Henry Moore Artwork Catalogue
Henry Moore.
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7-16 MITCHINSON David. Henry Moore: the early years (Outline of Castleford, World War 1, Leeds, Royal College of Art, Hampstead in the 1930s, early carvings, materials, first exhibitions, teaching, drawing, interest in natural forms, themes, holes, fragmented figures, maquettes, casting, stringed figures, artist groups, Much Hadham. Incorporates quotations.)
17-25 STALLABRASS Julian. Henry Moore 1940-1986. (Growing acceptance of Moore's work, War Drawings, retrospective exhibitions, the official voice of British establishment culture, commissions, retreat from modernist forms towards humanism, Reclining Figure: Festival, 1951 bronze, disturbing elements in Moore's sculpture, comparison with Sutherland's Imagery, larger and more abstract monumental bronzes, reaction of younger artists against his work, biomorphism, ambiguity, fragmented figures).
Bib. Number0014890
Henry Moore.
Author/EditorMITCHINSON David., STALLABRASS Julian.
PublisherPolígrafa
Place PublishedBarcelona
Year1992
Date & Collation128pp(203 illus).Biog.Bibliog.In English.
LanguageEnglish
More InformationFor Polígrafa Spanish edition see 0014891. For Academy edition see 0014893. For Rizzoli edition see 0014895. For French edition see 0014896. For Dutch edition see 0014894. For Japanese edition see 0014892. The bulk of the book, pages 30-125, is 181 photographs of sculpture 1922-1982.7-16 MITCHINSON David. Henry Moore: the early years (Outline of Castleford, World War 1, Leeds, Royal College of Art, Hampstead in the 1930s, early carvings, materials, first exhibitions, teaching, drawing, interest in natural forms, themes, holes, fragmented figures, maquettes, casting, stringed figures, artist groups, Much Hadham. Incorporates quotations.)
17-25 STALLABRASS Julian. Henry Moore 1940-1986. (Growing acceptance of Moore's work, War Drawings, retrospective exhibitions, the official voice of British establishment culture, commissions, retreat from modernist forms towards humanism, Reclining Figure: Festival, 1951 bronze, disturbing elements in Moore's sculpture, comparison with Sutherland's Imagery, larger and more abstract monumental bronzes, reaction of younger artists against his work, biomorphism, ambiguity, fragmented figures).