Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
34 results
for
*
0019629
Publisher: Fondazione Giorgio Cini
Year: 1995
Date & Collation: 20pp(17 illus).Text in Italian.
Description: Printed 3 January 2002 from Internet www.cini.it. Feature on Henry Moore: sculture, disegni, incisioni, arazzi (See 0016491), with edited versions of the catalogue texts by Vittore Branca, Alessandro Bettagno, and David Mitchinson.
0019172
Publisher: Artemis
Place Published: Luxembourg
Year: 1995
Date & Collation: 51pp.Illus.
Description: Consolidated Audited Annual Report. Annual General Meeting, 27 January 1995. Features works of art sold by the Artemis group.
34-35(1 illus) Henry Moore: Mother and Child, 1934 ironstone.
34-35(1 illus) Henry Moore: Mother and Child, 1934 ironstone.
0019174
Author/Editor: GOLDBERG Itzhak., MONNIN Francoise.
Publisher: Centre George Pompidou-Editions Scala
Place Published: Paris
Year: 1995
Date & Collation: 125pp.Illus.Biog 116-121.Glossary.Bibliog.
Description: Tableaux Choisis.
82-87,120(6 illus) Moore: la caresse du vide.
Reclining Figure: Festival, 1951 bronze.
82-87,120(6 illus) Moore: la caresse du vide.
Reclining Figure: Festival, 1951 bronze.
0018204
Publisher: Dartington Hall
Place Published: Totnes
Year: 1995
Date & Collation: 20pp.Illus.
Description: Undated booklet, with a photograph on page 14 of Memorial Figure, 1945-1946 Hornton stone.
0018051
Publisher: International Comparative Literature Association
Place Published: Tokyo
Year: 1995
Date & Collation: xiv,549,xvipp.Illus.Bibliog.
Description: Proceedings of the XIIIth Congress of the International Comparative Literature Association. General Editors: Earl Miner and Toru Haga. Volume 1 of 6 Volumes, The Force of Vision.
Section 2: Visions of Beauty; editors Roseann Runte and Hans R. Runte. 404-411 HO Louise S.W. Fragmented Eliot and Henry Moore's Weak Midriff.
(Eliot's The Waste Land and Moore's divided figures, though fragmented in form, pertain to wholeness. Fragmentation is not an end in itself. The poem is one work, made up of parts. Moore's divided figures represent one whole body. The poem and the sculpture share a similar end.
Ezra Pound's editing resulted in a more compact and sculpted poem. Moore edited the midriff from his two- and three-part reclining figures. Both,therefore, achieve a form which had to be chiselled from earlier whole versions. Unnecessary parts of both were omitted. Works such as Reclining Woman, 1927 cast concrete or Reclining Figure, 1939 bronze either ignore or exaggerate the middle part of the body. Recumbent Figure, 1938 bronze and divided reclining figures variously hollow out, or omit the midriff completely. The waist area serves no purpose in the reclining figures, whereas in seated and upright forms it supports the back.
Pound's influence hovers in the background of both Eliot and Moore. Whether in poetry or sculpture, the maker through his means and judgement must realise the form of his work).
Section 2: Visions of Beauty; editors Roseann Runte and Hans R. Runte. 404-411 HO Louise S.W. Fragmented Eliot and Henry Moore's Weak Midriff.
(Eliot's The Waste Land and Moore's divided figures, though fragmented in form, pertain to wholeness. Fragmentation is not an end in itself. The poem is one work, made up of parts. Moore's divided figures represent one whole body. The poem and the sculpture share a similar end.
Ezra Pound's editing resulted in a more compact and sculpted poem. Moore edited the midriff from his two- and three-part reclining figures. Both,therefore, achieve a form which had to be chiselled from earlier whole versions. Unnecessary parts of both were omitted. Works such as Reclining Woman, 1927 cast concrete or Reclining Figure, 1939 bronze either ignore or exaggerate the middle part of the body. Recumbent Figure, 1938 bronze and divided reclining figures variously hollow out, or omit the midriff completely. The waist area serves no purpose in the reclining figures, whereas in seated and upright forms it supports the back.
Pound's influence hovers in the background of both Eliot and Moore. Whether in poetry or sculpture, the maker through his means and judgement must realise the form of his work).
0016490
Publisher: Zwemmer Holdings Company
Place Published: London
Year: 1995
Date & Collation: 4pp(2 Moore illus)
Description: Publicity brochure incorporating Zwemmer Order Form. Lists Henry Moore catalogues raisonnés and bibliography, British Sculptors and Sculpture Series, and other titles available from Lund Humphries in association with the Henry Moore Foundation.
0018454
Publisher: Pace Wildenstein
Place Published: Los Angeles
Year: 1995
Date & Collation: 2pp(3 illus).
Description: Internet feature on the exhibition (See 0016495) printed from www.pacewildenstein.com on 12 Nov 1999.
0016510
Publisher: Royal Academy of Arts
Place Published: London
Year: 1995
Date & Collation: (15 March-18 April).56p.Illus.
Description: Published in association with Sheeran Lock Fine Art Consultants, Hebden Bridge and New York. Includes texts by Dunstan, John Sheeran, Stanley Jones, and Serena Castle on lithography. Includes a photograph of Moore with Stanley Jones at the Curwen Press in 1962, and mentions in the texts by Sheeran and Jones.
0016603
Author/Editor: HILLMAN Clare.
Publisher: University of Manchester
Place Published: Manchester
Year: 1995
Date & Collation: iii,50pp.Bibliog.List of 30 illus.
Description: Copy, without illustrations, of dissertation for BA Honours degree in History of Art. Photographs of two Moore sculptures are listed. The text mentions Moore, particularly in Chapter 2: Influences and imagery, which notes the period that Meadows spent as assistant to Moore from 1936 to 1940, and how Meadows claimed that it was only in 1952 that he broke free from Moore's style. Meadow's learned from Moore, but the association has been detrimental to Meadows because critics persistently refer to his time with Moore, and imply that his work is in some way derivative.
0016519
Publisher: University of Leeds
Place Published: Leeds
Year: 1995
Date & Collation: 4pp(1 illus).
Description: Leaflet advertising Department of Fine Art series of lectures in February and March 1995. Cover photograph depicts maquettes on shelves in Moore's studio.
0016530
Publisher: Achim Moeller
Place Published: New York
Year: 1995
Date & Collation: 4pp card.(1 Moore illus).
Description: Publicity card received June 1995. Includes a colour photograph of a 1945 Family Group bronze maquette.
Title as printed; 20th Century Sculpture.
Title as printed; 20th Century Sculpture.
0016553
Publisher: British Council
Place Published: London
Year: 1995
Date & Collation: xi,168pp.Ilus.Foreword John HANSON.Introduction Andrea ROSE.
Description: Nearly one thousand works acquired for the British Council Collection between 1984 and 1994, including over 200 prints by Henry Moore. Catalogue researched and edited by Diane ECCLES and Barbara PUTT.
Part 1 Original Works. (Includes four Moore bronzes 1934-1977. 4 illus).
Part 3 Graphic Works and Multiples. (Includes The Henry Moore Gift of prints and albums. 21 illus).
Part 6 Circulating Exhibitions on Tour 1984-94. (Lists the itinery of exhibitions containing works by Moore: Forty Years of British Sculpture (See 0013913); For a Wider World (See 0011441); A Changing World (See 0016079); Out of Print: British printmakers 1946-1976 (See 0016227); Henry Moore: etchings and lithographs 1949-1984 (See 0011087. 1988-1992 Belarus, Bulgaria, Czechoslovakia, Estonia, Latvia, Lithuania, Malaysia, Philippines, Russia, Singapore, Thailand, Ukraine, Zimbabwe); Henry Moore Portfolio Prints 1950-1981 (See 0011092. 1987-1993 Australia, Brazil, Canada, Chile, Colombia, Peru, Venezuela); Henry Moore, Mother and Child: etchings and small sculpture (See 0011449. 1990-1993 Bahrain, Cyprus, Egypt, Greece, Israel, Italy, Malta, Morocco, Oman, Turkey, United Arab Emirates).
Part 1 Original Works. (Includes four Moore bronzes 1934-1977. 4 illus).
Part 3 Graphic Works and Multiples. (Includes The Henry Moore Gift of prints and albums. 21 illus).
Part 6 Circulating Exhibitions on Tour 1984-94. (Lists the itinery of exhibitions containing works by Moore: Forty Years of British Sculpture (See 0013913); For a Wider World (See 0011441); A Changing World (See 0016079); Out of Print: British printmakers 1946-1976 (See 0016227); Henry Moore: etchings and lithographs 1949-1984 (See 0011087. 1988-1992 Belarus, Bulgaria, Czechoslovakia, Estonia, Latvia, Lithuania, Malaysia, Philippines, Russia, Singapore, Thailand, Ukraine, Zimbabwe); Henry Moore Portfolio Prints 1950-1981 (See 0011092. 1987-1993 Australia, Brazil, Canada, Chile, Colombia, Peru, Venezuela); Henry Moore, Mother and Child: etchings and small sculpture (See 0011449. 1990-1993 Bahrain, Cyprus, Egypt, Greece, Israel, Italy, Malta, Morocco, Oman, Turkey, United Arab Emirates).
0016529
Publisher: University of Leeds
Place Published: Leeds
Year: 1995
Date & Collation: 8pp.
Description: Mentioned at the end of 0009740. Transcript received 1995, via the Henry Moore Centre for the Study of Sculpture, inscribed "This reproduction is the property of the Brotherton Library University of Leeds". About Mr. Moore's experiences in the First World War which involved being gassed in 1917 in the aftermath of the Cambrai battle and then of bayonet instructing on the domestic front.
Early life in Castleford. Article on Michelangelo in Arthur Mee's Children's Encyclopedia to which the family subscribed in fortnightly parts. Mentions Zepplin over Castleford Alice Gostick early teaching experience before going to war. Enrolled voluntarily at the age of eighteen in Civil Service Rifles (compulsory call-up would have been in Yorkshire Light Infantry). First visit to London and youngest in Regiment. In trenches at Cambrai 1917 after training on Wimbledon Common. Moore as a Lewis gunner. Gassed by lifting uncomfortable gas mask to see if the air was clear. "I meant to do the best I could to win a medal...it was an adventure I enjoyed it all". Hospitalised in Wales Moore was drawing whenever he could. Picked as Physical Training instructor at Aldershot specialising in bayonet instruction. Armistice celebration in London although returned to France prior to demobilisation in March or April 1919.
Inscribed in manuscript "One of two recordings made with Peter Liddle". (It is believed that the original 1979 recording was inaudible so that the interview was conducted again in 1980).
For transcript of 1979 tape see 0018679."
Early life in Castleford. Article on Michelangelo in Arthur Mee's Children's Encyclopedia to which the family subscribed in fortnightly parts. Mentions Zepplin over Castleford Alice Gostick early teaching experience before going to war. Enrolled voluntarily at the age of eighteen in Civil Service Rifles (compulsory call-up would have been in Yorkshire Light Infantry). First visit to London and youngest in Regiment. In trenches at Cambrai 1917 after training on Wimbledon Common. Moore as a Lewis gunner. Gassed by lifting uncomfortable gas mask to see if the air was clear. "I meant to do the best I could to win a medal...it was an adventure I enjoyed it all". Hospitalised in Wales Moore was drawing whenever he could. Picked as Physical Training instructor at Aldershot specialising in bayonet instruction. Armistice celebration in London although returned to France prior to demobilisation in March or April 1919.
Inscribed in manuscript "One of two recordings made with Peter Liddle". (It is believed that the original 1979 recording was inaudible so that the interview was conducted again in 1980).
For transcript of 1979 tape see 0018679."
0016515
Publisher: Zacheta Gallery
Place Published: Warsaw
Year: 1995
Date & Collation: 360pp.Illus.Text in Polish.
Description: Display book of photocopies from the records of Zacheta Gallery (known also as CBWA: Central Office for Artistic Exhibitions). In the library of the Henry Moore Foundation. Relating to British Council exhibition (See 0007059).
Press cuttings, photographs, correspondence relating to exhibition from 1959-1960.
Brief selection of articles about Henry Moore published after 1960.
Documents Concerning Artistic Co-operation of Henry Moore as a Chairman of the Jury of International Competition for Auschwitz Memorial's Design.
(A selection of press cuttings from this display book which were not included in Volume 1 of the Henry Moore Bibliography have now been documented from this source).
Press cuttings, photographs, correspondence relating to exhibition from 1959-1960.
Brief selection of articles about Henry Moore published after 1960.
Documents Concerning Artistic Co-operation of Henry Moore as a Chairman of the Jury of International Competition for Auschwitz Memorial's Design.
(A selection of press cuttings from this display book which were not included in Volume 1 of the Henry Moore Bibliography have now been documented from this source).
0016516
Publisher: Cramer
Place Published: Geneva
Year: 1995
Date & Collation: 4pp.Illus.In French.
Description: Catalogue of publications, including four Henry Moore titles, illustrated on the front cover.
For earlier version see 0011321.
For earlier version see 0011321.
0016527
Publisher: Tate Gallery Publications
Place Published: London
Year: 1995
Date & Collation: 32pp.Illus.
Description: No title page. Title could be Souvenir Guide Tate Gallery. Includes a small pohotograph of Recumbent Figure, 1938 green Hornton stone and a list-mentiom of Moore on page 7. Page 30 lists Moore as one of the artists who will stay in the Tate Gallery of British Art at Millbank when the new Tate Gallery of Modern Art opens elsewhere in London.
0016528
Publisher: University College London
Place Published: London
Year: 1995
Date & Collation: 6pp(2 illus).
Description: Folded leaflet and Registration Form for UCL Department of History of Art conference 16-17 June 1995. Illustrates a photogaph by Reinhard Friedrich entitled Henry Moore Photographing Large Torso; Arch. Mentions an exhibition entitled Representing Sculpture.
0016512
Publisher: Westminster College
Place Published: Oxford
Year: 1995
Date & Collation: 24pp.
Description: Home-made guide to using library facilities, received June 1995. The front cover reproduces an Artist's Hands graphic work by Moore.
0016513
Publisher: Hertfordshire County Council
Place Published: Hertford
Year: 1995
Date & Collation: 24pp.Illus.
Description: Pamphlet directory with entry made under Much Hadham for The Henry Moore Foundation on page 14 with one illustration.
0016524
Author/Editor: PENNIE Michael.
Publisher: Bristol City Museum and Artworth
Place Published: Bristol
Year: 1995
Date & Collation: 52pp.Illus.Biog.Bibliog.
Description: This small book is published on the occasion of the two exhibitions Michael Pennie: carving and drawing 1976-1995 and LOBI being shown together in the Sologlas Gallery City Art Museum and Art Gallery Bristol and then at the National Museum and Art Gallery in Accra Ghana 1996". Mentions influence of African art on Moore with a photograph of Crowd Looking at a Tied-Up Object 1942 drawing."
0016525
Publisher: Crane Kalman Gallery
Place Published: London
Year: 1995
Date & Collation: 40pp.Illus.
Description: Purchased at 20th Century British Art Fair (See 0016507). Autumn-Winter 1995 stock catalogue of eighteen works. including Maquette for Head and Hand, 1963-1964 polished bronze.
0016511
Publisher: C.C.A. Galleries
Place Published: London
Year: 1995
Date & Collation: 16pp.Illus.
Description: Includes a small illustration of a 1973 lithograph by Moore.
0016514
Publisher: Fairfield Public Gallery
Place Published: Sturgeon Bay, Wis.
Year: 1995
Date & Collation: 2pp.
Description: List of eleven bronzes, one drawing, three albums, and sixteen prints. (Received in response to request to William S. Fairfieeld Public Gallerey Foundation Ltd for catalogues advertised in Print Collector's Newsletter, July-August 1995).
0016526
Publisher: C.C.A. Galleries
Place Published: London
Year: 1995
Date & Collation: 8pp.Illus.Inserts.
Description: Two 1974 lithographs by Moore are illustrated in a 4pp insrt entitled Master Graphics.