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Henry Moore Artwork Catalogue

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0022064
Author/Editor: THOMPSON Theresa
Publisher: Oxford Times
Place Published: Oxford
Year: 2008
Date & Collation: 2008(01 February) 9(2 illus)
Description: Favourable article on the Henry Moore at Kew exhibition, see 0000000. Includes quote from David Mitchinson. Details working methods and materials, mention of Nash Conservatory exhibition. Close reference to Large Upright Internal/External Form and Oval with Points. Two illus: Large Reclining Figure 1984 fibreglass, (LH 192b) Draped Reclining Mother and Baby 1983 bronze, (LH 822)
0022065
Author/Editor: CLARK jonty
Publisher: London Lite
Place Published: London
Year: 2008
Date & Collation: 2008(10 April) 26(No Moore illus)
Description: Pictogram in Puzzles & Fun section of free daily London newspaper. Three illustrations make up the name of the sculptor. No Moore illus.
0022878
Publisher: Le Monde
Place Published: Paris
Year: 2008
Date & Collation: 2008 233 19756 (2 August) 12-13 (1 illus)
Description: Article on theft of Reclining Figure 1969-70 bronze, (LH608). One illus.
0021277
Author/Editor: MACCARTHY Fiona.
Publisher: Guardian
Place Published: London
Year: 2008
Date & Collation: 2008 (04 October) 16-17...(3 illus)
Description: Double page article in Review section of Saturday paper. Primarily concerned with the Henry Moore Textiles exhibition, Sheep Field Barn Perry Green, but seeks to relate Moore's designs with his domestic life at Hoglands. Mentions of Irina, Mary and the eventual restoration of the house by the Foundation. References to Michelangelo, Roger Fry and Walter Gropius. With comparisons made between the homes of Barbara Hepworth and Claude Monet. Three Moore illus: Barbed Wire 1945 rayon, (TEX 4.2); Three Standing Figures c.1944 rayon, (TEX 1.1); Biographical photograph of Moore with Mary with Standing Figure 1951 bronze, (LH 290).
0021278
Author/Editor: DALLEY Jan.
Publisher: Financial Times
Place Published: London
Year: 2008
Date & Collation: 2008 (04 October) 17...(no Moore illus)
Description: Article in the Life & Arts section, including interview text with Richard Calvocoressi, explaining the Henry Moore Foundation's role in promoting the Artists' Rooms scheme, after assisting the purchase of Anthony d'Offay's collection of artwork for the Nation. Gives brief background on the formation of the Foundation, and Calvocoressi's aims for it's future. No Moore illus. The Director of the Foundation is pictured.
0021274
Author/Editor: DAY Elizabeth
Publisher: Observer
Place Published: London
Year: 2008
Date & Collation: 2008 (27 Jul) 1,6-7...(4 illus)
Description: Interview with Mary Moore, which took place inside Hoglands, on the occasion of the Hauser & Wirth exhibition, Henry Moore Ideas for Sculpture, (see 0021356). People pages of the Review section. Topics include: Reassessing Moore's work: Day states: His reclining figures many of them bought up by city corporations to display in arid public spaces became a sort of sculptural muzak for commuters"; Mary's hope that her fathers work will be re-evaluated to create a lasting legacy: "He invented a language we now take for granted as part of our vocabulary"; brief mention of Shelter Drawings: "it's not all just syrupy or touchy-feely"; Hoglands and Archivist Michael Phipps: "rather too many fruit bowls"; oore's 'niceness': "He very seldom had rages... I can remember my father being utterly shocked when I used a swear word because it showed disrespect. He wasn't a prima-dona a diva-type artist. He grew up with certain values"; Henry and Irina's marriage: "She was entirely the moon to my father's sun"; Peggy Guggenheim: "everywhere she went her boyfriend had to carry a whoopee cushion that she used to sit on. I think she had bad piles or some sort of back injury"; Mary's boyfriends causing 'familial disharmony': "they were too tired of disapproving to protest" to her marriage to Raymond Danowski; the setting up of the Henry Moore Foundation subsequent fall out and legal battle: "of course I regret it. I'm sure we all regret it". Some basic biographical points for both Henry and Mary are also included. Four Moore illustrations show Mary Moore with her father - helping as a young child; as a young woman; and finally Mary alone in the Bourne Maquette studio. Front page shows Moore's King and Queen 1952-53 bronze (LH 350).
0021289
Publisher: artdaily.org
Place Published: www
Year: 2008
Date & Collation: (4 March 2008).1pp.1 illus
Description: Exhibition review in online art newspaper. Printed 14 October 2008. Provides details of background to Moore's tapestries, mentioning West Dean. Statement from Executive Director Sean O'Harrow, which expresses his pleasure in working with the Henry Moore Foundation and Mary Moore. The article states that this is the first exhibition of the tapestries in the United States. One Moore illus: Two seated Women and a Child 1977 tapestry, (TAP 9).