Henry Moore Artwork Catalogue
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0012231
Publisher: Dallas Museum of Art Bulletin
Place Published: Dallas
Year: 1987
Date & Collation: (Spring) 17-18(3 illus).
Description: Note on bequest by Margaret Ann Bolinger, and exhibition of the bronzes, plus ten additional maquettes from local private collections.
There is also a photograph of a Moore bronze, with mentions, on pages 2-5 of this issue on A Century of Modern Sculpture, 5 April-31 May 1987 (See 0000180).
There is also a photograph of a Moore bronze, with mentions, on pages 2-5 of this issue on A Century of Modern Sculpture, 5 April-31 May 1987 (See 0000180).
0012213
Publisher: Louise Hallett Gallery
Place Published: London
Year: 1987
Date & Collation: (5 Aug-5 Sept).Illus.Biog.
Description: 73 Paintings, Drawings, Prints, Photographs, Sculpture and Jewellery by 31 artists.
Exhibits 57-58(1 illus) Henry Moore: two etchings 1983 from Animals in the Zoo (See 0001001).
Exhibits 57-58(1 illus) Henry Moore: two etchings 1983 from Animals in the Zoo (See 0001001).
0014758
Publisher: Galerie Kaj Forsblom
Place Published: Helsinki
Year: 1987
Date & Collation: (3 Dec)-1988(10 Jan).14pp.
Description: English subtitle: Retrospective exhibition of graphic works 1967-1985. Finnish subtitle: Retrospektiivinen graafisten töiden näyttely 1967-1985. List of 126 exhibits.
A four-page card with three illustrations was issued as invitation to the private view. This is illustrated, the front reproducing Three Sisters, 1981 lithograph.
A four-page card with three illustrations was issued as invitation to the private view. This is illustrated, the front reproducing Three Sisters, 1981 lithograph.
0010893
Publisher: Robert Brown Contemporary Art
Place Published: Washington, D.C.
Year: 1987
Date & Collation: (21 Oct-28 Nov).4pp card(1 illus).
Description: Private view card. No catalogue published.
0010899
Publisher: Lumley Cazalet
Place Published: London
Year: 1987
Date & Collation: (3 June-10 July).42pp(57 illus).Biog.Introduction by John RUSSELL.
Description: Lumley Cazalet 20th Anniversary Exhibition 1967-1987. 55 Print exhibits 1931-1982. Moore came late to printmaking and it took second place to his drawing. But it did eventually seem to him that in printmaking he could release ideas that would not go into sculpture and might deserve a currency wider than that of an individual drawing." Mention is made of Prométhée (See 0008261) one of the works exhibited and Auden Poems Moore Lithographs (See 0003835). In his last years a range of subjects was treated "somewhat as Thomas Hardy might have treated them in poetry"."
0010905
Publisher: Alex Rosenberg Gallery
Place Published: New York
Year: 1987
Date & Collation: (13 March-18 April).4pp price list.Typewriter script.
Description: List of 89 Prints 1950-1983. No catalogue as such.
0010880
Publisher: Victoria and Albert Museum
Place Published: London
Year: 1987
Date & Collation: (15 April-14 June).264pp.Illus.Biog.Foreword by Roy STRONG.Text by Valerie D.MENDES, Frances M.HINCHCLIFFE.
Description: Book of Zika and Lida Ascher collection of textiles and photographs. Includes numerous mentions of Henry Moore, illustrations of textiles produced from his designs, and photographs of the artist. There are colour illustrations of Moore textiles on pages 50-51,82-85,97, and ten photographs of Moore on pages 38-39 at the printing of his panels. Moore is photographed on pages 42-43 as one of the judges of the 1946 Try Your Hand competition.
0010886
Publisher: Gallery Kasahara
Place Published: Osaka
Year: 1987
Date & Collation: (12-26 Sept).32pp.Illus.Chronology.Text in Japanese, captions in English.
Description: Gallery Kasahara 1972-1987 anniversary exhibition of 18 works by six artists.
18-21,27(4 illus) Henry Moore.
Exhibits 14-16: three Bronzes 1945-1976, and photograph of 1945 bronze in the Chronology.
Title as printed: The 15th Anniversary Exhibition.
18-21,27(4 illus) Henry Moore.
Exhibits 14-16: three Bronzes 1945-1976, and photograph of 1945 bronze in the Chronology.
Title as printed: The 15th Anniversary Exhibition.
0010892
Publisher: Lowinsky Limited
Place Published: New York
Year: 1987
Date & Collation: (17 March-9 May).4pp card(2 illus).
Description: Eighteen vintage photographs taken by Henry Moore of his sculptures during the years 1937 through 1959 both in landscape settings and in the studio. Eight small steel sculptures by Brian Wall are shown including several pieces produced in England in the late 1950's and early 1960's.""
0010881
Publisher: Whitechapel Art Gallery
Place Published: London
Year: 1987
Date & Collation: (16 Jan-22 Feb).88pp.Illus.Biog.Bibliog.Foreword by Nicholas SEROTA.Texts by Joan SIMON, Jean Christophe AMMANN.
Description: English catalogue for exhibition also in Basle 13 July-7 Sept 1986 and Paris 8 Oct-7 Dec 1986. The essay by Joan Simon, entitled Nauman Variations, includes an illustration and discussion on Henry Moore Bound to Fail (Back View) 1967. Moore as if he were a prisoner, alluding to the self-limiting nature of any artist's accomplishments: the ability, or inability, to keep working productively, imaginatively, over long periods of time.
0010887
Publisher: Utsukushi-ga-hara Open-Air Museum
Place Published: Chisagata-gun
Year: 1987
Date & Collation: (24 July-31 Oct).80pp.Illus.Text in Japanese with some English.
Description: Copyright: Hakone Open-Air Museum. Pages 4-5 comprise a colour photoportrait of Henry Moore, and a short statement quoting his pleasure at the establishment of the Hakone Open-Air Museum, to popularise the idea that sculpture in the open air has a special meaning. On page 3 Nobutaka SHIKANAI mentions his acquisition of 18 works to form, with three already in the Museum, a Henry Moore Collection. Prefatory texts by Hitoshi OSAKI and Brian HITCH also mention Henry Moore. The Henry Moore Grand Prize was awarded to Jesus Mayagoitia.
Title as printed: The 5th Henry Moore Grand Prize Exhibition.
Title as printed: The 5th Henry Moore Grand Prize Exhibition.
0010904
Publisher: C.C.A. Galleries
Place Published: London
Year: 1987
Date & Collation: (May).4pp.
Description: Typed list of 139 print works on display in gallery in Princes Arcade.
0010910
Publisher: Corn Exchange
Place Published: Hertford
Year: 1987
Date & Collation: (13-24 April).8pp.
Description: List of 258 works.
Exhibit 248 Henry Moore: one Sculpture 1984.
Exhibit 248 Henry Moore: one Sculpture 1984.
0010882
Publisher: Navy Pier
Place Published: Chicago
Year: 1987
Date & Collation: (8-13 May).444pp.Illus.Adverts.
Description: Eighth annual Chicago International Art Exposition. Arranged in gallery-advertisement order with many artists represented. Moore is listed in the Index under 17 galleries, and there is an illustration of his work on page 327 (Samuel Stein Fine Arts).
0010888
Publisher: Solomon R. Guggenheim Museum
Place Published: New York
Year: 1987
Date & Collation: .145pp.Illus.Preface by Willard C.BUTCHER.Text by Thomas M.MESSER.
Description: Solomon R. Guggenheim Foundation exhibition, sponsored by Chase Manhattan Bank of 128 works by 62 artists.
Exhibits 55-56(2 illus) Henry Moore: Three Standing Figures, 1953 bronze and Upright Figure, 1956-1960 elm wood.
Exhibits 55-56(2 illus) Henry Moore: Three Standing Figures, 1953 bronze and Upright Figure, 1956-1960 elm wood.
0010885
Publisher: New York Fine Print Fair
Place Published: New York
Year: 1987
Date & Collation: (22-25 Oct).36pp.Illus.Introduction by Gordon SAMUEL.
Description: Redfern Catalogue 7. Booth F4 and F5 at the New York Fine Print Fair, 7th Regiment Armory. 95 works, those unsold being exhibited in London 4-25 Nov 1987.
28-29 Henry Moore(5 illus) Exhibits 70-74: five Prints 1949-1957.
The historical introduction mentions briefly Moore's regular visits to Paris in the 1920s.
28-29 Henry Moore(5 illus) Exhibits 70-74: five Prints 1949-1957.
The historical introduction mentions briefly Moore's regular visits to Paris in the 1920s.
0010891
Publisher: Yorkshire Sculpture Park
Place Published: West Bretton
Year: 1987
Date & Collation: (9 May-31 Aug).52pp(67 illus).Biog.Bibliog.
Description: 33 Sculptures 1938-1983.
6-9 MURRAY Peter. Introduction.
(Moore's origins and fame, his interest in sculpture in the Open Air and use of Natural forms. Outlines his career, drawings and statements on art).
10-11 HOPPER Robert. Henry Moore.
(Moore within 20th century British sculpture, the Reclining Figure theme, and the setting of this exhibition).
12-45 Photographs of the exhibits, with short quotations from Moore's published statements.
46-47 List of works.
48-49 Biography.
50 Acknowledgements; by Robert Hopper, Peter Murray, John L. TAYLOR, The Lord Feversham.
(Records institutional sponsorship from British Gas, Marks and Spencer, The Henry Moore Foundation, etc).
6-9 MURRAY Peter. Introduction.
(Moore's origins and fame, his interest in sculpture in the Open Air and use of Natural forms. Outlines his career, drawings and statements on art).
10-11 HOPPER Robert. Henry Moore.
(Moore within 20th century British sculpture, the Reclining Figure theme, and the setting of this exhibition).
12-45 Photographs of the exhibits, with short quotations from Moore's published statements.
46-47 List of works.
48-49 Biography.
50 Acknowledgements; by Robert Hopper, Peter Murray, John L. TAYLOR, The Lord Feversham.
(Records institutional sponsorship from British Gas, Marks and Spencer, The Henry Moore Foundation, etc).
0010897
Publisher: Maharaja Sayajirao University of Baroda
Place Published: Baroda
Year: 1987
Date & Collation: .Folder containing Programme and nine typewriter script papers.
Description: Faculty of Fine Arts, M.S. University of Baroda, in collaboration with British Council Division, 17th and 18th November.
Programme. 2pp.Dated 28 October 1987.
SARKAR Sandip. Henry Moore: his form and resource in the tradition of modernity. 11pp.Bibliog.
(Early twentieth century culture. Emergence of Moore, influenced by D.H. Lawrence and primitivism. Mentions the timeless qualities in Moore's work, his oneness with nature, and the human body as his point of departure. Although his themes are limited but his expressions are varied and diverse...his figures seemingly are expanded visual metaphors. They are in effect timeless mountains boulders tree trunks and fossils... Moore is a synthesist but his imaginative vision has the power to transfigure what he receives").
CHAKRAVARTI Ajit. Uniqueness of Henry Moore. 11pp.
(Moore as a sculptor-protagonist of the modern looking to non-European antiquity; and later honoured and opening the way for young English sculptors. The development of modern sculpture in England through Moore's interest in Renaissance Rodin and early moderns. His use of natural forms and the human figure particularly the female form. "Moore's sensitivity was aware of the presence of some kind of transcendental energy or spirit").
NADKARNI Dhyaneshwar. Uniqueness of Henry Moore and his Impact on the Sculpture in England and the World. 4pp.
("The emphasis on carving and the concentration on the abstract essence of a subject sum up the uniqueness of Henry Moore." Reclining Figure theme. Reaction against Moore by young artists. "From the Renaissance he appears to imbibe the qualities of grandeur and humanity." Indian sculptors never consciously derived from Moore).
MALIK Keshav. Cross-cultural Perspective of Modern Art. 4pp.
(Parochialism and nationalism in artistic expression. "The artist seeks the hidden universal element").
PARIMOO Ratan. Modern Movement in Indian Sculpture. 32pp.
("Pr obably one major influence on all of them was Henry Moore... For some of the Indian sculptors who were carving directly in stone or wood the influence was so deep yet uncritical as if the only way of treating a wood block or stone cube could be by giving it the kind of biomorphic form which was the characteristic of this great sculptor").
KANNAL Deepak. Henry Moore: in the context of the evolution of modern Indian sculpture. 7pp.
("The whole generation of modern Indian sculptors especially working in stone was influenced by Moore's idiom as well as subject matter." Contrasted with academic sculpture which does not reveal any impact on the contemporary visual sensibility and traditional Indian sculpture).
DAVID Esther. Influences and Responses to Henry Moore's Sculpture by Indian Sculptors during the Post-Independence Era. 4pp.
("Henry Moore's sculptures from a woman's point of view: my reactions and emotions when I see photographs of Moore's sculpture." Deity in Indian stones is very similar to Moore's truth to materials. The Mother-Goddess in Moore's work the feminine principle of nature Prakriti. "In fact the woman of Moore's sculptures is almost like the Goddess Nut of Egypt whose hollow inner spaces are the sky itself. The rounded forms and warmth of Indian life is also the spirit of Moore's sculptures. With this similarity the entire influence of Moore over Indian sculpture becomes understandable... In an overpopulated country like India the Mother and Child concept is an image which is close to the heart of many... The sculpture which could be the envy of any sculptor is King and Queen...time standstill").
MUKHERJEE Meera. Henry Moore. 3pp.
(Personal reactions to Moore's work over the years: "an innovator of modern times but also the bearer of a great and unbroken universal tradition." Reports on a visit to Much Hadham in 1955).
PANDYA Mahendra. ^"
Programme. 2pp.Dated 28 October 1987.
SARKAR Sandip. Henry Moore: his form and resource in the tradition of modernity. 11pp.Bibliog.
(Early twentieth century culture. Emergence of Moore, influenced by D.H. Lawrence and primitivism. Mentions the timeless qualities in Moore's work, his oneness with nature, and the human body as his point of departure. Although his themes are limited but his expressions are varied and diverse...his figures seemingly are expanded visual metaphors. They are in effect timeless mountains boulders tree trunks and fossils... Moore is a synthesist but his imaginative vision has the power to transfigure what he receives").
CHAKRAVARTI Ajit. Uniqueness of Henry Moore. 11pp.
(Moore as a sculptor-protagonist of the modern looking to non-European antiquity; and later honoured and opening the way for young English sculptors. The development of modern sculpture in England through Moore's interest in Renaissance Rodin and early moderns. His use of natural forms and the human figure particularly the female form. "Moore's sensitivity was aware of the presence of some kind of transcendental energy or spirit").
NADKARNI Dhyaneshwar. Uniqueness of Henry Moore and his Impact on the Sculpture in England and the World. 4pp.
("The emphasis on carving and the concentration on the abstract essence of a subject sum up the uniqueness of Henry Moore." Reclining Figure theme. Reaction against Moore by young artists. "From the Renaissance he appears to imbibe the qualities of grandeur and humanity." Indian sculptors never consciously derived from Moore).
MALIK Keshav. Cross-cultural Perspective of Modern Art. 4pp.
(Parochialism and nationalism in artistic expression. "The artist seeks the hidden universal element").
PARIMOO Ratan. Modern Movement in Indian Sculpture. 32pp.
("Pr obably one major influence on all of them was Henry Moore... For some of the Indian sculptors who were carving directly in stone or wood the influence was so deep yet uncritical as if the only way of treating a wood block or stone cube could be by giving it the kind of biomorphic form which was the characteristic of this great sculptor").
KANNAL Deepak. Henry Moore: in the context of the evolution of modern Indian sculpture. 7pp.
("The whole generation of modern Indian sculptors especially working in stone was influenced by Moore's idiom as well as subject matter." Contrasted with academic sculpture which does not reveal any impact on the contemporary visual sensibility and traditional Indian sculpture).
DAVID Esther. Influences and Responses to Henry Moore's Sculpture by Indian Sculptors during the Post-Independence Era. 4pp.
("Henry Moore's sculptures from a woman's point of view: my reactions and emotions when I see photographs of Moore's sculpture." Deity in Indian stones is very similar to Moore's truth to materials. The Mother-Goddess in Moore's work the feminine principle of nature Prakriti. "In fact the woman of Moore's sculptures is almost like the Goddess Nut of Egypt whose hollow inner spaces are the sky itself. The rounded forms and warmth of Indian life is also the spirit of Moore's sculptures. With this similarity the entire influence of Moore over Indian sculpture becomes understandable... In an overpopulated country like India the Mother and Child concept is an image which is close to the heart of many... The sculpture which could be the envy of any sculptor is King and Queen...time standstill").
MUKHERJEE Meera. Henry Moore. 3pp.
(Personal reactions to Moore's work over the years: "an innovator of modern times but also the bearer of a great and unbroken universal tradition." Reports on a visit to Much Hadham in 1955).
PANDYA Mahendra. ^"
0010903
Publisher: Palazzo Vecchio
Place Published: Florence
Year: 1987
Date & Collation: (26 June-2 Aug).124pp(70 illus).Text in Italian.
Description: Published by Vallecchi Editore. Centro Mostre di Firenze in collaboration with the Henry Moore Foundation. 15 Sculptures 1972-1984 and 52 Prints 1976-1982.
7-8 BOGIANCKINO Massimo. Prefazione.
(Moore saw painting with a sculptor's eyes. Musicality in the harmony of forms. Acknowledgements).
9 MITCHINSON David. Nota.
(Exhibition to represent Moore's development since 1972 Florence exhibition (See 0004285)).
10 MORALES Giorgio. Nota.
(Moore's love of Florence. Tribute to Moore and his links with the city).
11-12 SALVI Sergio. Nel segno di Moore.
(Retracing Moore's footsteps. Recollections of 1972 exhibition, and appreciation of present one: novelty in continuity.").
15-21 CARANDENTE Giovanni. L'ultimo Moore.
(The last of Moore. Selection of work since 1972 exhibition outline of themes. Account of Carandente's last meeting with Moore in 1984. Italy and Moore. Warrior with Shield 1953-1954 bronze donated to Florence. Appreciation of Moore's sculptural form and individual works in the exhibition).
23-55 Sculpture.
(Photographs with brief commentaries of Warrior with Shield 1953-1954 bronze and 15 Sculptures 1972-1984).
57 Opere Grafiche.
(Graphic works. Photographs with brief commentaries of 52 Prints 1976-1982).
The greater part of Carandente's text appeared also in Corriere di Firenze 22 June 1987 (See 0014036)."
7-8 BOGIANCKINO Massimo. Prefazione.
(Moore saw painting with a sculptor's eyes. Musicality in the harmony of forms. Acknowledgements).
9 MITCHINSON David. Nota.
(Exhibition to represent Moore's development since 1972 Florence exhibition (See 0004285)).
10 MORALES Giorgio. Nota.
(Moore's love of Florence. Tribute to Moore and his links with the city).
11-12 SALVI Sergio. Nel segno di Moore.
(Retracing Moore's footsteps. Recollections of 1972 exhibition, and appreciation of present one: novelty in continuity.").
15-21 CARANDENTE Giovanni. L'ultimo Moore.
(The last of Moore. Selection of work since 1972 exhibition outline of themes. Account of Carandente's last meeting with Moore in 1984. Italy and Moore. Warrior with Shield 1953-1954 bronze donated to Florence. Appreciation of Moore's sculptural form and individual works in the exhibition).
23-55 Sculpture.
(Photographs with brief commentaries of Warrior with Shield 1953-1954 bronze and 15 Sculptures 1972-1984).
57 Opere Grafiche.
(Graphic works. Photographs with brief commentaries of 52 Prints 1976-1982).
The greater part of Carandente's text appeared also in Corriere di Firenze 22 June 1987 (See 0014036)."
0010909
Publisher: Louis Newman Galleries
Place Published: Beverly Hills, Calif.
Year: 1987
Date & Collation: c.1987.12pp(8 illus).Biog.Bibliog.
Description: The illustrations are of six Drawings 1936-1981, and two Lithographs 1981-1982.
0010926
Publisher: Northern Centre for Contemporary Art
Place Published: Sunderland
Year: 1987
Date & Collation: .73pp.Illus.Texts.
Description: Ceolfrith Press 77. Published in association with the Tyne and Wear Museums Service to coincide with an exhibition at the Laing Art Gallery and the Northern Centre for Contemporary Art from 14 January until 8 March 1987. Moore is listed as one of the people who lent their names to the exhibition as patrons. There is a photograph of Seated Woman, 1961 bronze in the introduction by John MILLARD and Tony KNIPE, together with a paragraph outlining the stages of producing a Moore bronze from maquette through to public monument. On pages 38-39 are four illustrations depicting: Pendant, 1923 enamel on copper; Plate, 1919-1921 earthenware with enamel decoration; Circular Table Relief, 1977 porcelain.
Title as printed: 2D/3D: Art and craft made and designed for the twentieth century.
Title as printed: 2D/3D: Art and craft made and designed for the twentieth century.
0010917
Publisher: Peter Nahum
Place Published: London
Year: 1987
Date & Collation: .76pp.Illus.Bibliog.Preface by Christopher NEWALL.Commentaries.
Description: Fifth Exhibition. 72 exhibits by 48 artists.
Exhibit 66(1 illus) Henry Moore: Nine Standing Figures, 1932 drawing.
Exhibit 66(1 illus) Henry Moore: Nine Standing Figures, 1932 drawing.
0010923
Publisher: Leeds City Art Gallery
Place Published: Leeds
Year: 1987
Date & Collation: (22 Jan-22 March).48pp.Illus.Foreword by Elizabeth NASH, Christopher GILBERT.Introduction and catalogue by Adam WHITE.
Description: Exhibition sponsored by Ernst and Whinney and organised by the Henry Moore Centre for the Study of Sculpture, also at the Mead Gallery, University of Warwick Arts Centre (Coventry) 20 April-16 May 1987. 20 sculptures by 16 artists, the public being invited to touch the works.
Exhibits 1,6,14,19(4 illus) Henry Moore: four Bronzes 1968-1985.
The introduction and commentaries note Moore's interest in the tactile, his Mother and Child theme, and use of Natural forms for inspiration. The large-print catalogue, also published in a braille edition, and as a 33 minute audio cassette recorded by Judith Nesbitt.
Exhibits 1,6,14,19(4 illus) Henry Moore: four Bronzes 1968-1985.
The introduction and commentaries note Moore's interest in the tactile, his Mother and Child theme, and use of Natural forms for inspiration. The large-print catalogue, also published in a braille edition, and as a 33 minute audio cassette recorded by Judith Nesbitt.
0014784
Publisher: Studio 18
Place Published: St. Helier
Year: 1987
Date & Collation: (June).2pp.
Description: List of 38 prints by 10 artists.
Exhibits 16-26 Henry Moore: a dozen print works.
Exhibits 16-26 Henry Moore: a dozen print works.