Henry Moore Artwork Catalogue
Contemporary Sculpture; with an introduction by William Seitz.
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7-9 SEITZ William. Introduction
(Passing mentions).
11-62 A Survey of Recent Sculpture.
(Large photograph of Three Piece Reclining Figure No. 1 1961-1962 bronze, with brief biography).
64-73 GOLDWATER Robert. Truth to What?
(Moore's influence by Mexican sculpture, with a photograph of Reclining Figure, 1932 carved reinforced concrete).
100-105 BARO Gene. David Smith 1906-1965.
(Unlike Henry Moore for instance Smith failed to obtain the commissions that would have placed his works rightly in public plazas in parks and before important buildings").
106-109 GREENBERG Clement. Anthony Caro.
(Shares with Moore a grand sublime manner that has been a peculiarly English aspiration since the eighteenth century).
110-115 HOFMANN Werner. Fritz Wotruba.
(Compares Moore's vegetal shapes with Wotruba's tectonic rigidity).
168-171 BRONSTEIN Herbert. Sense and sensibility: the Albert A. List Family Collection.
(Mentions a Moore Reclining Figure full of movement).
172-175 HOENE Anne. The Rose Garden: the Billy Rose Collection.
(Mentions twenty-two small Moores).
180-183 BARNITZ Jacqueline. Profession and hobby: the Lester Avnet Collection.
(List-mention).
184-188 MICHELSON Annette. Public but private: the Joseph H. Hirshhorn Collection.
(Paragraph on 54 Moores in the collection. Photograph of Composition 1934 bronze)."
Bib. Number0013639
Contemporary Sculpture; with an introduction by William Seitz.
PublisherArts Yearbook
Place PublishedNew York
Year1965
Date & Collation8 1965 210pp.Illus.Adverts.
LanguageEnglish
More InformationIssue of annual published by Art Digest, and including references to Henry Moore in:7-9 SEITZ William. Introduction
(Passing mentions).
11-62 A Survey of Recent Sculpture.
(Large photograph of Three Piece Reclining Figure No. 1 1961-1962 bronze, with brief biography).
64-73 GOLDWATER Robert. Truth to What?
(Moore's influence by Mexican sculpture, with a photograph of Reclining Figure, 1932 carved reinforced concrete).
100-105 BARO Gene. David Smith 1906-1965.
(Unlike Henry Moore for instance Smith failed to obtain the commissions that would have placed his works rightly in public plazas in parks and before important buildings").
106-109 GREENBERG Clement. Anthony Caro.
(Shares with Moore a grand sublime manner that has been a peculiarly English aspiration since the eighteenth century).
110-115 HOFMANN Werner. Fritz Wotruba.
(Compares Moore's vegetal shapes with Wotruba's tectonic rigidity).
168-171 BRONSTEIN Herbert. Sense and sensibility: the Albert A. List Family Collection.
(Mentions a Moore Reclining Figure full of movement).
172-175 HOENE Anne. The Rose Garden: the Billy Rose Collection.
(Mentions twenty-two small Moores).
180-183 BARNITZ Jacqueline. Profession and hobby: the Lester Avnet Collection.
(List-mention).
184-188 MICHELSON Annette. Public but private: the Joseph H. Hirshhorn Collection.
(Paragraph on 54 Moores in the collection. Photograph of Composition 1934 bronze)."