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Henry Moore Artwork Catalogue

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Search over 24,000 publications on Henry Moore alongside invaluable exhibition catalogues, press coverage, film and audio recordings. Dating from 1914, almost all of these references to Moore are available in the Henry Moore Archive. Please contact us if you have any questions or wish to visit.

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Publications in the Henry Moore Archive at Perry Green in Hertfordshire
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0023355
Author/Editor: HERREMAN Frank., PETRIDIS Constantin
Publisher: 5 Continents Editions
Place Published: Milan
Year: 2016
Date & Collation: 127pp.Illus.Bibliographie.Remercients.Auteurs.Credits photographiques
Description: Illus of Studies of Sculpture in the British Museum 1922-24 (HMF 123) in chapter titled La Découverte de L'Art Mumuye (Discovery of the Art Mumuye).
0023006
Author/Editor: Edited by Kevin CONRU
Publisher: 5 Continents Editions
Place Published: Milan
Year: 2013
Date & Collation: 327pp.Illus.Bibliography.
Description: Art from the South Seas island groups in the Bismark Achipelago in Western Melanesia, covering four major geographical and cultural groupings: New Ireland, New Britain, the Admiralty Islands and the Western Islands. 61-64 reference to Moore's visits to the British Museum; Moore's interest in African and Oceanic sculptures at the British Museum; Malangan carvings; New Ireland carvings; Anthony Caro; non-Western sculpture; Greek sculpture; West African wood carvings; Chola bronzes in South India.. Moore quoted New Ireland carvings made a tremendous impression on me through their use of forms within a form. I realized what a sense of mystery could be achieved by having the inside partly hidden so that you have to move around the sculpture to understand it. I was also staggered by the craftmanship needs to make those interior carvings. The so-called primitive peoples were often as advanced in technique as the more developed societies. The painting of these pieces is very attractive but for me decoration on sculpture can be a distraction from the impact of the three-dimensional form ". Illus of Upright Internal/External Form 1952-53 bronze (LH 296) and Internal/External Forms c.1935 drawing (HMF 1226). Moore talks of New Ireland sculptures he has collected: "the New Ireland peices are sculptural loose and inventive. Heads and figures often include fishes and birds in the same piece. My most recent piece came to me without a stand. It is a vertical peice with a pig's head a bird and a fish . . . it is closed and open-linear and solid. And looking at it it has so much presence it gives me a standard to attain in my own work". Moore's Helmet cited as the most brilliant exploitation of the New Ireland notion of enclosed form."