plazas in parks and before important buildings").
106-109 GREENBERG Clement. Anthony Caro.
(Shares with Moore a grand sublime manner that has been a peculiarly English aspiration since the eighteenth century).
110-115 HOFMANN Werner. Fritz Wotruba.
(Compares Moore's vegetal shapes with Wotruba's tectonic rigidity).
168-171 BRONSTEIN Herbert. Sense and sensibility: the Albert A. List Family Collection.
(Mentions a Moore Reclining Figure full of movement).
172-175 HOENE Anne. The Rose Garden: the Billy Rose Collection.
(Mentions twenty-two small Moores).
180-183 BARNITZ Jacqueline. Profession and hobby: the Lester Avnet Collection.
(List-mention).
184-188 MICHELSON Annette. Public but private: the Joseph H. Hirshhorn Collection.
(Paragraph on 54 Moores in the collection. Photograph of Composition 1934 bronze)."
7-9 SEITZ William. Introduction
(Passing mentions).
11-62 A Survey of Recent Sculpture.
(Large photograph of Three Piece Reclining Figure No. 1 1961-1962 bronze, with brief biography).
64-73 GOLDWATER Robert. Truth to What?
(Moore's influence by Mexican sculpture, with a photograph of Reclining Figure, 1932 carved reinforced concrete).
100-105 BARO Gene. David Smith 1906-1965.
(Unlike Henry Moore for instance Smith failed to obtain the commissions that would have placed his works rightly in public plazas in parks and before important buildings").
106-109 GREENBERG Clement. Anthony Caro.
(Shares with Moore a grand sublime manner that has been a peculiarly English aspiration since the eighteenth century).
110-115 HOFMANN Werner. Fritz Wotruba.
(Compares Moore's vegetal shapes with Wotruba's tectonic rigidity).
168-171 BRONSTEIN Herbert. Sense and sensibility: the Albert A. List Family Collection.
(Mentions a Moore Reclining Figure full of movement).
172-175 HOENE Anne. The Rose Garden: the Billy Rose Collection.
(Mentions twenty-two small Moores).
180-183 BARNITZ Jacqueline. Profession and hobby: the Lester Avnet Collection.
(List-mention).
184-188 MICHELSON Annette. Public but private: the Joseph H. Hirshhorn Collection.
(Paragraph on 54 Moores in the collection. Photograph of Composition 1934 bronze)."
0013640
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1965
Date & Collation: 56 1965 2-4(2 Moore illus).
Description: Acquisitions by Leeds Art Collections Fund including Three Piece Reclining Figure No.2: Bridge Prop, 1963 bronze.
0013641
Publisher: Life
Place Published: New York
Year: 1965
Date & Collation: (1 Nov) 39(9) Cover,30-38(1 Moore illus).
Description: Feature on Private View (See 0005875) with a large colour photograph of Henry Moore in his plastic studio at Much Hadham.
0006061
Publisher: Secolul 20
Place Published: Bucharest
Year: 1965
Date & Collation: (2) 3,76-77,98,100,170,190;4 plates between 64 and 65(12 illus).Text in Roumanian.
Description: Illustrations of drawing and sculpture throughout an issue of Secolul 20. The plates between pages 64 and 65 are entitled Henry Moore: variatiuni pe tema maternitătii (variations on a theme of maternity) and depict Mother and Child works. They also contain a short text by Geta BRATESCU entitled Notă la sculptura lui Moore (A note on Moore's sculpture). This summarises the aesthetic qualities of Moore's work, noting the importance of natural forms and the human body.
0006067
Author/Editor: WHITTET G.S.
Publisher: Studio International
Place Published: London
Year: 1965
Date & Collation: (Oct) 168-171(1 Moore illus).
Description: London commentary with a photograph of Three Way Piece No. 1: Points, 1964-1965 bronze and brief mention of Marlborough exhibition (See 0005900). Moore expresses if not the goodness at least the strength and the dignity that survive in this civilization"."
0006069
Author/Editor: WRAIGHT Robert.
Publisher: Tatler
Place Published: London
Year: 1965
Date & Collation: (4 Aug)..
Description: Short review of the Moore-Bacon exhibition (See 0005900): Heaven was of course the Moore exhibition...""
0006072
Author/Editor: MARTINELLI V.
Publisher: Veltro
Place Published: Rome
Year: 1965
Date & Collation: (June) 296-297.Text in Italian.
Description: Exhibition review (See 0005902), outlining Moore's career and influences and noting the universality of his language and the fusion of landscape and the human figure.
0006056
Author/Editor: HODIN J.P.
Publisher: Quadrum
Place Published: Brussels
Year: 1965
Date & Collation: 18 1965 55-70(2 Moore illus).French summary 182.
Description: Based on current exhibitions in London, including British Sculpture in the Sixties (See 0006034) and Art in Britain 1930-40 (See 0005888). Frequent references to Moore's influence, and a dynamic-organic super realist manner in which a sub-conscious Surrealist imagery took visible shape"."
0006059
Author/Editor: WEISS Margaret R.
Publisher: Saturday Review
Place Published: New York
Year: 1965
Date & Collation: (27 March) 39-41(2 Moore illus).
Description: Warren Forma's Five British Sculptors Work and Talk: book (See 0006110), film (See 0006095), record (See 0010805), and photography exhibition at I.B.M. Gallery. Outlines Forma's six weeks tour of the U.K. to film the artists, followed by editing, and preparing the exhibition of photographs and tape recordings.
0006062
Author/Editor: ROBERTSON Bryan.
Publisher: Spectator
Place Published: London
Year: 1965
Date & Collation: (13 Aug)..
Description: Review of Marlborough Bacon and Moore exhibition (See 0005900): Moore's greatest works are in progress now: full of energy sensual strength and ruthless Romanesque compression.""
0006057
Author/Editor: CLAY Jean.
Publisher: Réalités
Place Published: Paris
Year: 1965
Date & Collation: 1965(Jan) 70-77(8 illus).Text in French.
Description: Report on a visit to Much Hadham, outlining Moore's early life, influences and subsequent preoccupations in art. For English edition and annotation see 0006058. This text also appeared in Lectures pour Tous, July 1966 (See 0005795) and Visages de l'Art Moderne (See 0004866).
0006060
Publisher: Saturday Review
Place Published: New York
Year: 1965
Date & Collation: (4 Dec) 62.
Description: Book review of Wittenborn edition of 0005860. Notes variety of expression Moore found in Reclining Figures theme.
0006063
Author/Editor: WATSON Francis.
Publisher: Spectator
Place Published: London
Year: 1965
Date & Collation: (17 Dec)..
Description: Review of ten art books including 0005856, 0005860 and 0005861. Pays tribute to Lund Humphries' publishing judgement.
0009652
Author/Editor: WHITTET G.S.
Publisher: Aujourd'hui
Place Published: Paris
Year: 1965
Date & Collation: 50 1965(July) 58-59(1 Moore illus).Text in French.English summary.
Description: In Grande Bretagne issue. A photograph of Moon Head, 1964 bronze and mention of Moore as L'Eminence grise de tout l'art britannique". There is a list-mention of Moore in a text by J.P. HODIN: Arts plastiques en Grande Bretagne (The situation of the arts in Great Britain today). A photograph on page 30 in the Architecture section depicts Seated Man 1949 bronze at Corpus Christi College Cambridge."
0006065
Author/Editor: SPENCER Charles S.
Publisher: Studio International
Place Published: London
Year: 1965
Date & Collation: (March) 98-105(1 Moore illus).
Description: Assessment of modern British sculpture at the time of the British Sculpture in the Sixties exhibition (See 0006034). Includes a photograph of Three Piece Reclining Figure No. 1, 1961-1962 bronze, and pays particular note to Moore's almost single-handed achievement in creating a new tradition. Quotes Moore's statement There are universal shapes to which everyone is subconsciously conditioned..." and outlines his way of creating new forms from the art of the past and integrating them within an English and humanist tradition."
0006068
Author/Editor: SPENCER Charles S.
Publisher: Studio International
Place Published: London
Year: 1965
Date & Collation: (Dec) 232-237(1 Moore illus).
Description: First Athenian Biennale with a photograph and passing mention of Standing Figure: Knife Edge, 1961 bronze with its impersonal heroic god-like air of being above mortal involvement"."
0006074
Publisher: Virginia Museum of Fine Arts Members' Bulletin
Place Published: Richmond, Va.
Year: 1965
Date & Collation: (Sept) 26(1)..(2 illus).
Description: Note on the Museum's exhibition (See 0005903), and a visit to Much Hadham by Marie-Louise Pinckney (See 0006098). Monumental in feeling even when small in actual scale these powerful forms place him securely among the world's great sculptors.""
0006077
Publisher: What's On
Place Published: Hong Kong
Year: 1965
Date & Collation: (April)..(1 illus).
Description: Note on gift of Three Standing Figures, 1945 plaster for permanent exhibition inside City Hall; with brief outline of Moore's career.
0006075
Publisher: Vitvarny Zivot
Place Published: Prague
Year: 1965
Date & Collation: (4)..(3 illus).Text in Slovak.
Description: Short report of a visit to Much Hadham and the simple, ordinary man showing natural objects and sculptures in Open Air settings.
0006070
Publisher: Time
Place Published: New York
Year: 1965
Date & Collation: (12 March) 48-52(14 illus).
Description: Well-illustrated feature on Piché, Meadows, Caro, Paolozzi, Ayrton, King and Tucker which expresses throughout their relationship and debt to Moore.
0006073
Author/Editor: BUCHANAN Donald W.
Publisher: Vie des Arts
Place Published: Montreal
Year: 1965
Date & Collation: 39 1965..(1 Moore illus).Text in French.
Description: Encounters with Moore, Zadkine and Giacometti. Describes Moore's country lifestyle and first meeting at Hoglands. The portraits refer to the description of the artists and to the photographs by Buchanan which are included in the article.
0006076
Publisher: Werk
Place Published: Zürich
Year: 1965
Date & Collation: (Sept) 52(9) 216-217.Initialled K.N. Text in German.
Description: Short book review of Rascher edition in Bücher column (See 0006626).
0006066
Author/Editor: HOFMANN Werner.
Publisher: Studio International
Place Published: London
Year: 1965
Date & Collation: (Sept) 92-97.Illus.
Description: Text on the Museum des 20.Jahrhunderts by its Director, translated into English. Includes a list-mention of Henry Moore, and a view of the garden with works by Moore and others. There is a brief review on page 134 of this issue of Studio International of Henry Moore: Sculpture and Drawings, Volume 3, Sculpture 1955-64 (See 0005860).
0006055
Author/Editor: RONTGEN F.E.
Publisher: Polytechnisch Tijdschrift
Place Published: The Netherlands
Year: 1965
Date & Collation: (10 Nov)..(1 illus).Text in Dutch.
Description: Photograph of the sculptures at Kröller-Müller, with brief caption in Dutch. Upright Motive No. 1: Glenkiln Cross, 1955-1956 bronze; Upright Motive No. 2, 1955-1956 bronze; Upright Motive No. 7, 1955-1956 bronze.