Henry Moore Artwork Catalogue
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0000179
Author/Editor: MOORE Henry
Publisher: British Museum
Place Published: London
Year: 1988
Date & Collation: 24pp.67 colour plates.Bibliog.
Description: For American edition see 0011052. For German edition see 0011053. "The
Trustees of the British Museum acknowledge with gratitude the generosity
of the Henry Moore Foundation for the grant which made the publication
of this book possible".
7-13 Introduction in the words of Henry Moore.
Detailed account of life in Kent and Hampstead and working situation at the outbreak of war. Describes discovery of shelterers on Northern Line when travelling from town back to Belsize Park station. "They were a bit like the chorus in a Greek drama telling us about the violence we don't actually witness". His method of producing the two Sketchbooks, the first being the one reproduced here, the second owned by Irina Moore. The move to Much Hadham and the production of drawings for the War Artists' Advisory Committee. Outlines wax resist technique used.
14-20 CAREY Frances. Commentary.
Outlines the bequest to the British Museum of Kenneth Clark's Sketchbook, and the possession by the Henry Moore Foundation of the second Sketchbook. "The Shelter Sketchbooks, 1940-1941, belong to a period of extraordinary fecundity in Moore's career as a draughtsman". Describes their background, and comments on individual drawings, with quotations from the artist and other writers on the subject. Their influence on his subsequent sculpture and career is also noted. The Penguin New Writing text on Moore from 1943 (See 0008984) attributed to Keith Vaughan is reprinted here.
21-22 Bibliography.
The exhibition Henry Moore: the Shelter Drawings was held at the British Museum 10 Nov 1988 to 12 Feb 1989. For a list of Gallery Talks and Slide Lectures related to the exhibition see 0014218.
7-13 Introduction in the words of Henry Moore.
Detailed account of life in Kent and Hampstead and working situation at the outbreak of war. Describes discovery of shelterers on Northern Line when travelling from town back to Belsize Park station. "They were a bit like the chorus in a Greek drama telling us about the violence we don't actually witness". His method of producing the two Sketchbooks, the first being the one reproduced here, the second owned by Irina Moore. The move to Much Hadham and the production of drawings for the War Artists' Advisory Committee. Outlines wax resist technique used.
14-20 CAREY Frances. Commentary.
Outlines the bequest to the British Museum of Kenneth Clark's Sketchbook, and the possession by the Henry Moore Foundation of the second Sketchbook. "The Shelter Sketchbooks, 1940-1941, belong to a period of extraordinary fecundity in Moore's career as a draughtsman". Describes their background, and comments on individual drawings, with quotations from the artist and other writers on the subject. Their influence on his subsequent sculpture and career is also noted. The Penguin New Writing text on Moore from 1943 (See 0008984) attributed to Keith Vaughan is reprinted here.
21-22 Bibliography.
The exhibition Henry Moore: the Shelter Drawings was held at the British Museum 10 Nov 1988 to 12 Feb 1989. For a list of Gallery Talks and Slide Lectures related to the exhibition see 0014218.
0014847
Publisher: Cambridge University Press
Place Published: New York
Year: 1988
Date & Collation: ..pp.
Description: Cambridge Studies in Social and Emotional Development. Dust jacket photograph: Family Group, 1948-1949 bronze.
0014832
Author/Editor: BROWN Gordon H., KEITH Hamish.
Publisher: Bateman
Place Published: Auckland
Year: 1988
Date & Collation: 240pp.Illus.Bibliog.
Description: New and Revised Edition. First published 1969, reprinted 1975 (Fontana Silver Fern). This revised and enlarged edition published 1982 by William Collins. Reprinted 1988 by David Bateman. Mentions the influence of Moore and other modern artists through being exhibited in the 1939 Centennial Exhibition of International and New Zealand Art at the National Art Gallery, Wellington (See 0014839). In 1956 however the New Zealand public was confronted in the Henry Moore exhibition with modern art for the first time... The Moore exhibition was the first major contemporary collection brought to New Zealand"."
0014759
Author/Editor: GORENFLO Roger M.
Publisher: Brün Verlag
Place Published: Rüsselsheim
Year: 1988
Date & Collation: 3vols(990pp).In German.
Description: Artist A-Z sequence citing 557 source books listed at the back of Volume 3.
569 Henry Moore. Refers to Moore's entry in nine publications.
569 Henry Moore. Refers to Moore's entry in nine publications.
0021065
Author/Editor: TIPPING Jill.
Publisher: Macdonald & Co. Ltd
Place Published: London
Year: 1988
Date & Collation: 168pp.Illus.Index.
Description: Thirty-five spectacular works of edible art. Recipe book which gives step-by-step instructions on reproducing novelty cakes, including some designs in the style of famous works of art. Works by Dali, Matisse and Moore are represented. 3 Moore illus:
Page 96 shows Rather Moore-ish" a design based loosely on Two Part Reclining Figure No.2 1960 bronze (LH 458)."
Page 96 shows Rather Moore-ish" a design based loosely on Two Part Reclining Figure No.2 1960 bronze (LH 458)."
0010969
Author/Editor: CLEAVER Dale G.
Publisher: Harcourt Brace Jovanovich
Place Published: New York
Year: 1988
Date & Collation: vii,491pp.Illus.Plates.Glossary.Bibliog.
Description: Previous editions 1966, 1972, 1977 (See 0002998), 1985 (See 0000404).
352-353(2 illus) Henry Moore.
The Moore entry in a chapter Modern Art 1900-1945.
352-353(2 illus) Henry Moore.
The Moore entry in a chapter Modern Art 1900-1945.
0010975
Author/Editor: OAKHILL Jane., GARNHAM Alan.
Publisher: Blackwell
Place Published: Oxford
Year: 1988
Date & Collation: ..pp.
Description: Dust jacket features Family Group, 1948 drawing.
0010981
Author/Editor: ROLAND Henry.
Publisher: Roland, Henry
Place Published: London
Year: 1988
Date & Collation: 120pp(1 illus).
Description: Privately printed booklet with a dozen mentions of Henry Moore.
62-65,etc. Henry Moore.
Meeting in 1947, holidays with Moore in Forte dei Marmi, Yugoslavia and France. Purchase of War Drawings from Moore and sale to him of works by Courbet and others. Irina Moore, Mary Moore, discussions on artists. Robert Wraight's purchase of four Moore bronzes for £8, previously stolen.
For Weidenfeld edition see 0011623.
62-65,etc. Henry Moore.
Meeting in 1947, holidays with Moore in Forte dei Marmi, Yugoslavia and France. Purchase of War Drawings from Moore and sale to him of works by Courbet and others. Irina Moore, Mary Moore, discussions on artists. Robert Wraight's purchase of four Moore bronzes for £8, previously stolen.
For Weidenfeld edition see 0011623.
0010976
Publisher: Senator für Bau- und Wohnungswesen
Place Published: Berlin
Year: 1988
Date & Collation: 174pp.Illus.Bibliog.Vorwort Georg WITTWER.Einführung Barbara STRAKA.58pp insert: Künstler und Ortsverzeichnis.Text in German.
Description: Largely photographic guide to public art arranged by geographical areas of Berlin.
52,55,153-154(3 illus) Henry Moore.
Photographs of three Bronzes 1961-1987 in the Tiergarten, with brief commentary in the Guide to Illustrations section, noting his study of nature and unmistakable abstract style.
52,55,153-154(3 illus) Henry Moore.
Photographs of three Bronzes 1961-1987 in the Tiergarten, with brief commentary in the Guide to Illustrations section, noting his study of nature and unmistakable abstract style.
0010973
Author/Editor: COWLES Fleur.
Publisher: Collins
Place Published: London
Year: 1988
Date & Collation: 128pp.Illus.
Description: Reproductions of paintings by Fleur Cowles, preceded by a personal gallery of anecdotes about painters and painting".
29-30 Henry Moore.
Moore once lent a sculpture to the headquarters of the World Wildlife Fund at the instigation of Fleur Cowles. She also handled Moore's War Drawings as an editor without publishing or purchasing any of them."
29-30 Henry Moore.
Moore once lent a sculpture to the headquarters of the World Wildlife Fund at the instigation of Fleur Cowles. She also handled Moore's War Drawings as an editor without publishing or purchasing any of them."
0010979
Author/Editor: ZELANSKI Paul., FISHER Mary Pat.
Publisher: Prentice-Hall
Place Published: Englewood Cliffs, N.J.
Year: 1988
Date & Collation: 464pp.Illus.Glossary.Bibliog.
Description: History and appreciation of art and design.
112,113(1 illus) Henry Moore.
In a section on Texture, a photograph of Reclining Figure, 1935-1936 elm wood and mention that the polished wood reminds us visually of the smoothness of taut skin and invites caressing. Despite the abstraction of the form the prominent grain in the elm wood accentuates the visual similarity to a human body by suggesting the curves of muscles"."
112,113(1 illus) Henry Moore.
In a section on Texture, a photograph of Reclining Figure, 1935-1936 elm wood and mention that the polished wood reminds us visually of the smoothness of taut skin and invites caressing. Despite the abstraction of the form the prominent grain in the elm wood accentuates the visual similarity to a human body by suggesting the curves of muscles"."
0010972
Publisher: Phaidon
Place Published: Oxford
Year: 1988
Date & Collation: 312pp.Illus.Edited by Erika BILLETER.
Description: Originally published in German as Art-Expo 87. Copyright Jeunesse Verlagsanstalt (Vaduz) 1987. The international review of the major exhibitions and events of the past year.
168,169,272(1 illus) Henry Moore.
Installation photograph of British Art in the 20th Century: the Modern Movement (See 0000022) with passing mention; and mention also in Art in Auction: Sotheby's.
168,169,272(1 illus) Henry Moore.
Installation photograph of British Art in the 20th Century: the Modern Movement (See 0000022) with passing mention; and mention also in Art in Auction: Sotheby's.
0010978
Author/Editor: ANDERSON William.
Publisher: Barrie and Jenkins
Place Published: London
Year: 1988
Date & Collation: 192pp.Illus.Bibliog.
Description: Study of the English painter with half-a-dozen passing references to Moore - as tutor at R.C.A. to Collins' wife Elizabeth Ramsden; as visitor to Collins' first one-man exhibition at the Bloomsbury Gallery in 1935; as signatory to press letters of 15 March 1975 (See 0003622) and 26 June 1975 (See 0003651); and passing comparisons in the imagery of the two artists.I must acknowledge my gratitude to the Henry Moore Foundation for a grant which enabled me to carry out my later stages of research."
0010971
Author/Editor: ARGAN Giulio Carlo.
Publisher: Sansoni
Place Published: Florence
Year: 1988
Date & Collation: iv,662pp(999 illus).Biog 603-631;a cura di Lara-Vinca MASINI.Text in Italian.
Description: New edition of work published 1970 (See 0004647). Includes a dozen references to Henry Moore, a short biography on page 623, and illustrations of one Drawing 1941 and four Sculptures 1938-1949, focused mainly on pages 445-447.
0010977
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 1988
Date & Collation: xiii,369pp.Illus.8 plates(13 illus).Bibliog.
Description: A dozen essays, on music, ballet, film, literature and drama, crafts, architecture, etc.
98-145,Colour plate 5 (7 Moore illus) FULLER Peter. The Visual Arts.
(Main Moore text concentrated on pages 130-137 in a section Moore and After, which outlines his pre-war development, through the War Drawings, mysterious even mythological" to the international works of the 1940s and 1950s and the monumental late bronzes. Stresses the Mother and Child and Reclining Figure themes and notes ambiguity of his standing in the 1980s).
288-318 HESKETT John. Industrial Design.
(Notes the influence of Moore's organic forms)."
98-145,Colour plate 5 (7 Moore illus) FULLER Peter. The Visual Arts.
(Main Moore text concentrated on pages 130-137 in a section Moore and After, which outlines his pre-war development, through the War Drawings, mysterious even mythological" to the international works of the 1940s and 1950s and the monumental late bronzes. Stresses the Mother and Child and Reclining Figure themes and notes ambiguity of his standing in the 1980s).
288-318 HESKETT John. Industrial Design.
(Notes the influence of Moore's organic forms)."
0022178
Author/Editor: ZUCKERMAN Solly
Publisher: William Collins Sons & Co. Ltd.
Place Published: London
Year: 1988
Date & Collation: 447pp.index
Description: Paperback edition of first volume of Zuckerman's memoirs. Two mentions of Moore:
Page 58 Notes Sidney Bernstein suggested Zuckerman contact Moore regarding prizes for the Zoological Society of London.
Page 81 List mention of Moore; Zuckerman showed photographs artwork, including that of Moore to George and Ira Gershwin.
0010974
Author/Editor: BERNARD Edina.
Publisher: Bordas
Place Published: Paris
Year: 1988
Date & Collation: 112pp.Illus.Chronology.Bibliog.Text in French.
Description: Connaissances Artistiques series. Introductory outline of Modern art, with a passing mention of Henry Moore, and a small photograph on page 81 of a 1939-1940 sculpture.
0010980
Publisher: Chêne Hachette
Place Published: Paris
Year: 1988
Date & Collation: 896pp.Illus.Glossary.Biog.Bibliog.Directeur de la publication: Jean-Louis FERRIER.Text in French.
Description: 326,463,etc(5 illus) Henry Moore.
Includes a dozen references to Henry Moore (See English edition: 0011392). For German edition see 0012686.
Includes a dozen references to Henry Moore (See English edition: 0011392). For German edition see 0012686.
0012533
Author/Editor: SKULL John.
Publisher: Elbrook Press
Place Published: Adelaide
Year: 1988
Date & Collation: 232pp.Illus.
Description: Elementary guide to 350 art terms.
195(1 illus) Henry Moore.
Photograph of Seated Figure Against Curved Wall, 1956-1957 bronze to illustrate Sculpture.
195(1 illus) Henry Moore.
Photograph of Seated Figure Against Curved Wall, 1956-1957 bronze to illustrate Sculpture.
0011055
Author/Editor: PALMER Frederick.
Publisher: Longman
Place Published: London
Year: 1988
Date & Collation: 144pp.Illus.Bibliog.
Description: Provides students and teachers of art and design with a rich visual resource."
82(1 illus) Henry Moore.
Reproduction without commentary of Reclining Figure 1974 drawing in a chapter on Drawing."
82(1 illus) Henry Moore.
Reproduction without commentary of Reclining Figure 1974 drawing in a chapter on Drawing."
0011061
Author/Editor: HEWISON Robert.
Publisher: Methuen
Place Published: London
Year: 1988
Date & Collation: xxi,246pp.8 plates(10 illus).Bibliog.
Description: New revised paperback edition of work first published by Weidenfeld 1977 (See 0003050) with Quartet paperback 1979 (See 0002461).
45,164-165,etc. Plate 2(1 illus) Henry Moore.
Reproduction of Grey Tube Shelter, 1940 drawing, observations on Tilbury Shelter, the spontaneity of the Shelter drawings compared with the coldness of the commissioned Coal Mine Drawings (this point reiterated in new introduction), and Moore mentioned in the context of A.I.A., Surrealism and Neo-Romanticism.
45,164-165,etc. Plate 2(1 illus) Henry Moore.
Reproduction of Grey Tube Shelter, 1940 drawing, observations on Tilbury Shelter, the spontaneity of the Shelter drawings compared with the coldness of the commissioned Coal Mine Drawings (this point reiterated in new introduction), and Moore mentioned in the context of A.I.A., Surrealism and Neo-Romanticism.
0011046
Author/Editor: FULLER Peter.
Publisher: Claridge Press
Place Published: London and Lexington
Year: 1988
Date & Collation: 176pp.Illus.
Description: New and expanded edition of Seeing Berger.
36,63,101,116,121,138,166,etc.(2 illus) Henry Moore.
Photographs of two bronzes, and passing mentions of Moore in:
The Value of Art. (From: New Society, 29 Jan 1988).
Against Internationalism. (From: Art Monthly 100).
Fuller What? Parish Pump Aesthetics, by Toni DEL RENZIO. (From: Art Monthly 102).
Del Renzio: a matter of facts. (From: Art Monthly 103).
Fuller Tricks, by Toni DEL RENZIO.(From: Art Monthly 104).
Learning to Read.(From: Art Monthly 104).
The Virtues of Traditional Sensibility.(From: The Salisbury Review, July 1987).
36,63,101,116,121,138,166,etc.(2 illus) Henry Moore.
Photographs of two bronzes, and passing mentions of Moore in:
The Value of Art. (From: New Society, 29 Jan 1988).
Against Internationalism. (From: Art Monthly 100).
Fuller What? Parish Pump Aesthetics, by Toni DEL RENZIO. (From: Art Monthly 102).
Del Renzio: a matter of facts. (From: Art Monthly 103).
Fuller Tricks, by Toni DEL RENZIO.(From: Art Monthly 104).
Learning to Read.(From: Art Monthly 104).
The Virtues of Traditional Sensibility.(From: The Salisbury Review, July 1987).
0011052
Author/Editor: MOORE Henry.
Publisher: Prestel-Verlag
Place Published: Munich
Year: 1988
Date & Collation: 24pp.67 colour plates.Bibliog.
Description: American edition of 0000179. Distribution for U.S.A. and Canada by Neues Publishing Company, New York. For German edition see 0011053.
0011045
Author/Editor: GRUNFELD Frederic V.
Publisher: Hutchinson
Place Published: London
Year: 1988
Date & Collation: xii,738pp.Plates.Bibliog 671-704.
Description: 570,573 Henry Moore.
Brief quotes from Henry Moore parle de Rodin (See 0005554) criticising Rodin turning out marbles by the factory system, and the difference between Michelangelo and Rodin in creative production.
Brief quotes from Henry Moore parle de Rodin (See 0005554) criticising Rodin turning out marbles by the factory system, and the difference between Michelangelo and Rodin in creative production.