Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
Item Type*
Year*
Title*
Publisher
1 results
for
*
0020162
Publisher: Kunstmuseum Wolfsburg
Place Published: Wolfsburg.
Year: 2002
Date & Collation: (14 Sept)-2003(19 Jan).360pp.Illus.Biog 328-349.Chronologies.Bibliog.Texts.General editors Henry Meyric Hughes, Gijs van Tuyl.
Description: Exhibition also at Les Abattoirs (Toulouse) 24 Feb-11 May 2003. Catalogue published by Hatje Cantz (Ostfildern-Ruit) distributed in the USA by DAP: Distributed Art Publishers in English and German editions.
Plates 31,33,36,43,73-77,82 Pages 63,108,111,305,307,323-324,343, etc (17 illus) Henry Moore. In the exhibition were 16 Moore sculptures, the Second Shelter Sketchbook and other War Drawings, and a 'Case Full of Objects from Maquettes Studio'.
No index, but Henry Moore is mentioned in most of the texts and their chronologies:
HEWISON Robert. Fog in the Channel: the British dialogue with modernism.
CORK Richard Blast, Armageddon and Aftermath.
CURTIS Penelope. Direct Carving and the Notion of a Modern British Sculpture.
LEWISON Jeremy. Going Modern and Being British: the challenge of the 1930s.
MELLOR David Alan. Apocalyptic Visions: British art in the 1940s and 1950s.
STEPHENS Christopher. We Are the Masters Now: modernism and reconstruction in post-war Britain.
MASSEY Anne. Forbidden Conversations: the Independent Group, modernism, urban reality and the American mass culture.
MARLOW Tim. Open Situations: British abstraction in the 1960s.
LIVINGSTONE Marco. Pop Art.
WILSON Andrew Everything: a view on a developing counterculture in the mid 1960s in London.
HARRISON Charles. A Crisis of Modernism.
CURTIS David. Artists' Film in Britain.
HOWELL Anthony. British Performance.
HYMAN James. The Persistence of Painting.
CAUSEY Andrew. The New British Sculpture of the 1980s.
SHONE Richard.Freeze and its Aftermath.
DE VILLE Nick. British Art Schools.
GARLAKE Margaret. Strange Patronage: promoting twentieth century British art.
LYNTON Norbert. The Role of the Critic.
Plates 31,33,36,43,73-77,82 Pages 63,108,111,305,307,323-324,343, etc (17 illus) Henry Moore. In the exhibition were 16 Moore sculptures, the Second Shelter Sketchbook and other War Drawings, and a 'Case Full of Objects from Maquettes Studio'.
No index, but Henry Moore is mentioned in most of the texts and their chronologies:
HEWISON Robert. Fog in the Channel: the British dialogue with modernism.
CORK Richard Blast, Armageddon and Aftermath.
CURTIS Penelope. Direct Carving and the Notion of a Modern British Sculpture.
LEWISON Jeremy. Going Modern and Being British: the challenge of the 1930s.
MELLOR David Alan. Apocalyptic Visions: British art in the 1940s and 1950s.
STEPHENS Christopher. We Are the Masters Now: modernism and reconstruction in post-war Britain.
MASSEY Anne. Forbidden Conversations: the Independent Group, modernism, urban reality and the American mass culture.
MARLOW Tim. Open Situations: British abstraction in the 1960s.
LIVINGSTONE Marco. Pop Art.
WILSON Andrew Everything: a view on a developing counterculture in the mid 1960s in London.
HARRISON Charles. A Crisis of Modernism.
CURTIS David. Artists' Film in Britain.
HOWELL Anthony. British Performance.
HYMAN James. The Persistence of Painting.
CAUSEY Andrew. The New British Sculpture of the 1980s.
SHONE Richard.Freeze and its Aftermath.
DE VILLE Nick. British Art Schools.
GARLAKE Margaret. Strange Patronage: promoting twentieth century British art.
LYNTON Norbert. The Role of the Critic.