Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
Item Type*
Year
Title
Publisher
9 results
for
"Baltimore"
0009665
Publisher: Baltimore Museum of Art
Place Published: Baltimore, Md.
Year: 1966
Date & Collation: .4pp.
Description: 18 September 1966 press release, which includes a list of the twelve Bronzes 1937-1963 on display. The exhibition lasted until 9 October 1966, and coincided with Trade with Britain Week. A two-page press release of 19 September 1966 documented four Films on Henry Moore to be Shown at the Baltimore Museum of Art.
0009643
Publisher: American Federation of Arts
Place Published: New York
Year: 1965
Date & Collation: (July)-1966(July).12pp.47 plates of illus.Introduction by Elaine Evans DEE.
Description: Exhibition of 53 works by 53 artists sponsored by the Samuel H. Kress Foundation. Selected by Elaine Evans Dee, organized and circulated by the American Federation of Arts. Also at National Gallery of Art (Washington, D.C.); Museum of Art, Indiana University (Bloomington, Ind.); Baltimore Museum of Art (Baltimore, Md.); Allentown Art Museum (Allentown, Penn.); Museum of Art, University of Michigan (Ann Arbor); Allen Memorial Art Museum (Oberlin, Ohio); Krannert Art Museum, University of Illinois (Urbana, Ill.).
Exhibit 41(1 illus) Henry Moore: Coalminers, 1942 drawing.
Title as printed: 19th and 20th Century European Drawings.
Exhibit 41(1 illus) Henry Moore: Coalminers, 1942 drawing.
Title as printed: 19th and 20th Century European Drawings.
0007869
Publisher: Walters Art Gallery
Place Published: Baltimore, Md.
Year: 1953
Date & Collation: (28 Feb-22 April).32pp.Illus.Foreword by Elisabeth PACKARD and John C.KIRBY.Introduction by Gertrude ROSENTHAL.
Description: Exhibition by Walters Art Gallery and Baltimore Museum of Art to explore relationship between twentieth century art and that of earlier civilizations. 145 items by many artists, including 37 of the twentieth century.
13,30(1 illus) Henry Moore: three bronzes.
Title as printed: 4000 Years of Modern Art.
13,30(1 illus) Henry Moore: three bronzes.
Title as printed: 4000 Years of Modern Art.
0000167
Publisher: Hofstra Museum, Hofstra University
Place Published: Hempstead, N.Y.
Year: 1987
Date & Collation: (10 Sept-21 Nov).vi,150pp(131 illus).Biog.Bibliog.Edited by Gail GELBURD.
Description: Exhibition also at Museum of Art, The Pennsylvania State University, University Park, Pennsylvania 6 Dec 1987-23 Jan 1988; Arthur Ross Gallery, University of Pennsylvania, Philadelphia, Pennsylvania 11 Dec 1987-17 Jan 1988; Baltimore Art Museum, Baltimore, Maryland 16 Feb-17 April 1988. Curated by Gail Gelburd and Alex Rosenberg. Publication made possible by Chase Manhattan Bank, N.A. Catalogue distributed by University of Pennsylvania Press, Philadelphia in cloth and paper editions. 72 sculptures 1929-1985. 26 drawings 1933-1982. 29 prints 1931-1984.
vi DOUGLAS Robert R. Sponsor statement.
(Vice Chairman, The Chase Manhattan Corporation, expresses pleasure in supporting the exhibition).
1-2 GELBURD Gail, ROSENBERG Alex. Acknowledgements.
3 List of Lenders.
5-7 SPENDER Stephen. Preface: Eulogy.
(Address for Henry Moore at the Memorial Service in Westminster Abbey, Tuesday 18 November 1986. See 0010935 for summary).
9-12 ROSENBERG Alex. Foreword: Henry Moore, encounters with a gentle giant.
(Personal recollections of meetings with Moore, his straightforward personality and clear comments on art, and the Mother and Child theme in his work).
13-15 Notes by Henry MOORE; assembled by Alex ROSENBERG.
(Previously published statements, as printed in Henry Moore: sculpture, drawings, prints 1981 (See 0001829)).
17-19 MITCHINSON David, ELLIOTT Ann. Henry Moore's Mother and Child at the Shri Bhawani Museum in Aundh.
(Personal description of long hot journey through India to discover the 1931 Cumberland alabaster carving, previously unrecorded. Describes the work larger in better condition and more beautiful than we had imagined" and how it was acquired by Mr. A.B.Pant through Fran cis Watson directly from the artist shortly before the Second World War).
21-25 GARROULD Ann. Henry Moore: drawings.
(Outlines Moore's love of nature and the universality of the Mother and Child theme an enduring motif for the artist. The sculptural forms involved and related emotion implied in the theme are noted. Describes Moore's change from drawing to maquette as preparation for sculpture. Outlines his love of drawing choice of materials and favoured colours. Importance Moore placed on teaching of drawing in schools).
27-40 GELBURD Gail. Introduction: Mother and Child the art of Henry Moore.
(The theme dates from Moore's earliest work. His sculptural exploration of the forms involved spans the early carvings Surrealism Constructivist works Madonna and Child Family Groups and the bronzes. Quotes from Moore and other writers and notes the universality of the theme: "She is the Earth Goddess. She is the landscape and mountains as well as the source of growth and the protector of life". The force of vitality of the forms from inside and out and the links with nature and human emotion: "The mother and child sculptures are not only a symbol of maternity but of creativity itself").
43-127 The Exhibition (photographs).
128-134 Chronology (Documentation on Moore's career).
135-137 Bibliography.
138-140 List of illustrations.
141-149 Checklist (of exhibits).
150 Photo credits.
See also 0010901."
vi DOUGLAS Robert R. Sponsor statement.
(Vice Chairman, The Chase Manhattan Corporation, expresses pleasure in supporting the exhibition).
1-2 GELBURD Gail, ROSENBERG Alex. Acknowledgements.
3 List of Lenders.
5-7 SPENDER Stephen. Preface: Eulogy.
(Address for Henry Moore at the Memorial Service in Westminster Abbey, Tuesday 18 November 1986. See 0010935 for summary).
9-12 ROSENBERG Alex. Foreword: Henry Moore, encounters with a gentle giant.
(Personal recollections of meetings with Moore, his straightforward personality and clear comments on art, and the Mother and Child theme in his work).
13-15 Notes by Henry MOORE; assembled by Alex ROSENBERG.
(Previously published statements, as printed in Henry Moore: sculpture, drawings, prints 1981 (See 0001829)).
17-19 MITCHINSON David, ELLIOTT Ann. Henry Moore's Mother and Child at the Shri Bhawani Museum in Aundh.
(Personal description of long hot journey through India to discover the 1931 Cumberland alabaster carving, previously unrecorded. Describes the work larger in better condition and more beautiful than we had imagined" and how it was acquired by Mr. A.B.Pant through Fran cis Watson directly from the artist shortly before the Second World War).
21-25 GARROULD Ann. Henry Moore: drawings.
(Outlines Moore's love of nature and the universality of the Mother and Child theme an enduring motif for the artist. The sculptural forms involved and related emotion implied in the theme are noted. Describes Moore's change from drawing to maquette as preparation for sculpture. Outlines his love of drawing choice of materials and favoured colours. Importance Moore placed on teaching of drawing in schools).
27-40 GELBURD Gail. Introduction: Mother and Child the art of Henry Moore.
(The theme dates from Moore's earliest work. His sculptural exploration of the forms involved spans the early carvings Surrealism Constructivist works Madonna and Child Family Groups and the bronzes. Quotes from Moore and other writers and notes the universality of the theme: "She is the Earth Goddess. She is the landscape and mountains as well as the source of growth and the protector of life". The force of vitality of the forms from inside and out and the links with nature and human emotion: "The mother and child sculptures are not only a symbol of maternity but of creativity itself").
43-127 The Exhibition (photographs).
128-134 Chronology (Documentation on Moore's career).
135-137 Bibliography.
138-140 List of illustrations.
141-149 Checklist (of exhibits).
150 Photo credits.
See also 0010901."
0007456
Publisher: Baltimore Museum of Art
Place Published: Baltimore, Md.
Year: 1956
Date & Collation: .44pp.Illus.Foreword by Adelyn D.BREESKIN.Text by Gertrude ROSENTHAL.
Description: Exhibition travelling to Utica, Pittsburgh and Buffalo.
Cover,25,37,39(1 illus) Henry Moore: three Bronzes 1937-1950.
Title as printed: 4000 Years of Modern Art.
Cover,25,37,39(1 illus) Henry Moore: three Bronzes 1937-1950.
Title as printed: 4000 Years of Modern Art.
0004888
Publisher: Baltimore Museum of Art
Place Published: Baltimore, Md.
Year: 1969
Date & Collation: (2 Dec)-1970(1 Feb).116pp.Illus.Bibliog.Foreword by Charles PARKHURST, text by Albert E.ELSEN.
Description: 81 works by 50 artists.
53-58,112(6 illus) Henry Moore: three Sculptures 1934-1960.After Rodin's death the partial figure and figural part have their longest, most varied, and richest history in the sculpture of Henry Moore. Primitive art gave him a feel for elemental forms. The elimination of hands feet and often faces was part of Moore's gesture on stripping away surface excrescences. The influence of Brancusi and Gaudier-Brzeska is noted. Versions of the partial figure are seen in semi-abstract and part-figures of the 1920s and 1930s and in Moore's fascination for bone forms. Human references in Surrealist-influenced drawings are related to the partial figure theme. Helmet series the torso-like Upright Figures Warriors and other works are cited in the context of the partial figure. Moore is also quoted on Rodin and there are incidental references throughout the catalogue."
53-58,112(6 illus) Henry Moore: three Sculptures 1934-1960.After Rodin's death the partial figure and figural part have their longest, most varied, and richest history in the sculpture of Henry Moore. Primitive art gave him a feel for elemental forms. The elimination of hands feet and often faces was part of Moore's gesture on stripping away surface excrescences. The influence of Brancusi and Gaudier-Brzeska is noted. Versions of the partial figure are seen in semi-abstract and part-figures of the 1920s and 1930s and in Moore's fascination for bone forms. Human references in Surrealist-influenced drawings are related to the partial figure theme. Helmet series the torso-like Upright Figures Warriors and other works are cited in the context of the partial figure. Moore is also quoted on Rodin and there are incidental references throughout the catalogue."
0003591
Publisher: International Exhibitions Foundation
Place Published: Washington, D.C.
Year: 1975
Date & Collation: .32pp(25 illus).Biog.Bibliog.Introduction by David MITCHINSON.Acknowledgements by Annemarie H.POPE.
Description: Catalogue of touring exhibition organized in association with the British Council on the occasion of the U.S.A. Bicentennial.
81 Prints 1969-1974. Mitchinson's introduction documents the wide range of Moore's graphic output, and incorporates brief statements by the artist on Stonehenge and the Sheep etchings.
Exhibition travelling to Fort Wayne Museum of Art (Fort Wayne, Ind.), University Art Gallery (Pittsburgh), Henry Gallery, University of Washington (Seattle), Philbrook Art Center (Tulsa, Okla.), The Phillips Collection (Washington, D.C.), Municipal Art Gallery (Davenport, Iowa), Rosenburg Library (Galveston, Tex.), University Art Museum (Austin, Tex.), Museum of the Arts (Fort Lauderdale, Fla.), Brooks Memorial Art Gallery (Memphis, Tenn.), Munson-Williams-Proctor Institute (Utica, N.Y.), Elvehjem Art Center (Madison, Wis.), Kirkland Gallery, Millikin University (Decatur, Ill.), Ringling Museum of Art (Sarasota, Fla.), Museum of Art (Baltimore, Md.), Krannert Art Museum, University of Illinois (Champaign, Ill.), The Dulin Gallery of Art (Knoxville, Tenn.), Benedicta Arts Center, College of St. Benedict,(St. Joseph, Minn.), The Nevada Art Gallery (Reno, Nev.), Fayette Bank and Trust Co. (Uniontown, Penn.).
81 Prints 1969-1974. Mitchinson's introduction documents the wide range of Moore's graphic output, and incorporates brief statements by the artist on Stonehenge and the Sheep etchings.
Exhibition travelling to Fort Wayne Museum of Art (Fort Wayne, Ind.), University Art Gallery (Pittsburgh), Henry Gallery, University of Washington (Seattle), Philbrook Art Center (Tulsa, Okla.), The Phillips Collection (Washington, D.C.), Municipal Art Gallery (Davenport, Iowa), Rosenburg Library (Galveston, Tex.), University Art Museum (Austin, Tex.), Museum of the Arts (Fort Lauderdale, Fla.), Brooks Memorial Art Gallery (Memphis, Tenn.), Munson-Williams-Proctor Institute (Utica, N.Y.), Elvehjem Art Center (Madison, Wis.), Kirkland Gallery, Millikin University (Decatur, Ill.), Ringling Museum of Art (Sarasota, Fla.), Museum of Art (Baltimore, Md.), Krannert Art Museum, University of Illinois (Champaign, Ill.), The Dulin Gallery of Art (Knoxville, Tenn.), Benedicta Arts Center, College of St. Benedict,(St. Joseph, Minn.), The Nevada Art Gallery (Reno, Nev.), Fayette Bank and Trust Co. (Uniontown, Penn.).
0001505
Publisher: Baltimore Museum of Art
Place Published: Baltimore
Year: 1982
Date & Collation: (19 Dec)-1983(13 Feb).104pp.Illus.Biog.Bibliog.Preface by Arnold L.LEHMAN.Text by Brenda RICHARDSON.
Description: Includes two photographs: Light Trap for Henry Moore No. 1 and No. 2, 1967 depicting the problem of the artist bound or trapped by his own history..." Nauman had also produced wax and iron versions in 1967 of Henry Moore Bound to Fail."
0024005
Publisher: Baltimore Museum of Art
Place Published: Pikesville, Maryland
Year: 1959
Date & Collation: 24 May.
Description:
Invitation to private view of exhibition at Baltimore Museum of Art. Fourteen artists named, including Moore, Jean Arp, Jacob Epstein, Auguste Rodin, and Ossip Zadkine. Cover illus. of plaster Working Model for UNESCO Reclining Figure.