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Henry Moore Artwork Catalogue

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Search over 24,000 publications on Henry Moore alongside invaluable exhibition catalogues, press coverage, film and audio recordings. Dating from 1914, almost all of these references to Moore are available in the Henry Moore Archive. Please contact us if you have any questions or wish to visit.

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Publications in the Henry Moore Archive at Perry Green in Hertfordshire
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7 results
0023984
"Stories in Sculpture" Advert
Publisher: Sculpture
Place Published: New York
Year: 2016
Date & Collation: April 29 - October 2
Description:

Advert for "Stories in Sculpture: Selections from the Walker Art Center Collection" April 29 - October 2, 2016 at the Denver Botanic Gardens.

Henry Moore is listed among the featured artist as well as: Saul Baizerman, Deborah Butterfield, Barry Flanagan, Georg Kolbe, Giacomo Manzù, Marino Marini, Reuben Nakian, Louise Nevelson, Isamu Noguchi, George Segal, Judith Shea and Jonathan Silver. The advert also contains an image for Standing Figure: Knife Edge, 1961 (LH 482).

View All Works Related to "Stories in Sculpture" Advert (1)
0021257
New Life for an Iconic Henry Moore?
Publisher: Sculpture
Place Published: Washington
Year: 2008
Date & Collation: (Sept) 27 12,17 (2 Moore illus).
Description: News column which reports on new technologies" being used to stabilise and conserve Moore's Travertine marble sculpture The Arch 1979-80 (LH 503c) illus dismantled from Kensington Gardens London in 1996. Speculation on the costs and whether the work will be re-sited. Also contains page 17 brief exhibition review of Moore in America at The New York Botanical Gardens (see 0021253)."
View All Works Related to New Life for an Iconic Henry Moore? (1)
0019971
Chalford, Gloucestershire, England.
Author/Editor: WHITELEY Gillian.
Publisher: Sculpture
Place Published: Washington, D.C..
Year: 2002
Date & Collation: (JulyAug) 21(6) 77-78(2 illus).
Description: Review of Vitalism: British sculptors of the 50s exhibition at Gallery Pangolin. Despite the absence of work by Henry Moore, the theme of the show refers to the figure who dominated British sculpture with his vital forms in the early postwar years.
0019758
Henry Moore.
Publisher: Sculpture
Place Published: Washington,D.C.
Year: 2002
Date & Collation: (March) 21(2) 26,27,31,37,74.
Description: Henry Moore is mentioned briefly in three articles in this publication of the International Sculpture Cwnter:
24-31 MCAVERA Brian. Influence, exchange, and stimulus: a conversation with Sir Anthony Caro.
32-37 SCARLETT Ken. Michael Lyons: liberating possibilities, cultural connections.
73-75 KELLY Julia. Leeds: Close Encounters: the sculptor's studio in the age of camera.
0016576
Anthony Caro.
Publisher: Sculpture
Place Published: Washington, D.C.
Year: 1995
Date & Collation: (Jan-Feb) 14(1) 20-31(illus).
Description: 20-27 COHEN David. The last modernist: Sir Anthony Caro.
(Mentions Caro's work as Moore's assistant, and the influence of the older man. Caro in turn was more influential on younger sculptors than Moore had been).
CARO Anthony. The sculptural moment.
(Adaptation of 1992 Leeds lecture. Mentions Moore's views on David Smith, and includes a photograph of Reclining Forms, 1969-1974 Roman travertine marble).
There are passing mentions of Moore in an interview with Albert Elsen by Suzanne Ramljak on page 10 of this issue of Sculpture. Elsen met Moore to learn about Rodin.
0015654
Dossier: Yorkshire, England.
Author/Editor: COHEN David.
Publisher: Sculpture
Place Published: Washington, D.C.
Year: 1993
Date & Collation: (May-June) 36-37(2 illus).
Description: In an issue on Internationalism. Outines developments, mainly in Leeds, resulting from patronage by Henry Moore Foundation.
0015655
Anish Kapoor.
Author/Editor: COHEN David.
Publisher: Sculpture
Place Published: Washington, D.C.
Year: 1993
Date & Collation: (Jan-Feb) 12(1) Cover,30-37(9 illus).Bibliog.
Description: Kapoor might be deemed closer to Henry Moore especially as they both aspire to create universal forms and they both entail an essentialist attitude toward the feminine...Kapoor has spoken disparingly about Moore- "how can you make sculpture about women for 50 years and not make one of them sexy - but then most British sculptors since Moore have exhibited an anxiety of influence toward him...Perhaps Kapoor is a Moore for postmodernists"."