Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
33 results
for
*
0022279
Author/Editor: WIKBORG Tone
Place Published: Norway
Year: 1978
Date & Collation: 3pp.
Description: Three typed pages of recollected notes from Tone Wikborg - recalls meeting Moore when he visited Bygdøy, near Oslo, to oversee the installation of Large Torso: Arch in August 1978. Topics covered include:
Landscape
Drawing, importance of
Age
Picasso
Miro
Cezanne
Rodin
Irina, the support of
Direct Carving
Bronze editions
Dallas
Washington
Vocation, importance of.
Includes letter to and from Tim Llewellyn, Director of Henry Moore Foundation, dated 1995.
0002965
Publisher: Bruckmann
Place Published: Munich
Year: 1978
Date & Collation: 100pp(80 illus).Biog.Bibliog.Text in English, French and German.
Description: Pantheon Edition. Extended book version of Pantheon, July-September 1978 (See 0002964) in slip case. Also a de luxe edition of 100 copies with a loosely inserted original print Two Reclining Figures, 1978 lithograph signed by the artist.
STEINGRABER Erich. Henry Moore maquettes: observations on the methodical evolution in his work.
Interview with Henry Moore.
Henry Moore on Sculpture.
The Pantheon feature with additional illustrations, biography, list of exhibitions and bibliography. The Moore interview with Steingräber and Wolfgang Fischer is published in an extended form and takes in discussion of the size of maquettes and working models (I can make it any size in my imagination that I want it to be") the use of assistants the importance of life drawing the originality of the plaster casts Rodin. The statements on sculpture by Henry Moore are extended to 33 dating between 1930 and 1977."
STEINGRABER Erich. Henry Moore maquettes: observations on the methodical evolution in his work.
Interview with Henry Moore.
Henry Moore on Sculpture.
The Pantheon feature with additional illustrations, biography, list of exhibitions and bibliography. The Moore interview with Steingräber and Wolfgang Fischer is published in an extended form and takes in discussion of the size of maquettes and working models (I can make it any size in my imagination that I want it to be") the use of assistants the importance of life drawing the originality of the plaster casts Rodin. The statements on sculpture by Henry Moore are extended to 33 dating between 1930 and 1977."
0002899
Author/Editor: SPEED Meg.
Publisher: Leeds Polytechnic
Place Published: Leeds
Year: 1978
Date & Collation: 46pp.19 plates.Bibliog.
Description: Unpublished thesis at School of Creative Arts and Design. Outlines working-class background of Moore's early family upbringing, together with photographs of Roundhill Road, Temple Street Infant School, Castleford Grammar School, Methley Paris Church.Although none of the similarities experienced in childhood by Henry Moore and Barbara Hepworth can be seen to have exerted any one major influence which stimulated their creativity, nevertheless, when taken as a whole, it can be seen that the background from which they sprang would have offered a sufficiently good breeding ground for instinctive/intuitive ability to develop...there is not sufficient evidence to support the original hypothesis - to state categorically that their creativity was a direct result of the Northern environment - nevertheless, I do feel that it is reasonable to suggest that their creativity was encouraged and supported by their Northern background... It is an interesting fact, however, that seemingly both had to escape it before their work could flourish."
0002890
Publisher: Orde Levinson
Place Published: London
Year: 1978
Date & Collation: 42pp(24 illus).
Description: Booklet of the Portfolio published on the occasion of the artist's 80th birthday on 30 July 1978 (See 0002891). Includes a brief preface by Orde LEVINSON, illustrations of the nine lithographs in colour, and fifteen black and white photographs of Henry Moore, with accompanying quotations from a conversation with Henry MOORE. Sometimes to make the drawing of a figure more real I put it into a setting: a three-dimensional space a landscape or a room etc... Graphic work to me is exactly the same as drawing. If you can draw well you can etch well because it is only using a finer point. The technical side is relatively simple. The fundamental ideas are based on drawing and good drawing for me is the ability to represent three-dimensional form in space on a flat surface - perhaps that is why I think that sculptors should be even more concerned with being able to draw than painters... Being a sculptor I could turn most of my graphics into sculpture... Good art is not produced in a hit-or-miss way or just by luck. It often needs great perseverance and effort both intellectual and physical... For me it is a bigness of spirit - a fundamental humanity almost a religious belief expressing that life is important and wonderful and worth living... In my opinion the artists that have been most original and have contributed most have also owed most to the past."
Also published in a hard bound total edition 70 copies accompanying the portfolio with nine original lithographs and fifteen colour photographs.
Title as printed: Henry Moore: 80th Anniversary Portfolio."
Also published in a hard bound total edition 70 copies accompanying the portfolio with nine original lithographs and fifteen colour photographs.
Title as printed: Henry Moore: 80th Anniversary Portfolio."
0002893
Publisher: Ganymed Original Editions
Place Published: London
Year: 1978
Date & Collation: 12pp(9 illus).Preface.
Description: Booklet on the portfolio of etchings (See 0002892) published by Ganymed in association with the Louisiana Museum on the occasion of Moore's 80th birthday, giving details of the editions.
Cover title is Moore: the reclining figure.
Cover title is Moore: the reclining figure.
0002897
Publisher: University of East Anglia
Place Published: Norwich
Year: 1978
Date & Collation: 280pp.Illus.2pp Addendum.
Description: Catalogue of the Collection for the exhibition of the opening of the Centre, April 1978, designed by Minale, Tattersfield and Partners Ltd., edited by Robert SAINSBURY. The Collection has been assembled over more than 40 years, and was given to the University on 26 November 1973 by Sir Robert and Lady Sainsbury, together with an endowment of £3 million from their son David Sainsbury to build the Centre and purchase new works.
THISTLETHWAITE Frank. Foreword.
SAINSBURY Robert. My criterion for acquiring, my purpose in disposing.
FOSTER Norman. The building.
SAINSBURY Robert. Editorial preface.
The bulk of the catalogue consists of historical periods of art, each compiled by an expert, including:
25-97 European Art: 19th and 20th Centuries; compiled by Robert Sainsbury, which features Henry Moore.
14,26-41,97(19 illus) Henry Moore: 13 Drawings 1929-1948 and eight Sculptures 1929-1962.
THISTLETHWAITE Frank. Foreword.
SAINSBURY Robert. My criterion for acquiring, my purpose in disposing.
FOSTER Norman. The building.
SAINSBURY Robert. Editorial preface.
The bulk of the catalogue consists of historical periods of art, each compiled by an expert, including:
25-97 European Art: 19th and 20th Centuries; compiled by Robert Sainsbury, which features Henry Moore.
14,26-41,97(19 illus) Henry Moore: 13 Drawings 1929-1948 and eight Sculptures 1929-1962.
0002896
Publisher: National Gallery of Art
Place Published: Washington, D.C.
Year: 1978
Date & Collation: 80pp.Illus.
Description: 25-35 Donors and Acquisitions.
Records, with a photograph, on page 27 the Gift of Mrs. Enid A. Haupt of Three Motives Against Wall No. 1, 1958 bronze.
Title as printed: 1977 Annual Report.
Records, with a photograph, on page 27 the Gift of Mrs. Enid A. Haupt of Three Motives Against Wall No. 1, 1958 bronze.
Title as printed: 1977 Annual Report.
0016263
Publisher: Friends of the Tate Gallery
Place Published: London
Year: 1978
Date & Collation: 1pp(1 illus).
Description: Leaflet of Reclining Figure: Interior Setting, 1977 lithograph. In celebration of the eightieth birthday of the Friends of the Tate Gallery, the Henry Moore Foundation donated the print to be sold to raise funds for the Friends.
0002889
Publisher: Thomas Gibson Fine Art
Place Published: London
Year: 1978
Date & Collation: 48pp(81 illus).Preface by Thomas GIBSON.
Description: To celebrate Henry Moore's 80th birthday on 30 July 1978 the Directors of Thomas Gibson Fine Art present a selection of 80 works by the artist which they have sold since the company was founded eight years ago." Brochure sent to Moore with photographs of ten Drawings 1926-1948 and 70 Sculptures 1930-1975.
Title as printed: 80/80. Title on spine: Henry Moore 80/80."
Title as printed: 80/80. Title on spine: Henry Moore 80/80."
0002892
Author/Editor: MOORE Henry.
Publisher: Ganymed Original Editions
Place Published: London
Year: 1978
Date & Collation: Print album.
Description: Also published by Louisiana Museum of Modern Art, Humblebók 1978. Album with a total of eleven etchings 1977-1978 (Cramer 471-481) in a total edition of 75. Poem by Stephen SPENDER, entitled Sculpture and Statues: homage to Henry Moore. In four verses, it begins:Hews
Flakes from stone. Releases
Imprisoned form
His eyes presaged there.
For brochure see 0002893."
Flakes from stone. Releases
Imprisoned form
His eyes presaged there.
For brochure see 0002893."
0002898
Publisher: Tate Gallery
Place Published: London
Year: 1978
Date & Collation: 130pp.Illus.
Description: Illustrated Biennial Report and Catalogue of Acquisitions.
51,107(1 illus) Henry Moore: Four Piece Composition: Reclining Figure, 1934 Cumberland alabaster.This outstanding carving exemplifies Moore's powerfully expressive fusion of the contrasting Surrealist and abstract impulses of the 1930s, and of organic with formal qualities."
51,107(1 illus) Henry Moore: Four Piece Composition: Reclining Figure, 1934 Cumberland alabaster.This outstanding carving exemplifies Moore's powerfully expressive fusion of the contrasting Surrealist and abstract impulses of the 1930s, and of organic with formal qualities."
0002891
Author/Editor: MOORE Henry.
Publisher: Orde Levinson
Place Published: London
Year: 1978
Date & Collation: Print album.
Description: Portfolio of nine mounted lithographs 1975-1976: Cramer 442-450, and a leather bound book, published on the occasion of the artist's 80th birthday.
For contents of the book see 0002890.
Title as printed: 80th Anniversary Portfolio.
For contents of the book see 0002890.
Title as printed: 80th Anniversary Portfolio.
0002894
Publisher: Galerie Patrick Cramer
Place Published: Geneva
Year: 1978
Date & Collation: 20pp.Illus.
Description: Sale list of 163 items: prints, books.
Cover,10,12,15,18(7 illus) Henry Moore.
Items 94-105,157-159: 31 Prints 1951-1977 and 3 books 1950-1976.
Cover,10,12,15,18(7 illus) Henry Moore.
Items 94-105,157-159: 31 Prints 1951-1977 and 3 books 1950-1976.
0013838
Author/Editor: REMY Michel.
Publisher: Group Edition Marges
Place Published: Nancy
Year: 1978
Date & Collation: iv,25pp(15 illus).Bibliog.In English.
Description: Pamphlet published in a limited edition of 300 copies. Short A-Z entries, mainly of artists, followed by a chronology 1924-1967.
9 Henry Moore
(Four-line entry: the poet of holes and strings the poet of elemental life".)"
9 Henry Moore
(Four-line entry: the poet of holes and strings the poet of elemental life".)"
0013835
Publisher: Bridgestone Museum of Art
Place Published: Tokyo
Year: 1978
Date & Collation: 52pp.Illus.Text in English & Japanese.
Description: 15-23 New Acquisitions.
Pages 21-22(4 illus) Henry Moore: Stonehenge Suite (See 0003854).
Pages 21-22(4 illus) Henry Moore: Stonehenge Suite (See 0003854).
0013839
Publisher: Tate Gallery
Place Published: London
Year: 1978
Date & Collation: 2pp folder(3 Moore illus).
Description: Calendar/News sheet of events, with documentation on: The Drawings of Henry Moore (See 0003064), The Henry Moore Gift (See 0002830), and also an exhibition of prints presented to the Tate Gallery between 1975 and 1977: Henry Moore Prints, not previously documented in the Bibliography. There is also a note on Henry Moore at the Serpentine (See 0002718 and 0002719) and a column on Films at the Tate indicates that Henry Moore at Eighty (See 0002992) was shown during August.
0013837
Publisher: Bridgestone Museum of Art
Place Published: Tokyo
Year: 1978
Date & Collation: 28pp.Illus.In English and Japanese.
Description: List, including on page 20 one 1967 print by Moore Also 2 other works". A similar listing appears in the Bridgestone Museum of Art Annual Report 1976."
0013836
Publisher: Openluchtmuseum voor Beeldhouwkunst Middelheim
Place Published: Antwerp
Year: 1978
Date & Collation: ..pp.Illus.Bibliog.Text in Dutch.
Description: Includes a commentary and three photographs of King and Queen, 1952-1953 bronze.
0018575
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1978
Date & Collation: ii,6plates(6 illus).
Description: Large booklet of close-up colour photographs of Mirror Knife Edge, 1977 bronze in Washington, D.C. The only wording is a title page printed 'Knife Edge Mirror Two Piece by Henry Moore'.
0010010
Publisher: Smithsonian Institution
Place Published: Washington, D.C.
Year: 1978
Date & Collation: 3pp.Typewriter script.
Description: 28 July 1978 press release on 0002729. 'Planned as a tribute to Moore as he enters his ninth decade.' Outlines his career, and mentions the April 1976 visit Moore made to the Hirshhorn Museum to see the collection of his works.
0010012
Publisher: Sonja Henies og Niels Onstads Stiftelser
Place Published: Høvikodden
Year: 1978
Date & Collation: 116pp.Illus.Text in Norwegian by Gunnar REEGARD.English translation by James D.EDMONDSTON.
Description: Tenth anniversary booklet. Page 21 is a full-page photograph of Large Standing Figure: Knife Edge, 1961 bronze, mentioned in the text as a purchase.
0010008
Publisher: Achim Moeller
Place Published: London
Year: 1978
Date & Collation: 6pp folded card.Illus.
Description: Stock or exhibition catalogue with list and illustrations of eight works by eight artists. Includes a full-page colour reproduction of a 1931 drawing.
0010011
Publisher: Nevada Art Gallery
Place Published: Reno, Nev.
Year: 1978
Date & Collation: 1pp.Typewriter script.
Description: 2 February 1978 press release of prints (See 0003591) and 'a select group of small bronzes and maquettes from the West Coast Museums'.
0010009
Publisher: Montreal Museum of Fine Arts
Place Published: Montreal
Year: 1978
Date & Collation: 2pp.Typewriter script.
Description: 6 October 1978 press release, also issued in French edition, on gift to the Museum by Dr. and Mrs. Max Stern of La Parze, on loan to the Museum since 1976. Also known as Seated Torso and Woman, 1957-1958 bronze.