Henry Moore Artwork Catalogue
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Search over 24,000 publications on Henry Moore alongside invaluable exhibition catalogues, press coverage, film and audio recordings. Dating from 1914, almost all of these references to Moore are available in the Henry Moore Archive. Please contact us if you have any questions or wish to visit.
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0009232
Publisher: Wishart
Place Published: London
Year: 1935
Date & Collation: 87pp.
Description: 7 REA Betty. Foreword.
(Some of these essays were originally given as lectures to the Artists' International association the body of artists which sponsors this book whose members believe that the artist as an individual is a responsible part of the society in which he lives and as such cannot escape the issues of his time").
9-22 READ Herbert. What is Revolutionary Art?
(Passing mention of Moore: "between an abstract artist like Mondrian or Ben Nicholson at one end of the scale and an equally so-called 'abstract' artist like Miró or Henry Moore there is only a remote connection").
23-44 KLINGENDER F.D. Content and Form in Art.
45-49 GILL Eric. All Art is Propaganda.
51-71 LLOYD A.L. Modern Art and Modern Society.
("the new artist should...take over all that is valid for him and his class from...the great modern artists such as Gris Picasso Hélion and Henry Moore").
73-87 WEST Alick. On Abstract Criticism.
Title as printed: 5 on Revolutionary Art."
(Some of these essays were originally given as lectures to the Artists' International association the body of artists which sponsors this book whose members believe that the artist as an individual is a responsible part of the society in which he lives and as such cannot escape the issues of his time").
9-22 READ Herbert. What is Revolutionary Art?
(Passing mention of Moore: "between an abstract artist like Mondrian or Ben Nicholson at one end of the scale and an equally so-called 'abstract' artist like Miró or Henry Moore there is only a remote connection").
23-44 KLINGENDER F.D. Content and Form in Art.
45-49 GILL Eric. All Art is Propaganda.
51-71 LLOYD A.L. Modern Art and Modern Society.
("the new artist should...take over all that is valid for him and his class from...the great modern artists such as Gris Picasso Hélion and Henry Moore").
73-87 WEST Alick. On Abstract Criticism.
Title as printed: 5 on Revolutionary Art."