Henry Moore Artwork Catalogue
British and American art: the uneasy dialectic.
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5-18 CUMMING Hugh. The ascendancy of art: an interview with Robert Rosenblum.
19-25 FULLER Peter. The eastward march of civilisation?
(Illustrates four works by Henry Moore mentions his 1940s exhibitions in the U.S.A. and the criticism of his work by Clement Greenberg. Horizontality and "the qualities of Caro's work often owed more to Henry Moore than his singularly ignorant American protagonists realised").
26-31 BEAUMONT Mary Rose. Internationalism and tradition: British and American art since 1945.
(Includes a paragraph on Moore as the most famous British artist of the century and the first to transcend the boundaries of nationalism).
32-36 CAMERON Dan. New American art.
37-44 GRIFFITHS John. American art after 1945.
45-64 JENCKS Charles. Narrative Classicism.
65-73 WAGSTAFF Sheena. The Pop icon.
74-80 Interchanges: British and American painting 1945-87: symposium extracts."
Bib. Number0012199
British and American art: the uneasy dialectic.
PublisherArt and Design
Place PublishedLondon
Year1987
Date & Collation3-80(1 illus).Bibliog.
LanguageEnglish
More InformationArt and Design Profile 5 is published as part of Art and Design volume 3 9/10-1987."5-18 CUMMING Hugh. The ascendancy of art: an interview with Robert Rosenblum.
19-25 FULLER Peter. The eastward march of civilisation?
(Illustrates four works by Henry Moore mentions his 1940s exhibitions in the U.S.A. and the criticism of his work by Clement Greenberg. Horizontality and "the qualities of Caro's work often owed more to Henry Moore than his singularly ignorant American protagonists realised").
26-31 BEAUMONT Mary Rose. Internationalism and tradition: British and American art since 1945.
(Includes a paragraph on Moore as the most famous British artist of the century and the first to transcend the boundaries of nationalism).
32-36 CAMERON Dan. New American art.
37-44 GRIFFITHS John. American art after 1945.
45-64 JENCKS Charles. Narrative Classicism.
65-73 WAGSTAFF Sheena. The Pop icon.
74-80 Interchanges: British and American painting 1945-87: symposium extracts."