Henry Moore Artwork Catalogue
The Geographies of Englishness: landscape and the national past 1880-1940; edited by David Peters Corbett, Ysanne Holt and Fiona Russell.
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248-274 POWERS Alan. The Reluctant Romantics: Axis magazine 1935-37.
(Contains half-a-dozen mentions of Henry Moore and articles on him in Axis (See 0005084)).
:There are also incidental mentions of Henry Moore in four other chapters:
199-223 SMILES Sam. Equivalents for the Megaliths: prehistory and English culture, 1920-50.
225-247 STEVENS Chris. Ben Nicholson: modernism, craft and the English vernacular.
275-302 CAUSEY Andrew. English Art and the National Character, 1933-34.
RUSSELL Fiona. John Ruskin, Herbert Read and the Englishness of British Modernism.
The other specific chapters are on George Clausen, Spencer Gore, Wyndham Lewis, Blast, Nikolaus Pevsner, and Ballet.
Bib. Number0019904
The Geographies of Englishness: landscape and the national past 1880-1940; edited by David Peters Corbett, Ysanne Holt and Fiona Russell.
PublisherYale University Press
Place PublishedNew Haven and London.
Year2002
Date & Collationxix,386pp.Illus.8 colour plates.Bibliog.Index.
LanguageEnglish
More InformationStudies in British Art, 10. Published for the Paul Mellon Centre for Studies in British Art, The Yale Center for British Art. Many of the chapters in this book began life as papers at the conference Rethinking Englishness: English Art 1880-1940 at the University of York in 1977, supported by the Henry Moore Foundation.248-274 POWERS Alan. The Reluctant Romantics: Axis magazine 1935-37.
(Contains half-a-dozen mentions of Henry Moore and articles on him in Axis (See 0005084)).
:There are also incidental mentions of Henry Moore in four other chapters:
199-223 SMILES Sam. Equivalents for the Megaliths: prehistory and English culture, 1920-50.
225-247 STEVENS Chris. Ben Nicholson: modernism, craft and the English vernacular.
275-302 CAUSEY Andrew. English Art and the National Character, 1933-34.
RUSSELL Fiona. John Ruskin, Herbert Read and the Englishness of British Modernism.
The other specific chapters are on George Clausen, Spencer Gore, Wyndham Lewis, Blast, Nikolaus Pevsner, and Ballet.