Henry Moore Artwork Catalogue
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Publisher: Hofstra Museum, Hofstra University
Place Published: Hempstead, N.Y.
Year: 1987
Date & Collation: (10 Sept-21 Nov).vi,150pp(131 illus).Biog.Bibliog.Edited by Gail GELBURD.
Description: Exhibition also at Museum of Art, The Pennsylvania State University, University Park, Pennsylvania 6 Dec 1987-23 Jan 1988; Arthur Ross Gallery, University of Pennsylvania, Philadelphia, Pennsylvania 11 Dec 1987-17 Jan 1988; Baltimore Art Museum, Baltimore, Maryland 16 Feb-17 April 1988. Curated by Gail Gelburd and Alex Rosenberg. Publication made possible by Chase Manhattan Bank, N.A. Catalogue distributed by University of Pennsylvania Press, Philadelphia in cloth and paper editions. 72 sculptures 1929-1985. 26 drawings 1933-1982. 29 prints 1931-1984.
vi DOUGLAS Robert R. Sponsor statement.
(Vice Chairman, The Chase Manhattan Corporation, expresses pleasure in supporting the exhibition).
1-2 GELBURD Gail, ROSENBERG Alex. Acknowledgements.
3 List of Lenders.
5-7 SPENDER Stephen. Preface: Eulogy.
(Address for Henry Moore at the Memorial Service in Westminster Abbey, Tuesday 18 November 1986. See 0010935 for summary).
9-12 ROSENBERG Alex. Foreword: Henry Moore, encounters with a gentle giant.
(Personal recollections of meetings with Moore, his straightforward personality and clear comments on art, and the Mother and Child theme in his work).
13-15 Notes by Henry MOORE; assembled by Alex ROSENBERG.
(Previously published statements, as printed in Henry Moore: sculpture, drawings, prints 1981 (See 0001829)).
17-19 MITCHINSON David, ELLIOTT Ann. Henry Moore's Mother and Child at the Shri Bhawani Museum in Aundh.
(Personal description of long hot journey through India to discover the 1931 Cumberland alabaster carving, previously unrecorded. Describes the work larger in better condition and more beautiful than we had imagined" and how it was acquired by Mr. A.B.Pant through Fran cis Watson directly from the artist shortly before the Second World War).
21-25 GARROULD Ann. Henry Moore: drawings.
(Outlines Moore's love of nature and the universality of the Mother and Child theme an enduring motif for the artist. The sculptural forms involved and related emotion implied in the theme are noted. Describes Moore's change from drawing to maquette as preparation for sculpture. Outlines his love of drawing choice of materials and favoured colours. Importance Moore placed on teaching of drawing in schools).
27-40 GELBURD Gail. Introduction: Mother and Child the art of Henry Moore.
(The theme dates from Moore's earliest work. His sculptural exploration of the forms involved spans the early carvings Surrealism Constructivist works Madonna and Child Family Groups and the bronzes. Quotes from Moore and other writers and notes the universality of the theme: "She is the Earth Goddess. She is the landscape and mountains as well as the source of growth and the protector of life". The force of vitality of the forms from inside and out and the links with nature and human emotion: "The mother and child sculptures are not only a symbol of maternity but of creativity itself").
43-127 The Exhibition (photographs).
128-134 Chronology (Documentation on Moore's career).
135-137 Bibliography.
138-140 List of illustrations.
141-149 Checklist (of exhibits).
150 Photo credits.
See also 0010901."
vi DOUGLAS Robert R. Sponsor statement.
(Vice Chairman, The Chase Manhattan Corporation, expresses pleasure in supporting the exhibition).
1-2 GELBURD Gail, ROSENBERG Alex. Acknowledgements.
3 List of Lenders.
5-7 SPENDER Stephen. Preface: Eulogy.
(Address for Henry Moore at the Memorial Service in Westminster Abbey, Tuesday 18 November 1986. See 0010935 for summary).
9-12 ROSENBERG Alex. Foreword: Henry Moore, encounters with a gentle giant.
(Personal recollections of meetings with Moore, his straightforward personality and clear comments on art, and the Mother and Child theme in his work).
13-15 Notes by Henry MOORE; assembled by Alex ROSENBERG.
(Previously published statements, as printed in Henry Moore: sculpture, drawings, prints 1981 (See 0001829)).
17-19 MITCHINSON David, ELLIOTT Ann. Henry Moore's Mother and Child at the Shri Bhawani Museum in Aundh.
(Personal description of long hot journey through India to discover the 1931 Cumberland alabaster carving, previously unrecorded. Describes the work larger in better condition and more beautiful than we had imagined" and how it was acquired by Mr. A.B.Pant through Fran cis Watson directly from the artist shortly before the Second World War).
21-25 GARROULD Ann. Henry Moore: drawings.
(Outlines Moore's love of nature and the universality of the Mother and Child theme an enduring motif for the artist. The sculptural forms involved and related emotion implied in the theme are noted. Describes Moore's change from drawing to maquette as preparation for sculpture. Outlines his love of drawing choice of materials and favoured colours. Importance Moore placed on teaching of drawing in schools).
27-40 GELBURD Gail. Introduction: Mother and Child the art of Henry Moore.
(The theme dates from Moore's earliest work. His sculptural exploration of the forms involved spans the early carvings Surrealism Constructivist works Madonna and Child Family Groups and the bronzes. Quotes from Moore and other writers and notes the universality of the theme: "She is the Earth Goddess. She is the landscape and mountains as well as the source of growth and the protector of life". The force of vitality of the forms from inside and out and the links with nature and human emotion: "The mother and child sculptures are not only a symbol of maternity but of creativity itself").
43-127 The Exhibition (photographs).
128-134 Chronology (Documentation on Moore's career).
135-137 Bibliography.
138-140 List of illustrations.
141-149 Checklist (of exhibits).
150 Photo credits.
See also 0010901."