Henry Moore Artwork Catalogue
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0021038
Publisher: Museum of Modern Art
Place Published: New York
Year: 2008
Date & Collation: 110pp.Illus.
Description: Spiral bound, week-to-a-view, 2008 diary. Displays one artwork from the MoMA collection for each week on the theme of family. Two Moore illus: page 4, January 7-13, shows Family Group 1948-49 bronze, (LH 269). Page 107, December 29-January 4 shows Mother with Child on Knee 1956 bronze, (LH 409).
0021761
Author/Editor: ENSER Katie
Publisher: University of Sussex
Place Published: Sussex
Year: 2008
Date & Collation: pp.Illus.Bibliography
Description: Undergraduate dissertation, for History of Art degree, focusing on the subject of Zika Ascher's work with leading artists, with particluar reference to Moore's Textile designs. Highly illustrated with references to other artist's work. Accompanying correspondence explains Enser's connection to Ascher and mentions the Annual Scarf Lecture" given by Paul RENNIE at Central St. Martins School of Art."
0021081
Publisher: Fujisankei Communications Group
Place Published: Japan
Year: 2008
Date & Collation: 28pp.Illus.
Description: Calendar for The Hakone Open-Air Museum and The Utsukushi-Ga-Hara Open-Air Museum. Showing one sculpture photographed by Mika Sasaya for each month.
Mother and Child: Block Seat 1983-84 bronze, (LH 838) is shown as the photo for April.
A small photo showing three Moore sculptures in situ is also included.
0021008
Publisher: Lund Humphries
Place Published: Aldershot
Year: 2008
Date & Collation: 26pp.Illus.
Description: Lund Humphries Ashgate Publishing catalogue. Page 5 contains a full-page feature on the book Henry Moore Textiles published to coincide with the forthcoming exhibition. The front cover of the catalogue shows a Matt Pia photograph of Reclining Figures 1944-46 serigraphy, cotton printed by Ascher (TEX 8). Four other Moore titles are included pages 13 and 21.
0021048
Publisher: Unitarian Universalist Association of Congregations
Place Published: Boston
Year: 2008
Date & Collation: (Spring).71pp.Illus.
Description: Cover shows part image of Family Group 1948-49 bronze, (LH 269) with the banner Home Grown Unitarian Universalism"."
0021086
Publisher: The British Museum Friends.
Place Published: London
Year: 2008
Date & Collation: 6pp.Illus.
Description: Foldout booklet of forthcoming visits to places linked to the British Museum. Contains details of a visit to Hoglands. Cover illustration shows:
Reclining Figure and Red Rocks 1942 drawing, (HMF 2067).
0021120
Publisher: Leeds City Council.
Place Published: Leeds
Year: 2008
Date & Collation: 6pp.Illus (one Moore).
Description: Gatefold A4 booklet guide to ten key works at Leeds Art Gallery. Each work accompanied by brief explanitory text. One Moore illus:
Page 3: Reclining Figure 1929 Brown Hornton stone, (LH 59).
0021144
Author/Editor: Stroudwater Textile Trust
Publisher: Stroudwater Textile Trust
Place Published: Gloucestershire
Year: 2008
Date & Collation: 40pp.illus.
Description: Booklet festival guide. Page 22 gives details of a talk given by Sue Pritchard, Operations Manager for Textiles & Fashion at the Victoria & Albert Museum; The Search for a New Asethetic. The talk covers Moore's textile designs and the British design reform movement. (See also 0021118).
0021142
Publisher: The Henry Moore Foundation
Place Published: Much Hadham
Year: 2008
Date & Collation: 4pp.illus.
Description: Invitation to a summer reception, at Perry Green, celebrating the first exhibition of textiles designed by Henry Moore, (see 0021118), Wednesday 11 June 2008. Front cover contains a piece of limited edition fabric, Treble Clef, Zigzag and Oval Safety Pins 1946-47, (TEX 12.8). Indside cover depicts actress Sally Gray wearing a dressing gown made form Moore's Barbed Wire (TEX 4), in the 1947 film They Made Me a Fugitive.
0021030
Publisher: Ashgate
Place Published: Aldershot
Year: 2008
Date & Collation: 40pp.Illus.Index.
Description: Catalogue promoting new and forthcoming Ashgate and Lund Humphries titles. Contains details of the following Moore books:
page 29 Henry Moore Critical Essays"
page 30 "Celebrating Moore"
page 31 "Henry Moore Complete Sculpture: six volume catalogue"
page 32 "Henry Moore Complete Drawings: seven volume catalogue"
page 35 "Henry Moore Textiles"."
page 29 Henry Moore Critical Essays"
page 30 "Celebrating Moore"
page 31 "Henry Moore Complete Sculpture: six volume catalogue"
page 32 "Henry Moore Complete Drawings: seven volume catalogue"
page 35 "Henry Moore Textiles"."
0021112
Publisher: The Campaign for Drawing.
Place Published: Enfield
Year: 2008
Date & Collation: 22pp.Illus.
Description: Booklet reviewing highlights from last years events. Includes details of prizewinning workshop Seeing Moore at Kew" held at Royal Botanical Gardens to tie in with Moore at Kew exhibition. One Moore illus: Page 6 shows Reclining Figure: Arch Leg 1969-70 bronze(LH 610) with workshop in progress in the foreground.
0021135
Publisher: Yorkshire Sculpture Park.
Place Published: Wakefield.
Year: 2008
Date & Collation: 20pp.Illus.
Description: Booklet promoting events during the Spring season. Gives details of the changing display" of large Moore sculpture in the Country Park. One Moore illus: Page 11: partial image of Large Standing Figure: Knife Edge 1976 bronze (LH 482a).
0021104
Publisher: Tate
Place Published: London
Year: 2008
Date & Collation: 80pp.Illus.
Description: Small book published to celebrate fifty years of the Tate Members, formerly Friends of The Tate Gallery. 30 works are selected, illustrated and commented on by Members to give a wide overview of the works in the collection. 1 Moore illus:
Page 7: King and Queen 1952-53 bronze, (LH 350) with commentary from The Duke of Devonshire.
0021105
Author/Editor: The J.Paul Getty Museum.
Publisher: The J.Paul Getty Museum.
Place Published: Los Angeles
Year: 2008
Date & Collation: 6pp.Illus.
Description: Gatefold booklet promoting Sculpture Symposium at the Getty Centre, Los Angeles, April 25-26 2008. Programme includes a session entitled Henry Moore and the Anxiety of Influence" to be chaired by Jonathan Wood of the Henry Moore Institute. Varied discussion topics concerning Moore are also outlined. One Moore illus on the front cover shows: Seated Woman 1958-59 bronze (LH 440).See 0022575 for paper by Jennifer WULFFSON BEDFORD - "More Light and Less Heat": The Intersection of Henry Seldis's Art Criticism and the Career of Henry Moore in America."
0021139
Publisher: Essex County Council Learning Services
Place Published: Chelmsford
Year: 2008
Date & Collation: 48pp.Illus.Bibliog.
Description: Second Edition. Undated school booklet, received June 2008. 34-35(5 illus) Key Stage 2 Example Four Year Four.(Two Moore illustrations, and photographs of three art works by children depicting works by Moore. Projects take as their starting point a school visit to the Henry Moore Foundation in Hertfordshire).
0023141
Publisher: Cheltenham Art Gallery & Museum
Place Published: Cheltenham
Year: 2008
Date & Collation: 4pp.
Description: Publicity leaflet with information on the exhibition of the same name and related events. Includes a talk on Friday 10 October by Michael Phipps titled Henry Moore - Surrealism and beyond, exploring Moore's role in the Surrealist movement and how Surrealism realtes to Moore's work.
0022235
Publisher: National Museum of Art, Osaka
Place Published: Japan
Year: 2008
Date & Collation: 22pp.illus.
Description: Japanese guide to art museum. Booklet of suggested workshop ideas for children centred on specific works from the collection. One Moore illus
Page 16 shows Large Standing Figure: Knife Edge 1961 bronze, (LH 482a). Brief text on Moore. Sculpture also represented on Floor Plan.
0022622
Author/Editor: JULER Edward
Publisher: University of Manchester
Place Published: Manchester
Year: 2008
Date & Collation: 240pp.Illus.Bibliography.
Description: PhD thesis examining the way in which metaphors of biology entered into critical discourse that surrounded the emergence of the 'new abstraction' in England during the 1930s.
11 Geoffrey Grigson inspired by Moore.
In Organicism 1.4 Organicism and the New Abstraction 68 Moore's Four-piece Composition: Reclining Figure 1934 Cumberland alabaster, (LH 154) given as an example of avant-gardists rejection of mechanism in the 1930s and multi-part sculpture. Illus on 200. 69-70 Moore quoted as saying that "early modernism preferred simple structures to complex ones"; Moore's describes Brancusi as evidence of this; Hugh Gordon PORTEUS critique of Moore's early works. 71 Moore compares the plinth to the painted frame of a Seurat picture "an object which, whilst not part of the painting proper, was nonetheless an integral component in its presentation". 73-74 metaphors of connectivity in relation to Moore's multi-part sculpture. Moore speaks of an expanded sculptural unit, compositional arrangements involving two to four irregular components within an extended space. Three Piece Carving 1934 stone, (LH 149) and Head and Ball 1934 Cumberland alabaster, (LH 151) cited as examples. Illus on 203; Comparison to Hepworth's multi-part constructions. 79 Moore and Hepworth's multi-part sculptures discussed in relation to psychoanalytical concepts of Melanie Klein. 84-5 reference Moore's anti-reductionist mindset published in The Sculptor Speaks in The Listener 1937.
In Evolutionism 2.5 Concepts of Development and the New Abstraction 115-7 Herbert READ writing on Moore in The Meaning of Art 1931, on materials, iconography, process and the study of natural forms. Reference to the worn and corroded nature of Figure 1933-4 travertine (LH 137). Illus on 207. 125-6 Moore's contributions to Unit One, statement on asymmetry and non-symmetrical mass in relation to natural forms.
In Evolutionism 2.6 Entropy and the New Sculptural Idiom 127 Four-Piece Composition: Reclining Figure 1934 Cumberland alabaster, (LH 154) "connotating an organic system that has not just expired but literally run out of energy". Quote from Henry Moore and the Uncanny. 128, 130 and 133 reference to iconography and surrealism of Moore's sculpture; metaphors of erosion and organic development; relation to economic malaise.
In Form 3.3 Art and Morphology 147-8 on artists whose work symbolizes the elementary morphologies of the natural world. Reference to Moore's study of natural objects; their invariable rhythms and physical form; universal shapes everyone is conditioned to. Reference to Moore's drawings. Illus of Studies of Lobster Claws 1932 (HMF 939) 210.
In Form 3.4 The Reception of New Scientific Visualizing Technologies 162-4 and 178 Moore quoted "there is in Nature a limitless variety of shapes and rhythms (and the telescope and microscope have enlarged the field) from which the sculptor can enlarge his form-knowledge experience". Reference to philosophy of Enlightenment and stimulus of new visualizing technologies; Grigson on Moore's reductive curvilinearity; rounded forms in relation to the body.
0022594
Publisher: Hauser & Wirth
Place Published: London
Year: 2008
Date & Collation: (15 October - 14 November 2008) Folder and 4 DVDs
Description: Folder containing details of the works in exhibition. Also 4 DVDs containing: Workfiles and lists of works; Installation views; Drawings; Sculptures. See 0021806 for the exhibition catalogue.
0022669
Place Published: UK
Year: 2008
Date & Collation: 8pp.Illus.
Description: Print out from eBay and Grandauctions.com. Dated 2008 and 2012. Screen printed wall panels by Moore for Ascher. Illus of Three Seated Figures c1943 (TEX 27). And letter or press release from Ascher by Norman Clare.
0022672
Publisher: LCGA Limerick City Gallery of Art
Place Published: Limerick
Year: 2008
Date & Collation: (12 September - 16 November 2008)8pp.Illus.
Description: Published to coincide with exhibition of the same name at LCGA. 4 description of Musselled Moore (Project for Lake Ontario) 2007. 5 description and illus of Silver particle/Bronze (After Henry Moore) 2008, a bronze sculpture of a silver particle from a vintage, gelatin silver, photographic print of Reclining Figure No. 4 1955 by Henry Moore enlarged x 300,000. Bronze cast by the Noack foundry in Berlin. The work takes Moore's practice of extrapolating on forms found in nature pebbles and bones being his most common source of material and reworks it in the microscopic realm of silver based photography"."
0022804
Publisher: National Museum of Art, Japan
Place Published: Japan
Year: 2008
Date & Collation: 48pp.Illus.Box set of cards.
Description: Box set of art cards and booklet, relating to The National Museum of Art collection. Booklet suggests games for children and details each card. Cards are colour coded to reflect the collections at different galleries: National Museum of Art -Tokyo, Kyoto, Osaka and the Crafts Gallery, Tokyo. Illus of Large Standing Figure: Knife Edge 1961 bronze, (LH 482a) on page 43 of the booklet and on blue card number 5.
0021803
Publisher: Waddington Galleries
Place Published: London
Year: 2008
Date & Collation: 32pp.illus.
Description: Group of promotional cards for works available from Waddington Galleries; 16 cards provide image of work and on verso the provenance. Two Moore illus:
Studies for Sculpture 1933 drawing, (HMF 1004a)
Maquette for Draped Reclining Woman 1956 bronze, (LH 429).
0021847
Publisher: Arts Council
Place Published: London
Year: 2008
Date & Collation: 1pp.illus
Description: Large square silk scarf, 86.5 x 86.5cm, designed by Grayson Perry to accompany touring exhibition of the same name. Features Perry’s portraits of some of the leading British artists of the post-war period. One illus depicts Henry Moore. Produced in a limited edition of 700.