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Henry Moore Artwork Catalogue

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0010726
Author/Editor: TATEHATA Kakuzo.
Publisher: Rokuchisha
Place Published: Japan
Year: 1982
Date & Collation: 289pp.12 plates.Text in Japanese.
Description: Collected writings of the Japanese sculptor.
147-156 Henry Moore.
Brings together three articles from: Gendai No Me, September 1969 (See 0004976), Bijutsu Techno, July 1959 (See 0007132) and Bijutsu Techno, October 1969 (See 0004963).
Title romanized: Chokoku.
0019985
Author/Editor: BORGES Jorge Luis., BIOY-CASARES Adolfo.
Publisher: Allen Lane
Place Published: London.
Year: 1982
Date & Collation: 143pp.
Description: First published as Crónicas de Bustos Domecq by Editorial Losada, Buenos Aires 1967. Published in the USA by Dutton 1979. The story The Selective Eye, which had also appeared in The Antioch Review, has a passing mention of Henry Moore. For an unsuccessful exhibition by sculptor Antarctic A. Garay the critics sugarcoated the pill as much as possible alluding to Henry Moore and extolling the whole effort as praiseworthy". (Also in Borges's 'Obras Completas en Colaboración'. Buenos Aires. Emecé 1979)."
0016325
Publisher: Banca Emiliana Parma
Place Published: Parma
Year: 1982
Date & Collation: 200pp.Illus.Text in Italian.
Description: Le Collezioni Private Parmensi, 1. Largely pictorial volume of mostly Italian artists.
79-81(4 illus) TASSI Roberto. Henry Moore.
Note by Tassi, and photograph s of three bronzes 1952-1971, and one drawing 1950.
Passing mention in Cavazzini's introduction.
0013908
Author/Editor: TOMORY Edith.
Publisher: Orient Longman
Place Published: Madras
Year: 1982
Date & Collation: xx,532pp.64 plates.Maps.Bibliog.Glossary.
Description: Reprinted 1989. Chronological surveys of Indian art and of Western art.
486-487 Henry Moore.
In the concluding section, on Sculpture, in the chapter on Modern Art. Outlines Moore's use of holes and natural objects, and his concentration on the human figure. Mentions his respect for materials. Gravity came first for him. He always thought from the ground upwards. In some of his works his figures rise like mountains from a low point of view...His works have a pent-up power as in primitive sculpture". Mentions Moore's recurring motifs."
0013907
Publisher: Garzanti
Place Published: Milan
Year: 1982
Date & Collation: xiv,864pp.Illus.Glossary.Text in Italian.
Description: I edizione 1973, III edizione aggiornata 1979, IV edizione 1982. A-Z encyclopedia of art and artists.
457-458(3 illus) Henry Moore.
For La Nuova Enciclopedia dell'Arte Garzanti 1986 see 0010460.
0013910
Author/Editor: ROBERTSON Seonaid M.
Publisher: Gryphon Press
Place Published: Lewes
Year: 1982
Date & Collation: xxix,216pp.Illus.Plates.Bibliog.
Description: Paperback edition of 0006281 with a Foreword to Second Edition by Peter Abbs and Introduction to Second Edition by S.M. Robertson (I have found virtually nothing to change")."
0013909
Author/Editor: WILSON Simon.
Publisher: Bodley Head
Place Published: London
Year: 1982
Date & Collation: 208pp.Illus.Bibliog.
Description: Published with the Tate Gallery. Paperback version of work first published 1979 under the title British Art from Holbein to the Present Day (See 0002411).
0001416
Author/Editor: PHILLIPS Marjorie.
Publisher: Norton
Place Published: New York and London
Year: 1982
Date & Collation: xvi,345pp.Illus.
Description: Published in association with the Phillips Collection, Washington, D.C. 1970 revised edition 1982.
266,308(2 illus) Henry Moore.
Illustrations of Family Group, 1946 bronze and installation view of exhibition. List of Principal Acquisitions on pages 315-336 notes the 1946 bronze and Figures in a Setting, 1942 drawing.
0001419
Author/Editor: YORKE Malcolm.
Publisher: Universe Books
Place Published: New York
Year: 1982
Date & Collation: 304pp.Illus.Bibliog.
Description: See London edition (0001768) for annotation.
0001417
Author/Editor: YOUNG Michael.
Publisher: Routledge
Place Published: London
Year: 1982
Date & Collation: 381pp.Plates.Bibliog.
Description: 240 Fortunately the gale could not topple the Henry Moore woman who in all weathers gazes calmly down from the top terrace - a sculpture commissioned as a memorial to Christopher Martin - which can like other Moore statues be seen and appreciated equally well from any viewpoint while itself being a viewpoint." (Memorial Figure 1945-1946 Hornton stone)."
0001420
Author/Editor: SPARKE Penny.
Publisher: Design Council
Place Published: London
Year: 1982
Date & Collation: 87pp.Illus.Biog.Bibliog.
Description: Monograph on Italian designer.
10,11(1 illus) Henry Moore: Figure, 1931 beechwood by Henry Moore is characteristic of the organic forms that appeared in Domus in the late 1940s and which had a strong effect on the young architects bored with the geometry of Rationalism"."
0001428
Publisher: Mitchell Beazley
Place Published: London
Year: 1982
Date & Collation: 304pp.Illus.Glossary.
Description: Techniques book with text and photographs by Hedgecoe and others. Includes four photographs of Moore with his work: on pages 41, 56, 57 and 118.
0001431
Publisher: A-and-W Publishers
Place Published: New York
Year: 1982
Date & Collation: 220pp.Illus.
Description: A Balance House Book. Full-page colour illustrations of 100 works of art from antiquity to the present.
36-37(1 illus) Henry Moore Two Piece Carving: Interlocking, 1968 white marble; commentary by Arthur KNIGHT.
Knight sees a sadness in the work. What attracts me to it is less its subtle interlocking of forms than the utter isolation the self-containment of those forms.""
0001439
Author/Editor: MOSELEY Roy.
Publisher: Heinemann
Place Published: London
Year: 1982
Date & Collation: viii,214pp.Illus.
Description: Book of snapshots, autographs and anecdotes about film stars and other celebrities.
65 Henry Moore.there was the time we called on Henry Moore, who made us ham salad for tea and gave us a conducted tour of all his sculptures in the garden."
0001442
Publisher: New York Graphic Society
Place Published: Boston
Year: 1982
Date & Collation: xxxiipp.192 plates.Biog.Bibliog.
Description: Also published by Hutchinson, London 1982.
Copyright David R. Godine 1974. See 0003793 for annotation.
0001430
Author/Editor: CONSTANZA Mary S.
Publisher: Free Press
Place Published: New York
Year: 1982
Date & Collation: xxxviii,196pp.Illus.Bibliog.
Description: Also published by Collier-Macmillan, London. Study of holocaust art with two brief mentions of Moore: on sculptural form, and as Chairman of Auschwitz Memorial Committee 1953.
0001438
Publisher: Bell and Hyman
Place Published: London
Year: 1982
Date & Collation: 253pp.Bibliog.
Description: First published by Cape 1930.
Page 66 mentions Zwemmer's publishing of Herbert Read's 1934 book on Moore (See 0009257). The home trade subscription was thirty-six copies; Zwemmer sold most of the edition in Japan.""
0001449
Author/Editor: RUDLOFF Diether.
Publisher: Urachhaus
Place Published: Stuttgart
Year: 1982
Date & Collation: 154pp.Illus.Bibliog.Text in German.
Description: Study of 28 artists who represent qualities that make 20th century art different from what went before; and continue the unfinished creative act that is art.
116-121(6 illus) Henry Moore: der Gang zu den Müttern.The way to the mother figure in five sections:
1. Sculpture in the Open Air.
(Not something apart from daily life and shut away in museums Moore's sculpture in outdoor settings the artist's own comments and the interplay of mass and space).
2. The Fundamental Experience of Touching.
(Brief biographical details reference to Neumann's theories and Moore's relationship to the mother/female. Landscape figures wombs and Shelter drawings).
3. The Englishness of Henry Moore.
(Emergence from sculptural desert personal experience the English natural garden and landscape).
4. A Sculptor Looks at Himself.
(Straightforward descriptions of his work by Moore and the artist's inner struggle).
5. Concerning the Dilemma of Contemporary Art.
(Moore's views on art the need for a sculptor to be a practical person role of the spectator).
"
0001413
Publisher: M.I.T. Press
Place Published: Cambridge, Mass. and London
Year: 1982
Date & Collation: xxxii,414pp.Illus.Bibliog.
Description: Includes three passing mentions of his friendship with Moore and others in the 1930s. Two photographs include distant views of Recumbent Figure, 1938 bronze at Bentley Wood in Sussex 1938.
0001424
Author/Editor: MOORE Henry.
Publisher: Abrams
Place Published: New York
Year: 1982
Date & Collation: 128pp(152 illus).Biog 21-24.
Description: American edition of 0001771, with only minor changes to title page verso, dust jacket publicity, and spine.
0001435
Publisher: Harper and Row
Place Published: London
Year: 1982
Date & Collation: x,312pp.10 plates.Bibliog.
Description: Selection of texts for Open University course Modern Art and Modernism: Monet to Pollock. Includes a passing mention of Moore in Herbert READ's What is Revolutionary Art? Reprinted from Five on Revolutionary Art (See 0009232).
0001412
Author/Editor: CUNNINGHAM Lawrence., REICH John.
Publisher: Holt, Rinehart and Winston
Place Published: New York
Year: 1982
Date & Collation: 2 vols.
Description: Vol. 1 covers antiquity to the end of the Middle Ages.
Vol. 2:x,486pp.Illus.Glossary.Bibliog.Surveys the major cultural achievements of Western civilization from the 15th-century Renaissance in Italy down to the present day.
466-468(3 Illus) The sculpture of Henry Moore.
In an Epilogue there is an outline of Moore's career and influences and brief commentary on the Northampton Madonna and Child 1943-1944 Hornton stone; Reclining Figure: Festival 1951 bronze; and King and Queen 1952-1953 bronze."
0001423
Author/Editor: THUILLIER Rosalind.
Publisher: Lutterworth Press
Place Published: Guildford
Year: 1982
Date & Collation: 128pp.Illus.Biog.Bibliog.
Description: Study which includes passing mentions of the contacts between Moore and Sutherland at Chelsea School of Art, as war artists and at St. Matthew's Church.
0001434
Publisher: Holt, Rinehart and Winston
Place Published: New York
Year: 1982
Date & Collation: viii,288pp.Illus.
Description: Third edition of work copyrighted 1967 and 1976 (See 0003307).
31,55,85,172(4 illus) Henry Moore.
Illustrations and passing mention of drawings by Moore.