Henry Moore Artwork Catalogue
Sculpture Today.
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13-21(5 Moore illus) FULLER Peter. Modern sculpture: a contradiction in terms.
(Those who are commonly heralded as pioneers were, in fact, uncompromisingly anti-modern. The primitive is by definition un-Modern. Moore's works were an indictment of the concerns of our century, and an affirmation, in a peculiarly sculptural way, of other more enduring human values. Moore drew deeply upon those indigenous romantic traditions which evoked the similarities between the body of a woman, ranges of mountains and hills. Later works lost in immediacy of handling but gained in the terrifying power and scale).
22-28 BEAUMONT Mary Rose. The resilient subject: international contemporary sculpture.
29-32 WILLIAMS Glynn. A sculpture odyssey.
(Incidental mention of Moore).
33-61(4 Moore illus) CUMMING Hugh. British sculpture: a survey from Moore to Mach.
(post-war British sculpture has been dominated by the mature monumental works of Henry Moore. Moore succeeded in maintaining a consistently imaginative range of works that broke formal boundaries whilst dealing with grand human themes. He transcended initial public misunderstanding appealing eventually to the orthodox and experimental alike").
62-68 CORK Richard. Cragg Woodrow and Deacon: three individuals.
69-76(1 Moore illus) GRIFFITHS John. International sculpture since 1945.
(Short 'biographies' including ten lines on Moore).
77-80 PAOLOZZI Eduardo. Sculpture and the 20th century condition."
Bib. Number0012200
Sculpture Today.
PublisherArt and Design
Place PublishedLondon
Year1987
Date & Collation(Dec) 3(11-12) 1-80(illus).
LanguageEnglish
More Information5-12 LIVINGSTONE Marco. New! improved!: varieties of British pop sculpture from the 1950s to the 1980s.13-21(5 Moore illus) FULLER Peter. Modern sculpture: a contradiction in terms.
(Those who are commonly heralded as pioneers were, in fact, uncompromisingly anti-modern. The primitive is by definition un-Modern. Moore's works were an indictment of the concerns of our century, and an affirmation, in a peculiarly sculptural way, of other more enduring human values. Moore drew deeply upon those indigenous romantic traditions which evoked the similarities between the body of a woman, ranges of mountains and hills. Later works lost in immediacy of handling but gained in the terrifying power and scale).
22-28 BEAUMONT Mary Rose. The resilient subject: international contemporary sculpture.
29-32 WILLIAMS Glynn. A sculpture odyssey.
(Incidental mention of Moore).
33-61(4 Moore illus) CUMMING Hugh. British sculpture: a survey from Moore to Mach.
(post-war British sculpture has been dominated by the mature monumental works of Henry Moore. Moore succeeded in maintaining a consistently imaginative range of works that broke formal boundaries whilst dealing with grand human themes. He transcended initial public misunderstanding appealing eventually to the orthodox and experimental alike").
62-68 CORK Richard. Cragg Woodrow and Deacon: three individuals.
69-76(1 Moore illus) GRIFFITHS John. International sculpture since 1945.
(Short 'biographies' including ten lines on Moore).
77-80 PAOLOZZI Eduardo. Sculpture and the 20th century condition."